James Balmforth's

Art review: Open Heart Surgery, The Moving Museum, London

The title of this exhibition refers not to a theme of blood-thirsty conceptualism, but the intimate, delicate nature of the artworks included. Art is indeed a painful process, involving much inner probing.

'Untitled, 2010' by Louse Bourgeois, an artwork in her exhibition at the Scottish National Gallery of Modern Art

Art review: Louise Bourgeois - A Woman Without Secrets

French-born New Yorker Louise Bourgeois (1911-2010) is perhaps the greatest female artist of the 20th century. She is also one of the greatest artists full-stop, but her work is powerful because it expresses the hunger and ferociousness of a particularly female kind of experience.

'Seated Male, holding left knee, left profile', by CJ Natoire

Art review: The Male Nude, The Wallace Collection, London

The male nudes in the Wallace Collection’s new exhibition display  a painstaking proficiency, but they’re unlikely to arouse much passion, says Adrian Hamilton

A woman looks at Cupola by Victor Sydorenko at the preview of the new Contemporary Ukrainian Artists exhibition

Art review: Contemporary Ukrainian Artists, Saatchi Gallery, London

What does Ukrainian art bring to mind? Walking around this exhibition of miscellaneous contemporary artists, two themes are noticeable: first, the image of people watching disaster unfold, impassive. Second, the image of muscular bodies falling gracefully through space.

‘The Last of Old Westminster’ (1862)

The river runs deep: Whistler in London

A new exhibition of Whistler’s etchings and paintings of the Thames displays his extraordinary talent for capturing the atmosphere and bustle of life in 19th-century London, says Adrian Hamilton

Review: Paul Klee, Tate Modern

What is it? The EY Exhibition at Tate Modern, which provides a thorough, in-depth look at the popular Modernist artist, taking a chronological long-view.

Anna Fox, Country Girls 1999. From the series Country Girls 1996-2001.

Arts review: Alison Goldfrapp- Performer as Curator

Alison Goldfrapp's curated exhibition offers an interesting opportunity to get inside the mind of an undeniably serious talent

James Cauty, The Aftermath Dislocation Principle Parts I and II

Art review: James Cauty, The Aftermath Dislocation Principle Parts I and II

When you walk into this gallery under the arches of Hoxton Station, you are confronted by a spectacle in the best sense. The Aftermath Dislocation Principle Part I (2013) is a large installation of a post-apocalyptic Britain in which all the familiar signs of civilization have been ravaged.

Andy Warhol's Vote McGovern, 1972

Art review: Andy Warhol - Pop, Power & Politics

A new exhibition at the Scottish Parliament brings together a freshly-curated cross-section of Warhol's supposedly political works

‘Gregory’ (1974)

David Hockney's first brushes with genius

Not all of his early works are masterpieces, says Michael Glover, but a new show offers an intriguing glimpse of a young Yorkshire artist urgently developing a style of his own

Art Review: Shunga: sex and pleasure in Japanese art

British Museum, London

The Billy Boys, 1994, Jack Vettriano

Art review: Jack Vettriano - A Retrospective

A DIY show of dead eyes and decoys

George Grosz, Nieder mit Liebknecht (Down with Liebknecht), 1918

Art review: Georg Grosz's Berlin - Prostitutes, Politicians and Profiteers

This is the first substantial London show of works on paper by the great, Berlin-born political satirist Georg Grosz in twenty years, and, oddly, it is being staged in a private gallery. What is more, the show of 50 works is a major loan exhibition – none of the paintings of drawings is for sale. What's in it for the gallery? 'We got a call from a collector the other day, offering us works by Grosz,' Richard Nagy tells me. So there you have it.

Art review: Yayoi Kusama, White Infinity Nets

What is obsession? Japanese artist Yayoi Kusama, now 84, has been making the Infinity Net series for more than half a century – delicate white nets painted onto large canvases. They appear to be both a symptom of the mental illness that has dogged her since childhood, and a sign of her continuing power to overcome it through art.

Artwork 'Au Naturel' by British artist Sarah Lucas

Art review: Sarah Lucas, Situation - There are boobs and bum aplenty, but there is also a point

Zoe Pilger reviews feminist artist Sarah Lucas's first major solo exhibition

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