Ann Radcliffe (1764-1823) was born in London. Author of three acclaimed books, 'A Sicilian Romance' (1790), 'The Mysteries of Udolpho' (1794) and 'The Italian' (1797), Radcliffe was one of the first exponents of the Gothic novel and idol of the Romantics. This extract is taken from 'A Sicilian Romance'.
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The castle of Mazzini was a large irregular fabrick, and seemed suited to receive a numerous train of followers, such as, in those days, served the nobility, either in the splendour of peace, or the turbulence of war. Its present family inhabited only a small part of it; and even this part appeared forlorn and almost desolate from the spaciousness of the apartments, and the length of the galleries which led to them. A melancholy stillness reigned through the halls, and the silence of the courts was for many hours together undisturbed by the sound of any footstep. Julia, who discovered an early taste for books, loved to retire in an evening to a small closet in which she had collected her favourite authors. This room formed the western angle of the castle: one of its windows looked upon the sea, beyond which was faintly seen, skirting the horizon, the dark rocky coast of Calabria; the other opened towards a part of the castle, and afforded a prospect of the neighbouring woods. Her musical instruments were here deposited, with whatever assisted her favourite amusements. This spot, which was at once elegant, pleasant, and retired, was embellished with many little ornaments of her own invention, and with some drawings executed by her sister. The closet was adjoining her chamber, and was separated from the apartments of madame only by a short gallery. This gallery opened into another, long and winding, which led to the grand staircase, terminating in the north hall, with which the chief apartments of the north side of the edifice communicated.
Madame de Menon's apartment opened into both galleries. It was in one of these rooms that she usually spent the mornings, occupied in the improvement of her young charge. The windows looked towards the sea, and the room was light and pleasant. It was their custom to dine in one of the lower apartments, and at table they were always joined by a dependant of the marquis's, who had resided many years in the castle, and who instructed the young ladies in the Latin tongue, and in geography. During the fine evenings of summer, this little party frequently supped in a pavilion, which was built on an eminence in the woods belonging to the castle. From this spot the eye had an almost boundless range of sea and land. It commanded the straits of Messina, with the opposite shores of Calabria, and a great extent of the wild and picturesque scenery of Sicily. Mount Etna, crowned with eternal snows, and shooting from among the clouds, formed a grand and sublime picture in the background of the scene. The city of Palermo was also distinguishable; and Julia, as she gazed on its glittering spires; would endeavour in imagination to depicture its beauties, while she secretly sighed for a view of that world, from which she had hitherto been secluded by the mean jealousy of the marchioness, upon whose mind the dread of rival beauty operated strongly to the prejudice of Emilia and Julia. She employed all her influence over the marquis to detain them in retirement; and, though Emilia was now twenty, and her sister eighteen, they had never passed the boundaries of their father's domains.
Vanity often produces unreasonable alarm; but the marchioness had in this instance just grounds for apprehension; the beauty of her lord's daughters has seldom been exceeded. The person of Emilia was finely proportioned. Her complexion was fair, her hair flaxen, and her dark blue eyes were full of sweet expression. Her manners were dignified and elegant, and in her air was a feminine softness, a tender timidity which irresistibly attracted the heart of the beholder. The figure of Julia was light and graceful - her step was airy - her mien animated, and her smile enchanting. Her eyes were dark, and full of fire, but tempered with modest sweetness. Her features were finely turned - every laughing grace played round her mouth, and her countenance quickly discovered all the various emotions of her soul. The dark auburn hair, which curled in beautiful profusion in her neck, gave a finishing charm to her appearance.
Thus lovely, and thus veiled in obscurity, were the daughters of the noble Mazzini. But they were happy, for they knew not enough of the world seriously to regret the want of its enjoyments, though Julia would sometimes sigh for the airy image which her fancies painted, and a painful curiosity would arise concerning the busy scenes from which she was excluded. A return to her customary amusements, however, would restore her usual happy complacency. Books, music, and painting, divided the hours of her leisure, and many beautiful summer-evenings were spent in the pavilion, where the refined conversation of madame, the poetry of Tasso, the lute of Julia, and the friendship of Emilia, combined to form a species of happiness, such as elevated and highly susceptible minds are alone capable of receiving or communicating. Madame understood and practised all the graces of conversation, and her young pupils perceived its value, and caught the spirit of its character.
This extract from 'A Sicilian Romance' by Ann Radcliffe is reprinted by kind permission of Oxford World Classics (rrp £6.99). Readers of 'The Independent on Sunday' can order a copy for £5.50 (including p&p within the UK). Call Oxford University Press (01536 741017) and quote offer code 10KFTGTOUR. Offer ends 31 October.
Follow in the footsteps
A fine romance
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