Wes Anderson's films are as formally distinctive as Peter Greenaway's, and sometimes as maddening. They are pictorial things, but less in the way of a film than, say, a graphic novel. Where Greenaway thinks like a painter, Anderson uses the camera like a cartoonist, each frame hyper-composed in colour and composition, an eccentric mini-work of art in itself. What the frames don't have is much sense of physical or emotional movement from one to another. It's the same with the dialogue. People in Wes World don't overlap in their conversation – a character says something, then there's a pause, then another character replies. Again, it's like the thin white lines dividing one box from another in a comic strip. Some find the effect very charming.

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Moonrise Kingdom (12A)

Wes Anderson, 94mins. Starring: Jared Gilman, Kara Hayward, Bruce Willis, Bill Murray, Edward Norton

Great lengths: the opening ceremony of Cannes Film Festival 2012

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DVD: We Need to Talk About Kevin (15)

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Love without strings

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We Need To Talk About Kevin (15)

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Horrors that aren't all fright on the night

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