New 'national economic strategy' could see institutions such as the British Museum and the Royal Opera House moved away from London and the South East
The Royal Opera
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'I won't take a pay-off': New BBC Director-General Tony Hall says he won't accept massive redundancy payment if he fails
Wednesday 03 April 2013
Tony Hall, the new BBC Director-General, has pledged to end a culture of excessive redundancy payments for executives and promised that he will not accept a pay-off if he fails in the post.
Friday 23 November 2012
The Pollard review, which is examining a shelved Newsnight report into the Jimmy Savile abuse allegations, is to take about a month longer to report than expected.
Thursday 22 November 2012
The BBC has appointed Tony Hall - Lord Hall of Birkenhead - as the new Director General of the corporation.
Tuesday 02 October 2012
Now that Keith Warner’s "Ring" has been re-launched in its entirety, we can judge it afresh. Like the first two "days" (reviewed last week) the second two contain much to enjoy, if also some disappointments, plus some technical hitches which should have been sorted out in dress rehearsal - notably the stuffed stag with its antlers caught on the overhanging 'sky', thus sabotaging Siegfried’s loveliest aria.
Tuesday 05 June 2012
David McVicar tells Louise Flind about the huge challenge of staging Les Troyens
Friday 30 March 2012
Mark Ronson, most famous for his work with Amy Winehouse, has co-created a new dance piece at the Royal Opera. He tells Elisa Bray what attracted him to it
Tuesday 13 March 2012
Miss Fortune in name and deed. Sad to say but Judith Weir’s sixth opera is an embarrassment.
Tuesday 28 February 2012
It’s on occasions like this that the star-rating system runs into irreconcilable difficulties. I honestly cannot remember a time when musical and theatrical values were in such total divergence.
Friday 12 August 2011
Anna Karenina famously ends with a train. In the Mariinsky Ballet's new adaptation of Tolstoy's novel, you get trains all the way through. An elaborate carriage set looms through dry ice and clunks round on a revolve, all but elbowing its way to the front of the stage. It's a laborious effect that never looks as if it's going to work smoothly. Unfortunately, it sets the tone for the ballet.
Friday 15 July 2011
Bring together three of the most intuitive talents (and biggest stars) on the planet, meld them under the baton of Antonio Pappano whose command of every caress, swoon, and dramatic impulse of Puccini’s Tosca is not learned but instinctively felt and you have a recipe for the kind of evening that gives the Royal Opera its truly international status.
Wednesday 06 July 2011
The words are in French but still familiar - “Once upon a time...” – and the story which follows, Cendrillon (that’s Cinderella to you and me), is writ large across the surfaces of Barbara de Limburg’s set, opening like a pop-up book of fairytales whose sliding panels have our eyes hanging on to every word.
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