THIS EXCERPT has been taken from a work of travel literature. Readers are invited to tell us: a) where is the action taking place? b) who is the author? Blackwell's Bookshops will award pounds 30-worth of book tokens to the first correct answer out of the hat. Answers on a postcard to: Literally Lost, Independent on Sunday, 1 Canada Square, London E14 5DL. Usual competition rules apply. Entries to arrive by this Thursday.

The poor words with which natural human speech is provided cannot suffice to describe the Madonna Inn. To convey its external appearance, divided into a series of constructions, which you reach by way of a filling station carved from Dolomitic rock, or through the restaurant, the bar, and the cafeteria, we can only venture some analogies. Let's say that Albert Speer, while leafing through a book on Gaud, swallowed an overgenerous dose of LSD and began to build a nuptial catacomb for Liza Minnelli. But that doesn't give you an idea. Let's say Arcimboldi builds the Sagrada Familia for Dolly Parton. Or: Carmen Miranda designs a Tiffany locale for the Jolly Hotel chain. Or D'Annunzio's Vittoriale imagined by Bob Cratchit, Calvino's Invisible Cities described by Judith Krantz and executed by Leonor Fini for the plush-doll industry, Chopin's Sonata in B flat minor sung by Perry Como in an arrangement by Liberace and accompanied by the Marine Band. No, that still isn't right. Let's try telling about the rest rooms. They are an immense underground cavern, something like Altamira and Luray, with Byzantine columns supporting plaster baroque cherubs. The basins are big imitation-mother-of-pearl shells, the urinal is a fireplace carved from the rock, but when the jet of urine (sorry, but I have to explain) touches the bottom, water comes down from the wall of the hood, in a flushing cascade something like the Caves of the Planet Mongo.

Literally Lost 62: The answer and winner will be announced next week.