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Friday 30 September 2011
Oliver Smith: Celebrities the losers as tide of legal precedent turns again
This case is the latest in a line of actions to test the boundaries of privacy rights. It started in 2004 with the lengthy battle between Mirror Group Newspapers and Naomi Campbell after MGN published a story with photos of the model leaving Narcotics Anonymous, saying that she was being hypocritical in pretending that she did not take drugs and was a public role model. Campbell sued for breach of her privacy and data protection rights. She won in the High Court, lost in the Court of Appeal and won in the then House of Lords (now The Supreme Court) by a 3-2 majority. The judges said the sensitive nature of her treatment should not have been disclosed.
The House of Lords then decided that the ECHR's wider interpretation of a private and family life applied in English law. This has been used by celebrities such as John Terry in cases that were a turning point in rationalising the extent of celebrity privacy.
MGN challenged the House of Lords decision on Campbell in the ECHR but could not persuade it that the photographs and details of her drug use were necessary to make the story credible. The judge, however, accepted that Ferdinand put himself in a position as a role model and that the kiss-and-tell story contributed to legitimate debate on the footballer's suitability for the role and so was in the public interest.
Oliver Smith is a solicitor at Keystone Law
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This week's big questions: How best to react to Woolwich? Has Miliband got what it takes? And is Stephen King right about ebooks?
Ian Rankin -
What, let gays get married? We must be bonkers
Mark Steel -
Dogma will always lead to murder. In the end, scepticism is the only answer
A C Grayling -
The Daily Cartoon
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Farewell, Shameless. Your heirs have work to do
Owen Jones
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Editorial: Salutary lessons from a libellous tweet from Sally Bercow
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As Hay-on-Wye opens this week, it's time for book festivals to open a new and exciting chapter
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The Holocaust can’t be a joke – least of all in Berlin
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The new version of Ibsen's Public Enemy is a drama where democracy doesn't win any votes
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