Arts and Entertainment

From the Wreckage, Turnage’s 2005 trumpet concerto, was written for the Swedish virtuoso Hakan Hardenberger. Speranza, an LSO commission, is played without the fourth of five movements that Turnage dropped after February’s premiere. The remaining four, the title of each, like that of the work, meaning “hope” – in Arabic, Gaelic, German and Hebrew – are partly inspired by the bleak poetry of Jewish-Romanian poet and Holocaust survivor Paul Celan.

Salustiano Sanchez-Blazquez: The world's oldest man

Salustiano Sanchez-Blazquez, who has died aged 112, was the world's oldest man, having held the title for just three months. He took the baton from Jiroemon Kimura, who died in Japan in June this year, aged 116.

Album: Arcanto Quartett, Jörg Widmann, Mozart: Clarinet Quintet (Harmonia Mundi)

Mozart’s Clarinet Quintet was a literally unique combination at the time he wrote it, requiring a judicious balance of parts: usually when an extra instrument was added to the quartet format it would involve two violas, but here the use of two violins leads to refinement in the higher register, rather than more clutter.

Album: Schumann/Dvorák, Piemontesi/ Belohlávek/BBC SO (Naive)

Francesco Piemontesi brings together two oddities: Schumann's Piano Concerto is a dreamlike dialogue between soloist and orchestra, while Dvorák's rather dull work has slid into obscurity.

Album review: KT Tunstall, Invisible Empire//Crescent Moon (Virgin)

KT Tunstall's fourth album is by some distance her best, offering a series of deeply-felt musings on mortality, mercy and memory. Recorded at Howe Gelb's Wavelab Studio in Arizona in two sessions separated by a season – hence the different titles for the separate “sides” – it reflects her response to the death of her father, the first side's sensitive, reactions gradually supplanted by a new emotional light as her branches become strong enough to “play with the wind” and “carry the snow” again.

New Orleans police officers investigate the scene at the intersection of Frenchmen and N. Villere Streets in New Orleans after gunfire at a Mother's Day second-line parade

New Orleans shootings: Nineteen wounded at Mother’s Day parade

Police in New Orleans were searching for at least two gunmen after a dozen people were wounded when shots were fired at a Mother’s Day parade.

James MacMillan, Magnificat (Challenge Classics)

Album review: James MacMillan, Magnificat (Challenge Classics)

The second volume of James MacMillan's projected four-album series for Challenge finds him conducting the Netherlands Chamber Philharmonic and Netherlands Radio Choir on the premiere of his Advent antiphon “Ó”, in which lowering strings shade treble choral harmonies either side of a central solo trumpet passage, its divine nobility haloed by the choir's extended “O”.

Album: Stravinsky, Le Sacre de Printemps - Berliner Philarmoniker/Rattle (EMI)

Stravinsky's 1913 ballet, The Rite of Spring, premiered to catcalls and fisticuffs.

Simon Rattle, Berliner Philharmoniker Stravinsky: Le Sacre du Printemps (EMI Classics)

Album review: Simon Rattle, Berliner Philharmoniker Stravinsky: Le Sacre du Printemps (EMI Classics)

Released to mark the centennial anniversary of its explosive premiere, Simon Rattle and the Berliner Philharmoniker's Rite of Spring is instantly engrossing from the opening woodwind flourishes.

Album: Fanfara Tirana meets Transglobal Underground, Kabatronics (World Village)

For more than 20 years, London's TGU have placed traditional "world music" sounds in a contemporary context in an unforced, unexploitational way that works because they collaborate rather than just appropriate.

Charles Ives, A Songbook (hat(now)ART)

Album review: Charles Ives, A Songbook (hat(now)ART)

As with his larger musical works, Charles Ives' songs occupy a peculiar position that offers a bridge between Old World classical art-song traditions and the more demotic, folksy New World modes, but charged with the questing experimental spirit that characterises his entire output.

Storgards, Hardenberger, BBC Philharmonic, Bridgewater Hall, Manchester

The most powerful weapon in the opera designer’s armoury is lighting, which allows musical atmosphere to be changed by the flick of a switch: Ravel’s ‘L’enfant et les sortileges’ was never more resonant than when lit by David Hockney’s glowing reds, greens, and mauves.

Album review: Tugan Sokhiev, Orchestre National du Capitole de Toulouse, Stravinsky: The Firebird, The Rite of Spring (Naïve)

Scandalous in its early performances, the stylised primitivism of Stravinsky's Rite of Spring can these days sound merely rumbustious – unless attacked with the youthful gusto of a Dudamel, whose 2010 interpretation with the Simon Bolivar Youth Orchestra restored some of its pagan spirit.

Hundreds of people attend the arrival of Argentina's frigate Libertad in Mar del Plata

Argentina welcomes home ship held in Ghana by US 'vulture fund'

Naval vessel impounded for two and half months returns to triumphant homecoming

Album: Tracey Thorn, Tinsel and Lights (Strange Feeling)

Tracey Thorn takes a wider brief than usual for her Christmas Album Tinsel & Lights, mostly avoiding the routine carols and standards in favour of left-field choices from writers like Stephin Merritt, Sufjan Stevens and Low, the wonderfully oblique melody of whose "Taking Down the Tree" affords a lovely duet with Green Gartside of Scritti Politti. Gartside's own "Snow in Sun" is another highlight, cleverly paired with Randy Newman's "Snow".

IoS album review: Debussy, La Mer etc – Anima Eterna Brugge/Jos van Immerseel (Zig-zag Territoires)

Jos van Immerseel and Anima Eterna Brugge explore the timbres of the Parisian orchestra on the cusp of the 20th century in this absorbing period-instruments performance of three of Debussy’s most famous works.

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