Ben Sherman is celebrating five decades of innovation with a collection inspired by the Sixties Jazz scene. Lee Holmes looks back at the British brand’s rich history

Gabicci first found favour with the 'casual' scene of the 1970s. Now it's celebrating being back in fashion four decades later, says Paul McKenzie

After Danny Nightingale case, details emerge of high-grade hardware brought home as souvenirs

Lacanau Beach is the first book by the young French photographer François Cavelier, comprising a series of 53 images taken over three consecutive summers at one of Bordeaux's hottest holiday spots.

Consisting of eight tracks recorded in 2005 for Waiting for the Siren's Call, then kept in a cupboard while everyone decided what to do with them, Lost Sirens is the last New Order album to feature the bass and ego of Peter Hook.

Eight of the 12 girls killed in last week's shooting rampage at the Sandy Hook Elementary School were Girl Scouts.

Blood. Gore. Intense violence.

King Abdullah II has cancelled his trip to London scheduled for next week, after thousands of Jordanians took to the streets of Amman yesterday calling for his fall on the fourth day of unrest sparked by rising fuel prices.

New dad Robbie Williams tonight laughed off claims his latest number one hit sounded like a television advert for children's sweets.

A youthful troubadour following in Ed Sheeran's footsteps, Jake Bugg brings a scrappily engaging rockabilly intensity to catchy folk rants like the single "Lightning Bolt" and the smalltown escape anthem "Two Fingers", his simple strum'n'drum arrangements allowing his sharp, piercing voice to cut through unhindered.

Last summer's riots have tarnished the reputation of a generation. Three months afterwards, almost half of the 2,000 adults surveyed by children's charity Barnardo's believed children in the UK were becoming “feral” and “behaving like animals.” Meanwhile, an independent panel's interim report found children themselves felt demonised.

Alexandra Spencer-Jones’ adaptation of Anthony Burgess’ classic novel won rave reviews last year when it debuted at the Fringe. A year on, it seems even more relevant as a commentary on the “disaffected youth” of last summer’s riots.

With the launch of Community Week, a very British tradition has been revived