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Saturday 24 December 2011
Leading article: A very Downton Abbey Christmas
After a day feasting with the family, what will great swathes of the British public be doing on Christmas night?
Watching the two-hour Downton Abbey special, of course. And what does this tell us about ourselves? Actually, plenty. If there was ever a window into the collective cultural psyche, then Downton is it.
Far from the classless utopia of social mobility that we are all supposed to want, Downton-mania reveals instead deep longings for the past. We don't want iPhones and a new job every five years and everyone called by their first name. No. We hanker in our hearts for imperial wealth, for repressive formality, and, more than anything, for rigid social structures where everyone knows their place.
Then again, in a world rocked by the geopolitical uncertainties of the Arab Spring, troubled by the moral ambiguities of everything from rioting teenagers to military intervention, and shaken by the economic incomprehensibilities of the euro, is it any wonder that a simpler life looks so appealing – particularly one with all the harsh realities airbrushed out?
So sit back, relax, and escape to the glorious reliability of the Dowager Countess's put-downs and the grand MacGuffin of whether Lady Mary will marry Matthew Crawley after all. But most of all, however you spend the evening, have a very happy Christmas.
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This week's big questions: How best to react to Woolwich? Has Miliband got what it takes? And is Stephen King right about ebooks?
Ian Rankin -
What, let gays get married? We must be bonkers
Mark Steel -
Dogma will always lead to murder. In the end, scepticism is the only answer
A C Grayling -
The Daily Cartoon
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Farewell, Shameless. Your heirs have work to do
Owen Jones
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Editorial: Salutary lessons from a libellous tweet from Sally Bercow
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As Hay-on-Wye opens this week, it's time for book festivals to open a new and exciting chapter
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Tim Key: 'If you don't have to tranquilise an animal to get it into your zoo it shouldn't come in'
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The Holocaust can’t be a joke – least of all in Berlin
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The new version of Ibsen's Public Enemy is a drama where democracy doesn't win any votes
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