Anyone still ready to dismiss Hot Chip as geeks or middle-class ironists would be disabused of that notion as soon as the south London five-piece appear.
From within the death camp, a picaresque story of redemptive love
Bass: Adam Clayton
At 74, Shepp's saxophone voice has lost some of its raw intensity, but his phrasing is gloriously intact, full of lateral, bluesy-sounding shots across the bows of the melody.
Bruce Springsteen has paid tribute to saxophonist Clarence Clemons, who died aged 69 over the weekend.
Clarence Clemons, the saxophone player who helped propel Bruce Springsteen and his E Street Band into global rock'n'roll dominance for three decades, died late on Saturday, a week after suffering a stroke. He was 69.
That alto saxophonist Konitz plays as well as he does at 82 years of age is remarkable, but that doesn't mean you want to hear this 2009 recording very often, despite the contributions of Brad Mehldau, Charlie Haden and Paul Motian. Always an eccentric soloist, Kontiz's ideas seem as fresh as ever but a lack of puff renders his tone thin and weedy.
On his 22nd album for the label, and his second with this hot-to-trot, two-drummer band featuring Esperanza Spalding on bass, saxophonist Lovano confirms his status as the most consistently inventive soloist/leader in jazz.
Anyone for the cello as the new saxophone?
You can't knock the sheer class of this major-label grand production matching bassist Haden's film noir-inspired quartet – one of the best groups of the past 20 years – with guest singers Cassandra Wilson, Diana Krall, Melody Gardot, Norah Jones, Renée Fleming and Ruth Cameron (Haden's wife, who co-produces).
This slow and stately trot through some familiar Ibrahim tunes, plus a few new to this reviewer, was recorded just before last spring's UK tour.
At an age when most of us would be happy if we could still get a spoon in our mouths, 82-year-old saxophonist Konitz took his young band into New York's Village Vanguard.
Two tenor saxophones, bass, drums, electronics/ guitar. The configuration is the same but the music has taken another slight turn. It's a little more formalistic than before.
Give some jazz musicians an orchestra to work with and you get scaled-up felt-tip sketches.
Reissue of a rare 1977 fusion album by the shamanistic Cherry (1936-95), the Ornette Coleman Quartet trumpeter.