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Shane MacGowan has issued a statement that could end the ongoing debate around The Pogues ' Christmas song "Fairytale of New York ".
Controversy has rumbled on for years over the song's use of the word "faggot", which is sung by the late Kirsty MacColl .
Many consider the use of the word offensive given its modern use as a homophobic slur. Others argue that the context of the song means the word should be interpreted as traditional Irish slang for a "lazy person".
MacGowan has now issued a statement to Virgin Media Television's The Tonight Show , in response to calls from two RTE 2FM DJs to have the word censored during airplay.
Presenter Eoghan McDermott took to Twitter this week to object to the word which he condemned as a “slur” and “insult”, while presenter Stephen Byrne revealed how he felt when he heard it played in a club, “I stood in a room as over 200 people screamed a word thats been used to make me feel like an outsider, with such joy and cheer”.
McGowan, who wrote the song in 1987, and who sang it with the late Kirsty MacColl, released a statement explaining why he included the word in the song.
“The word was used by the character because it fitted with the way she would speak and with her character,” he wrote.
“She is not supposed to be a nice person, or even a wholesome person. She is a woman of a certain generation at a certain time in history and she is down on her luck and desperate.”
He continued, “Her dialogue is as accurate as I could make it but she is not intended to offend! She is just supposed to be an authentic character and not all characters in songs and stories are angels or even decent and respectable, sometimes characters in songs and stories have to be evil or nasty in order to tell the story effectively.”
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Sign up Show all 40 1 /40Albums of the year 2018 Albums of the year 2018 40. Thom Yorke - Suspiria Thom Yorke’s first ever soundtrack summons the darkness of horror, and the terror of blood and evil, over 25 tracks. A handful of these are among Yorke’s best solo work. The Radiohead frontman’s debut piece written for the 007 film Spectre was a sparse piano-led ballad, and “Suspirium”, the first single to be released from this soundtrack, takes that same intimate approach to desolate depths
Albums of the year 2018 39. Interpol - Marauder Marauder is Interpol’s most experimental to date, blending everything from rough garage rock to Motown rhythms. The band appear reinvigorated, brimming with energy and self-assurance.
Albums of the year 2018 38. Brent Cobb – Providence Canyon Brent Cobb’s music is built around people and places. The country artist returns after the release of his acclaimed 2016 album Shine On Rainy Day with Providence Canyon; a slice of blue-collar country offering fresh tales of Southern life
Albums of the year 2018 37. Black Peaks – All That Divides The Brighton metal band’s sublime second album is their most ambitious to date. Enlisting Adrian Bushby (Foo Fighters, Muse) on production was a master-stroke – with his help they offer up vast sonic landscapes that recall the drama of Darion Malakian’s Scars on Broadway record, Dictator
Albums of the year 2018 36. Miya Folick - Premonitions One moment opining the joys of leaving a party to pluck your eyebrows, the next raging over the gaslighting of assault survivors, Miya Folick’s debut album continues her habit of cracking the shiny veneer of pop, and unsettling the exceptions put upon a feminine voice
Albums of the year 2018 35) Suede – The Blue Hour Though their themes remain in the gutter, Suede aspire to monuments, and The Blue Hour will stand as another sordid masterwork
Albums of the year 2018 34. Cat Power - Wanderer Six years after the release of her last LP Sun, Cat Power – whose struggles with alcoholism, addiction and mental health issues have been much publicised – demonstrates “both a newfound sense of calm, and strength” on her new album
Albums of the year 2018 33. Architects - Holy Hell Holy Hell offers up some of the best tracks of the band’s career, with a through-line that maintains Tom Searle's role as an integral part of Architects, particularly on “Doomsday”, while “Hereafter” feels like the song that launches the album’s momentum. Listening to vocalist Sam Carter scream: “I wasn’t braced for the fallout” is intensely cathartic – even non-metal fans will find it hard not to be moved by the band’s sincerity. (RO)
Albums of the year 2018 32. Robyn – Honey Even in discarding such basic pop necessities as melody, Robyn has managed to create a masterpiece. With her first album in seven years, the Swedish singer delivers nine songs that glow and pulse with bittersweet sensuality, sung in a voice that sifts over the synths like icing sugar
Albums of the year 2018 31. Florence & the Machine - High as Hope On Florence & The Machine’s latest album High As Hope, her voice is just as powerful when she holds back. She seems to attribute much of this calmness to her new-found sobriety – she quit alcohol a few years ago and looks back on her twenties with a mix of fondness and regret
Albums of the year 2018 30. Teyana Taylor - Keep that Same Energy She’s not restricted by genre constraints, and K.T.S.E. (Keep That Same Energy) is a pleasant surprise. Embellished with producer Kanye West’s keen ear for samples, it blends Eighties nostalgia with fresh rap and R&B. At the core of the project is Taylor’s love of pleasing herself, her relationship with her husband, and being a mother
Albums of the year 2018 29. The 1975 – A Brief Inquiry into Online Relationships On their third and best album, A Brief Inquiry into Online Relationships, The 1975 have created what so many post-Radiohead bands couldn’t: a coherent pop statement with enough hope, radical honesty and genre-spanning breadth to make sense across divided generations
Albums of the year 2018 28. Kamasi Washington - Heaven and Earth For a new generation, Kamasi Washington is largely responsible for the revitalised interest in jazz in modern music, most notably with his work on Kendrick Lamar’s jazz-heavy masterpiece, To Pimp a Butterfly. On Heaven and Earth, the Los Angeles saxophonist and band leader splits his second record in two halves: the urgent Earth side explores reality while Heaven deals in dreamy opulence
Albums of the year 2018 27. Novelist – Novelist Guy The 21-year-old south London MC Novelist’s debut album is a clear, concise look at the current social and political landscape of the UK, offering up astute observations on black masculinity and the music industry along the way.
Albums of the year 2018 26. Nils Frahm - All Melody The German composer’s 10th solo album is a stirring, complex work that draws on the concept of connection; a fluidity in the way the universe works
Albums of the year 2018 25. Camila Cabello - Camila Camila Cabello's debut solo album is the first time fans have been able to see her clearly
Albums of the year 2018 24. Mitski - Be The Cowboy On Mitski's brilliant fifth album she is desperate and lonely one minute, hardened and withdrawn the next. Her music, which exists in a space between fierce, guitar-led walls of noise and soft, delicate balladry, feels like an open wound – and Be The Cowboy is no different. (AP)
Albums of the year 2018 23. Years & Years - Palo Santo Frontman Olly Alexander is offering fans their own generational pop icon: a young man who has the courage to put all of that vibrant, dynamic character on full display
Albums of the year 2018 22. Courtney Barnett – Tell Me How You Really Feel On Tell Me How You Really Feel, Courtney Barnett turns her keen eye inwards, exploring anxiety and depression while coming to terms with her own emotional life. Written as her burgeoning stature and hectic touring schedule began to take their toll, these 10 songs are Barnett’s attempt to work through her vulnerability and sadness
Albums of the year 2018 21. Blood Orange - Negro Swan For Negro Swan, Blood Orange’s fourth album, the multi-instrumentalist has dreamed up a 16-song suite that weaves together impressionist psych-pop and interstellar funk, late-Seventies Marvin Gaye and early-Eighties Prince, with some tangled ballads and insomniac blues reminiscent of Elliott Smith and King Krule thrown into the pot “Brother, we’ve seen it all and we’re tired,” Hynes sings on the A$AP Rocky-featuring “Chewing Gum”. In the company of friends, music and tradition, he’s made a kind of spiritual headquarters, somewhere the disheartened can take cover and, with an eye on tomorrow, regroup. (JM)
Albums of the year 2018 20. Cardi B - Invasion of Privacy When she sings off the hook, it’s just another moment where Cardi B runs to her own rhythm: because nothing about Invasion of Privacy is formulaic
Albums of the year 2018 19. Let’s Eat Grandma – I'm All Ears With producer SOPHIE on board (whose own album, also released this year, is well worth your time), they explore the anxieties and frustrations of being a teenage girl through clattering beats and Nokia samples. The result is exceptional
Albums of the year 2018 18. Ghetts – Ghetto Gospel: The New Testament Ghetts re-evaluates much of what he said on Ghetto Gospel, when he was frustrated and angry with the world. Now he looks more to the future, whether on “Next of Kin”, where he speaks from the perspective of a mother carrying her child’s coffin, or “Black Rose”, which addresses fears for his daughter in a society that places double standards on black women. It’s a reminder that grime is so much more than violence and threats. (RO)
Albums of the year 2018 17. Cypress Hill – Elephants on Acid Elephants on Acid is a 21-track monster, loaded with twists and turns that take you as far as Egypt, where Muggs recorded much of “Band of Gypsies” – teaming up with artists on oud, sitar, keyboard and guitar, as well as some of its street musicians. Its lead hook harks back to the glitchy shrieks of “How I Could Just Kill a Man” from their eponymous 1991 debut.
Albums of the year 2018 16. John Grant - Love is Magic His brilliant fourth album Love Is Magic takes listeners on a similar thrill ride, dominated by swirling loops of grand, romantic melody, sly twists of sardonic wit and heart-stopping drops of sheer honesty
Albums of the year 2018 15. Pusha T – Daytona His third record, produced entirely by Kanye West, could easily have been an EP, coming in at just seven songs and 21 minutes. While many fans were disappointed by the erratic and self-indulgent nature of some of West’s other releases, including his own album ye, the beats on Daytona are sample-heavy and superb; the instrumentation is sparse but all the more impactful for it
Albums of the year 2018 14. Nao - Saturn Since her debut single – the AK Paul-featuring “So Good” – was released in 2014, London-based singer-songwriter NAO has hovered around a near-perfect brand of sultry, neo-soul-inflected R&B. Four years later, and she seems to have mastered it
Albums of the year 2018 13. Travis Scott – Astroworld The third solo album from the US artist stars an overwhelming number of (uncredited) guest features, producers and co-writers, but, ultimately, it’s his own, most career-defining work to date.
Albums of the year 2018 12. Troye Sivan - Bloom Bloom captures the A to Z’s of modern queer love with pinpoint precision
Albums of the year 2018 11. Ben Howard – Noonday Dream Howard’s music has always, above all, reflected the shifts and moods in nature, while he sings poetic lyrics in his signature low, warm murmur. On Noonday Dream, he expands on the Cornish landscape that impacted his earlier work and brings in sounds and instruments that spark the imagination for places further afield, in the most exquisite way
Albums of the year 2018 10. Shame – Songs of Praise Distinguishing themselves from the hordes of other white, indie guitar bands that emerged around summer 2017, south London natives Shame manage to make raw, bleeding anger on their debut album sound articulate.
Albums of the year 2018 9. Gaika - Basic Volume Gaika broke new ground on the UK music scene and asserted himself as one of the most provocative and multitalented young artists of this generation with his debut album, Basic Volume
Albums of the year 2018 8. Tamino - Amir Tamino’s music on his debut Amir draws on the old-world romance of his grandfather – a famous Arabic musician and actor ¬– but also embodies the genre-less quality of much modern pop. The musical heritage that is so essential to the 22-year-old’s sound comes to life in the dramatic, sweeping instrumentation on a song like “So It Goes”; haunting, graceful violins, bold drum beats and the shimmer of a tambourine transport the listener entirely.
Albums of the year 2018 7. Mac Miller - Swimming Mac Miller turned his anguish into one of the year’s most disarming records
Albums of the year 2018 6. Colter Wall - Song of the Plains Wall’s songwriting is as stark as it comes: his plain-speaking manner is delivered in a slow, melancholy drawl that paints him as some lonely cowboy – the last man of the West, as he describes in the most matter-of-fact terms how a bullet ripped in to “poor Wild Bill”. There’s no fuss in the instrumentation, either, mostly just gentle picking or brisk, deep thrums on Wall’s acoustic guitar, which are bolstered by icy laps of pedal steel and the occasional harmonica. It’s effective in the simplest of ways – and allows the listener’s imagination to do the rest
Albums of the year 2018 5. Black Panther soundtrack (various artists) Kendrick Lamar co-executive produced the Black Panther soundtrack, has writing credits on its 14 tracks, and appears in various skits and features. But his most essential job on this album is that of the curator, as he brings in a staggering array of talent – from Anderson .Paak, SZA and Future to South African gqom (EDM) artist Babes Wodumo and alt-rapper Yungen Blakrok. Not all the tracks fit as neatly into the film’s biggest moments, but Lamar successfully navigates its most important themes – responsibility, black power, heroism, family dynamics, and loyalty– and weaves them into the music. It makes for a thrilling and deeply immersive journey. (RO)
Albums of the year 2018 4. Kacey Musgraves - Golden Hour Kacey Musgraves third album flips between wide-eyed country pop and disco-electronica. Aided by co-writers and producers Daniel Tashian and Ian Fitchuk – both Nashville stalwarts – Musgraves conjures up a feeling of lightness as she melds the traditional and futuristic. At a time where mainstream artists seem forced to dwell on all the doom and gloom we hear on the news, Golden Hour is a reminder that sometimes – often, if you’re looking in the right places – life is beautiful. And you get the feeling that Musgraves could find the beauty in anything. (RO)
Albums of the year 2018 3. Janelle Monae – Dirty Computer Dirty Computer is Monáe’s gift to the LGBT+ community, non-binary people, black men and women… anyone who faces stigma and abuse just for embracing their true selves. It’s a message of love and hope to anyone who fears what is different, but who has capacity to learn and know better. And it’s seemingly a gift to herself, as well. (RO)
Albums of the year 2018 2. Arctic Monkeys – Tranquility Base Hotel & Casino Tranquility Base Hotel & Casino feels more like an interlude between AM and a seventh Arctic Monkeys album – a delve into the bizarre, where even the Steinway piano has its own character. On “The Ultracheese”, the descending piano chords symbolise a kind of final bow; the last soliloquy of the night before the curtain closes. Few bands today are as brave as this.
Albums of the year 2018 1. Christine & The Queens – Chris Letissier makes her vintage synths snap, crackle, pop, fizz, freeze, squelch, shimmer and soar. There’s even a shattered glass effect (on “Stranger”) to complete the Old Skool Electronica bingo card. Treble notes bounce from air-cushioned soles. Bass lines lasso your hips. Chiffon layers of Letissier’s Anglo-French vocals glide around your neck and shoulders and roll them back. It’s ridiculously danceable. The quirky lyrical pleas for understanding of early hits like “Tilted” has been replaced by the empowered seduction of “Girlfriend”, on which lines “Don’t feel like a girlfriend/ But lover/ Damn, I’d be your lover” simmer over flickering flames of funk-guitar. In the wonderful world of Christine and the Queens, linguistic borders are as porous as those between gender, era and genre. Vive la fluidité!
MacGowan went on to say that he does not want to get into an argument about the song and has no problem with it being censored during radio airplay.
“If people don't understand that I was trying to accurately portray the character as authentically as possible then I am absolutely fine with them bleeping the word but I don't want to get into an argument,” he concluded.
RTÉ yesterday confirmed that the song will continue to be played uncensored on RTE radio as it has for the past 30 years.
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