Post Office scandal musical wants postmaster victims to perform onstage
The writers said it would be a “dream” to have affected postmasters in the choir
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A new musical about the Post Office scandal is currently in the works and its creators want to get the victims involved.
The scandal came to wider public knowledge thanks to the ITV documentary Mr Bates vs The Post Office, which showed how at least 900 postal workers’ lives were destroyed when they were blamed for shortcomings in their accounts caused by faulty Horizon software between 1999 and 2015.
The new musical, Make Good: the Post Office Scandal, is based on the stories of two Shropshire workers who faced financial ruin through no fault of their own.
The show will dramatise the workers’ bravery as they fought to clear their names after being accused of theft, fraud and false accounting because of faulty data.
The musical’s writer, Jeanie O’Hare, is now hoping that some of the postmasters and their families might consider joining the choir in the musical – claiming that it could be a cathartic experience for them.
“They have been our guide to make sure we are doing the story right – not only technical stuff but the deep dive into the crushing heartbreak, the shame and what it feels like to be an ordinary person and the power of the state is coming down on you,” she said of those affected.
Jim Fortune, who wrote the musical’s music and lyrics, shared O’Hare’s opinion and said the choir presents a “dream” opportunity for those affected by the scandal to heal.
He said: “Our dream is to build a choir for this show from within the communities, especially postal workers. If they want to join our choir, they’d be very welcome.”
The writer explained how the confrontation the workers faced with technology will be brought to life in the new musical through its band.
It will deliberately use older, analogue equipment to emphasise the impossible battle the workers had to fight against new, seemingly better technology.
“This was during the era when that terrible catchphrase ‘computer says no’ was in the ether,” Fortune said. “People were coming up against these magical machines and they weren’t able to argue their position as a human being.”
“The focus on the show was always what was happening to the subpostmasters and their families but Horizon is very present as a force operating on their lives that doesn’t have to answer for itself.”
Fortune stressed that the musical will not shy away from the severity of what took place, which remains the subject of a government investigation.
He said: “I think song is protest and it is the only and best way that I would know how to deal with emotions and politics at this level – just because we’re doing it in a theatre, doesn’t mean we’re doing Grease.”
The new musical will have a six-week run from October to December this year, with the first performances taking place in Ludlow Assembly Rooms.
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