Film reviews
The Substance loses its way, but Demi Moore is sensational
Coralie Fargeat reimagines the historical misogynist ‘hagsploitation’ genre to powerful effect – at least until her film’s disgusting ending
Channing Tatum thriller Blink Twice falls apart on closer inspection
Naomi Ackie is invited to Channing Tatum’s billionaire retreat in this ‘Promising Young Woman’-aping satire, which can’t match its ambitions
Channing Tatum thriller Blink Twice falls apart on closer inspection
Naomi Ackie is invited to Channing Tatum’s billionaire retreat in this ‘Promising Young Woman’-aping satire, which can’t match its ambitions
Kevin Costner’s very, very long Horizon Chapter 1 is no Yellowstone
The actor and filmmaker self-financed this elaborate American civil war franchise, with part two of a proposed four or five films due in cinemas within weeks. But at 181 dull minutes, it feels like a journey to nowhere
Kevin Costner’s very, very long Horizon Chapter 1 is no Yellowstone
The actor and filmmaker self-financed this elaborate American civil war franchise, with part two of a proposed four or five films due in cinemas within weeks. But at 181 dull minutes, it feels like a journey to nowhere
Ryan Reynolds comedy IF unsuccessfully aims for Spielbergian wonder
George Clooney, Emily Blunt, Phoebe Waller-Bridge and Bradley Cooper are among the many, many stars who voice ‘imaginary friends’ in this sterile family comedy
Ryan Reynolds comedy IF unsuccessfully aims for Spielbergian wonder
George Clooney, Emily Blunt, Phoebe Waller-Bridge and Bradley Cooper are among the many, many stars who voice ‘imaginary friends’ in this sterile family comedy
The timid Anne Hathaway melodrama Mothers’ Instinct needs more kitsch
A tale of psychologically fractious Sixties housewives that looks beautiful but ultimately feels sterile, despite strong performances from its two leads
The timid Anne Hathaway melodrama Mothers’ Instinct needs more kitsch
A tale of psychologically fractious Sixties housewives that looks beautiful but ultimately feels sterile, despite strong performances from its two leads
The Zone of Interest is a hellish spin on traditional Holocaust films
Jonathan Glazer’s film – which has been nominated for five Oscars, including Best Picture – is set on the literal fringes of Auschwitz, with seemingly idyllic images of family life bordering the horror on the other side of the fence
The Zone of Interest is a hellish spin on traditional Holocaust films
Jonathan Glazer’s film – which has been nominated for five Oscars, including Best Picture – is set on the literal fringes of Auschwitz, with seemingly idyllic images of family life bordering the horror on the other side of the fence
