East London collective Tunng were founded by Sam Genders and Mike Lindsay in 2003. Their winsome combining of folk melodies and harmonies with glitchy electronics soon won them fans, as well as the tag of "folktronica" (though don't let that put you off). After a few albums and growing success, however, Genders stepped aside, leaving female vocalist Becky Jacobs to step into the spotlight alongside Lindsay on their excellent new album ...And Then We Saw Land. Tonight's performance comes with support from their also rather talented "friends" – Hannah Peel, Gable and Sam Amidon – but Genders also makes a few guest appearances onstage. It's a fluid, familial set-up that lends a warm, inclusive atmosphere to the gig.

At the end of Rich Fulcher's flawed show some members of the audience give him a standing ovation. They're probably the same people that started a Mexican wave before it even began. Such slavish behaviour is typical of fans of The Mighty Boosh, in which Fulcher famously stars.

Sometimes it's hard to work out why television programme chiefs buy in certain foreign shows and completely overlook others. For example, why did E4 buy the dull One Tree Hill, but not the savvy Veronica Mars? Why has no one picked up the charming Bored to Death or the clever Party Down? Why was there no interest in United States of Tara, despite a script by Juno's Diablo Cody and the presence of Toni Collette in the lead role?

An alternative take on the election

The show that chronicled the birth of Britpop is back – for one night only

As President Obama marks his first year in office, The Independent is giving you an exclusive opportunity to download an award-winning new drama about a subject that cuts to the very heart of American politics.

The sudden death of Ian Craig, who was a stalwart of the Westminster press lobby for more than 25 years, has generated a stream of tributes unusual both in their number and in their warmth.

Alban Berg's 'Lulu' was never a date opera, but a new production makes a bleak story even bleaker. The joy comes in the searing music from the pit

Bergen Art Museum, Norway

Matthew Bourne's ballet of Oscar Wilde's novella falls down on too many levels

The Sixth Sense Director: M Night Shyamalan Starring: Bruce Willis, Olivia Williams, Haley Joel Osment, Toni Collette (107 mins; 15)

JILL DANDO'S brother said yesterday that when he saw his sister three weeks ago, she could barely contain her excitement over her forthcoming wedding. Nigel Dando, the chief reporter on the Bristol Evening Post, said their Sunday lunch revolved around her wedding to Alan Farthing. Yesterday both men were inconsolable.

NIGEL DANDO, Jill's brother, said yesterday that when he saw his sister three weeks ago, she could barely contain her excitement over her September wedding. Mr Dando, chief reporter on the Bristol Evening Post, said their Sunday lunch revolved around her marriage to Alan Farthing. Yesterday both men were inconsolable.

Hollywood likes its children to be cunning. It often calls on them to bring lovers back together and outwit the vile. A bargain is struck - life will be innocent and delightful if the child can achieve something monumentally adult first. Nancy Meyers's remake of The Parent Trap (U), the 1961 Disney film, does this. It has twin 11-year-old girls accidentally reunited after years of separation, plotting to bring their divorced parents (Dennis Quaid and Natasha Richardson) back together.