Gig review: Muse, Emirates Stadium, London

Within five seconds, you can understand what happened in Coventry. Six nights previously, as Muse warmed up for the Midlands instalment of their 2nd Law Tour with some stage-set rehearsal, the good citizens of that town feared that their Ricoh Arena was on fire, and alerted the authorities. As the music grinds to a stuttering, screeing start and giant transformer-pillars atop a bank of TV screens begin to belch flames hot enough to flash-fry your face even in the cheap seats, their confusion seems natural.

Music review: Two Door Cinema Club, Alexandra Palace, London

Two Door Cinema Club are one of those bands that make you wonder what the point is. Not in a the-end-is-upon-us sort of way (there's very little apocalyptic about this lovely little Northern Irish troupe) but in that, if this is the band that makes it, this is the band that gets massive, this is what people want, then... what do music journalists know about anything? Why bother?

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Green Day, Shepherd’s Bush Empire, London

“Bad news, guys. Billie Joe has got laryngitis. But I’m here!” said drummer Tre Cool, taking centre stage before singing a solo rude version of “All By Myself”, thus setting the tone for an evening of nostalgic messing around.

Frank Turner and Billy Bragg, The Roundhouse, London

"I won’t sit down and I won’t shut up/ And most of all I will not grow up", belts out the lean 30-year-old Frank Turner on his rousing anthem "Photosynthesis", and the bolshie folkie from Winchester is the highlight of this inaugural Able2UK concert for disabled awareness.

Album: Simone Kermes, Dramma (Sony Classical)

Named after the inscription “dramma per musica” to be found on 18th-century opera librettos, Dramma offers a remarkable collection of arias mostly drawn from longforgotten works by (now) unperformed composers.