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Into the Water, review

There’s no doubt that Into the Water will sell a lot of copies. Like Paula Hawkins’ 2015 hit The Girl On the Train, this, her second thriller is one that will appear on those “beach reads” round-ups and stick around on bestseller stands at airports for months to come. Then, just when even your friend that “doesn’t do books” has read it, the film will come out ­– the rights have already been sold – and it will start again, this time with a Hollywood A-Lister on the cover. But is it any good? Well, I won’t deny that I was semi-gripped. Not quite still-reading-it-on-the-Tube-escalator gripped, but sufficiently so that I eschewed company at lunchtime for a few days to finish it.