Grey matters when it comes to bringing out the best of the Dutch masters at the Rijksmuseum

Plus: New film The Gatekeepers is a gate through the granite wall and the secrecy surrounding John le Carré's latest

Share
Related Topics

I visited the Rijksmuseum last week, by great fortune hitting a
moment between the official press day (Scrum 1) and the public
opening last Saturday (Scrum 2). There was the odd drawback to this
privileged access. I found myself gazing at Rembrandt's The Night
Watch – one of the great paintings of the world – while a workman
nearby used an angle-grinder to fit non-slip treads to a
staircase.

But there were also advantages. Just a little earlier (before Angle Grinder arrived), I had stood in front of Vermeer's The Milkmaid entirely alone. No jostling crowd. No one leaning in to read the label. No half-overheard commentary on its celebrity. Just that lambent image of domestic concentration, all the more lovable, I think, for the fact that the floor needs a good sweep and the wall a fresh coat of paint. The plaster behind the maid, pocked with old nail holes, and stained and scuffed above the skirting board of Delft tiles is the texture of life itself – one of the most expressive blank spaces in art.

There was a visual corollary to the rather dazing tranquillity in which I found myself in front of this beautiful painting, an optical equivalent to the silence of that huge empty room ("The Milkmaid" is in one of the side-chapels of the Rijksmuseum's cathedral-like "Hall of Fame"). And that was the wall that lay behind Vermeer's painted one – this time pristine in its finish and coloured an anthracite grey.

This wasn't, we were informed, any old grey. The restorers hadn't sent off to Farrow & Ball for a colour chart and ordered up 16,000 litres of "Down Pipe" or "Brassica". It was a very special bespoke grey, the winner of a talent contest for greys conducted with exacting patience by the curators and architects in order to find the very best backdrop for the gallery's treasures. And while I haven't seen the losing candidates, it's hard to believe that it could easily be improved upon. It's both lustrous enough to feel up to the pictures that hang against it but discreet and tactful enough not compete for attention. It is the perfect servant – a butler of tonalities.

Coloured backgrounds have long been the norm in old master galleries, of course, and though the older fashion was for an ornamented wallpaper, grey has been a front-runner for a while. The Getty Center in LA uses a browny-purple grey for its Impressionist hang, the National Portrait Gallery uses a dark grey for some of its hangs, and the renovated Musée d'Orsay also went for grey (and other dark block tones) after its recent renovation.

Interestingly, though, its director, Guy Cogeval, felt the need to explain that decision at the time: "White kills all painting apart from 20th century and contemporary art," he said. "When you put an Academic or an Impressionist painting against a white background, the radiance of the white, its indeterminate aura around the work, prevents the sometimes very subtle contrast of values from being revealed. In my view, white is the enemy of painting".

The Rijksmuseum has certainly made the case that grey can be a friend, and I would guess you're going to see something similar in more and more old master galleries worldwide. But reading those words by Cogeval, I did find myself wondering about his exception. If white is the enemy of painting then it's surely the enemy of contemporary paintings too, unless he means to imply that they lack subtle contrasts to lose?

And though it's all but impossible to imagine some kinds of conceptual art in anything but a white cube space, I wonder whether that has more to do with inherited piety than practical aesthetics. Or curator terror of getting it wrong. But having seen Vermeer and others luminous against the grey, I can't help hoping someone will take the risk.

A gate through the granite wall

I'm surprised that Dror Moreh's documentary The Gatekeepers hasn't made a lot more noise – featuring, as it does, a former Shin Bet boss who compares Israel to Nazi Germany. If you're interested in the prospects of peace in the Middle East I would suggest it's unmissable. But even if you're not you might be intrigued by the way Moreh mixes CGI with archive photographs and found-footage. My granite prejudice that documentaries are something you should see on television rather than in a cinema has proved hard to shift, even in the teeth of terrific recent examples. But The Gatekeepers took another chip out.

Tinker, tailor, soldier, SHHH!

I think I'm permitted to reveal I spent the week reading John le Carré's new novel, A Delicate Truth. I'm not entirely sure though, because the review copy was accompanied by a nine-point embargo so comprehensive in its terms that it even appeared to forbid reviewers from jotting down quotations as they read. Perhaps it was meant to generate an atmosphere of appropriate hugger-mugger Official Secrecy. Or perhaps it assumed a world frantic for news of Mr le Carrés latest. Either way, I had to struggle not to let irritation at this self-important piece of paperwork cloud my view. And my lawyers have advised me not to reveal what that view is... just in case I've missed an important sub-clause.

React Now

  • Get to the point
Latest stories from i100
Have you tried new the Independent Digital Edition apps?
iJobs Job Widget
iJobs General

Cancer Research UK: Corporate Partnerships Volunteer Events Coordinator – London

Voluntary: Cancer Research UK: We’re looking for someone to support our award ...

Ashdown Group: Head of IT - Hertfordshire - £90,000

£70000 - £90000 per annum + bonus + car allowance + benefits: Ashdown Group: H...

Ashdown Group: Application Support Analyst - SQL Server, T-SQL

£28000 - £32000 per annum + Excellent benefits: Ashdown Group: Application Sup...

Ashdown Group: Systems Analyst / Data Analyst (SQL Server, T-SQL, data)

£28000 - £32000 per annum + Excellent benefits: Ashdown Group: Systems Analyst...

Day In a Page

Read Next
Ukip leader Nigel Farage in Tiny Tim’s tea shop while canvassing in Rochester this week  

General Election 2015: What on earth happened to Ukip?

Matthew Norman
 

Thatcher as a role model for young women? It may not be as desperate as you would think

Rosie Millard
Major medical journal Lancet under attack for 'extremist hate propaganda' over its coverage of the Israeli-Palestinian conflict

Lancet accused of 'anti-Israel hate propaganda' over coverage of Gaza conflict

Threat to free speech as publishers of renowned medical journal are accused of inciting hatred and violence
General Election 2015: Tories and Lib Dems throw their star names west to grab votes

All noisy on the Lib Dems' western front

The party has deployed its big guns in Cornwall to save its seats there. Simon Usborne heads to the heart of the battle
How Etsy became a crafty little earner: The online market has been floated for £1.2bn, but can craft and capitalism coexist?

How Etsy became a crafty little earner

The online market has been floated for £1.2bn, but can craft and capitalism coexist?
Guy Ritchie is the latest filmmaker to tackle King Arthur - one of our most versatile heroes

King Arthur is inspiring Guy Ritchie

Raluca Radulescu explains why his many permutations - from folk hero to chick-lit hunk - never cease to fascinate
Apple Watch: Will it live up to expectations for the man or woman on the street?

Apple Watch: Will it live up to expectations?

The Apple Watch has apparently sold millions even before its launch tomorrow
Don't fear the artichoke: it's a good cook's staple, with more choice than you'd think

Don't fear the artichoke

Artichokes are scary - they've got spikes and hairy bits, and British cooks tend to give them a wide berth. But they're an essential and delicious part of Italian cuisine
11 best men's socks

11 best men's socks

Make a statement with your accessories, starting from the bottom up
Paul Scholes column: Eden Hazard would be my Player of the Year – but I wonder if he has that appetite for goals of Messi or Ronaldo

Paul Scholes column

Hazard would be my Player of the Year – but I wonder if he has that appetite for goals of Messi or Ronaldo
Frank Warren: Tyson Fury will be closely watching Wladimir Klitschko... when he wins it'll be time to do a deal

Frank Warren's Ringside

Tyson Fury will be closely watching Wladimir Klitschko... when he wins it'll be time to do a deal
London Marathon 2015: Kenya's brothers in arms Wilson Kipsang and Dennis Kimetto ready to take on world

Kenya's brothers in arms take on world

Last year Wilson Kipsang had his marathon record taken off him by training partner and friend Dennis Kimetto. They talk about facing off in the London Marathon
Natalie Bennett interview: I've lost track of the last time I saw my Dad but it's not because I refuse to fly

Natalie Bennett interview: I've lost track of the last time I saw my Dad

Green leader prefers to stay clear of her 'painful' family memories but is more open about 'utterly unreasonable' personal attacks
Syria conflict: Khorasan return with a fresh influx of fighters awaiting the order to start 'shooting the birds'

Khorasan is back in Syria

America said these al-Qaeda militants were bombed out of the country last year - but Kim Sengupta hears a different story
General Election 2015: Is William Cash the man to woo Warwickshire North for Ukip?

On the campaign trail with Ukip

Is William Cash the man to woo Warwickshire North?
Four rival Robin Hood movies get Hollywood go-head - and Friar Tuck will become a superhero

Expect a rush on men's tights

Studios line up four Robin Hoods productions
Peter Kay's Car Share: BBC show is the comedian's first TV sitcom in a decade

In the driving seat: Peter Kay

Car Share is the comedian's first TV sitcom in a decade. The programme's co-creator Paul Coleman reveals the challenges of getting the show on the road