Virginia Woolf walked London's parks for inspiration, and to find solace from her dark moods. Seventy years after her great-aunt's death, Emma Woolf argues that you can still find her restless spirit there
I've just started Kate Atkinson's 'Case Histories'. I read 'Behind the Scenes at the Museum' a couple of years ago and was swept away by the scope of the story, the vividness of the characters, and the terrific writing. I'm also re-reading Virginia Woolf's 'The Voyage Out'.
In one sense, this novel is the story of Paul Bailey's elderly protagonist Harry Chapman – former actor, writer, sometime lecturer – and his (only somewhat Homeric) journey out of this life after he finds himself in hospital with acute stomach pains. Those familiar with Bailey's literary game-playing, however – in novels such as the Booker Prize-shortlisted Peter Smart's Confessions and Gabriel's Lament – will recognise the allusiveness in the title. It invokes not only the celebrated Jacobean translation of Homer's epic by George Chapman (already featured in Bailey's Sugar Cane), but also John Keats's poetic panegyric on the elevating effects of great literature, "On First Looking into Chapman's Homer".
The classic was published on 8 June 1949 – and has had a deep impact on millions. Andrew Johnson talks to writers about it – and asks them to cite their favourite reads