Leonora Carrington: Surrealist painter's birthday honoured with a Google doodle

The doodle itself is aptly bizarre

Jonathan Gibbs
Monday 06 April 2015 14:58

Celebratory Google doodles have been cute, clever and delightful since they first appeared, but there have been few as obscurely intriguing as today's, that shows a night-time boat in the shape of a crocodile steered by and carrying more of the creatures.

Clicking on the image will inform you that it is intended as a celebration of the 98th birthday of the Surrealist artist Leonora Carrington, who was born in Lancashire on 6 April 1917, though she lived for much of her life in Mexico, dying there in May 2011, aged 94.

She was a last surviving link to the Surrealist movement that first developed in Europe in between the wars, offering a defiantly feminist alternative to the likes of Andre Breton and Max Ernst, and bringing in elements of magical realism.

As well as painting and sculpting, Carrington also wrote a number of books, including Down Below, which dealt with her psychotic experiences following a hospitalisation and treatment which included the use of drugs such as Luminal and cardiazol.

'Evening Conference', 1949 (© Estate of Leonora Carrington)

This was far from the only dramatic event in her life. As Joanna Moorhead relates, she took lunch with Man Ray in Cornwall, had drinks with Picasso in Paris, married Max Ernst, and effected a daring escape from Hitler.

'The Ordeal of Owain' by Leonora Carrington

Boyd Tonkin argues that she transcended her stolid background - schooled in Chelmsford in Essex - to become a truly international avant garde star.

Leonora Carrington photographed by Chloe Aridjis, 1994

There is a current surge of interest in Carrington in Britain, with a major exhibition at Tate Liverpool, and a translation of novel based on her life by Mexican author Elena Poniatowska.

And the crocodiles? They are from a 1998 painting by Carrington entitled How Doth the Little Crocodile (based on the poem by Lewis Carroll, from Alice's Adventures in Wonderland). She later turned the image into a small and then a large scale sculpture, which was installed in Mexico City in 2000.

Register for free to continue reading

Registration is a free and easy way to support our truly independent journalism

By registering, you will also enjoy limited access to Premium articles, exclusive newsletters, commenting, and virtual events with our leading journalists

Already have an account? sign in

By clicking ‘Register’ you confirm that your data has been entered correctly and you have read and agree to our Terms of use, Cookie policy and Privacy notice.

This site is protected by reCAPTCHA and the Google Privacy policy and Terms of service apply.

Join our new commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies


Thank you for registering

Please refresh the page or navigate to another page on the site to be automatically logged inPlease refresh your browser to be logged in