COMPETITION LITERALLY LOST: 88

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This excerpt has been taken from a work of travel literature. Readers are invited to tell us: a) where is the action taking place? b) who is the author? Blackwell's Bookshops will award pounds 30-worth of book tokens to the first correct answer out of the hat. Answers on a postcard to: Literally Lost, Independent on Sunday, 1 Canada Square, London E14 5DL. Usual competition rules apply. Entries to arrive by this Thursday. Literally lost 87: The book was My Family and Other Animals by Gerald Durrell. The action took place in Corfu. The winner is Anne Hindsey of Gawsworth, Cheshire.

went to the Great State Theatre to Saint-Saens' Samson and Delilah. I had a seat in the box close above the orchestra from which I could obtain a view equally good of the stage and of the house. Indeed, the view was rather better of the house than of the stage. But that was as I had wished, for the house was what I had come to see.

It had certainly changed greatly since the pre-revolutionary period. The XXXX plutocracy of bald merchants and bejewelled fat wives had gone. Gone with them were evening dresses and white shirt fronts. The whole audience was in the monotone of everyday clothes. The only contrast was given by a small group of XXXX women in the dress circle, who were shawled in white over head and shoulders, in the XXXX fashion. There were many soldiers, and numbers of men who had obviously come straight from their work. There were a good many grey and brown woollen jerseys about, and people were sitting in overcoats of all kinds and ages, for the theatre was very cold. (This, of course, was due to lack of fuel, which may in the long run lead to a temporary stoppage of the theatres if electricity cannot be spared for lighting them). The orchestra was also variously dressed. Most of the players of brass instruments had evidently been in regimental bands during the war, and still retained their khaki-green tunics with a very mixed collection of trousers and breeches. Others were in every kind of everyday clothes. The conductor alone wore a frock coat, and sat in his place like a specimen from another age, isolated in fact by his smartness alike from his ragged orchestra and from the stalls behind him.

I looked carefully to see the sort of people who fill the stalls under the new regime, and decided that there has been a general transfer of brains from the gallery to the floor of the house. The same people who in the old days scraped XXXX and waited to get a good place near the ceiling now sat where formerly were the people who came here to digest their dinners. Looking from face to face that night I thought there were very few people in the theatre who had had anything like a good dinner to digest. But, as for their keenness, I can imagine few audiences to which, from the actor's point of view, it would be better worthwhile to play. Applause, like brains, had come down from the galleries.

Of the actual performance I have little to say except that ragged clothes and empty stomachs seemed to make very little difference to the orchestra. Helzer, the ballerina, danced as well before this audience as ever before the bourgeoisie. As I turned up the collar of my coat I reflected that the actors deserved all the applause they got for their heroism in playing in such cold.

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