Omer Fast mixes war footage and re-enactment at the Imperial War Museum

Visual art review: 5,000 Feet is the Best - How truth and fiction became blurred

Why does fuzzy footage signify reality to us? And can we trust our eyes in a world where film is full of such clever tricks?

John Singer Sargent’s Gassed

Charles Darwent on Art Everywhere: Look out! Someone's trying to sell you art

The money behind this project to publicise the nation’s favourite artworks would have been better spent on helping cash-strapped institutions

All in good taste: ‘Platonischer Mond’ (2002) by Franz West

Please do touch: Franz West brings mischief to Inverleith House, Edinburgh

A major exhibition at the Edinburgh Festival features the collaborative ventures of the late Austrian artist Franz West. Visitors are encouraged to interact with the works and Adrian Hamilton joins in the fun

Charles Darwent on the Edinburgh Art Festival: It's war and peace in the living room

Some of this year's most worthwhile shows are to be found in the most unlikely places

Gregor Schneider at Summerhall, Fringe venue 26

Edinburgh Festival 2013: Summerhall, Fringe venue 26

Described by some as the most overly hyped show of the Edinburgh Festival, Gregor Schneider heads the bill of visual artists at Fringe venue 26, Summerhall. Süßer Duft  (sweet scent) does not, however, disappoint. Schneider brings his particular mixture of visual/sensory and performative elements together to produce a work that will linger long in the mind, I am sworn to secrecy but this is a work that you will not forget.

Güvenc Özel, Cerebral Hut

Art review: Hugo Boss Red Never Follows, Saatchi Gallery, London

The brand HUGO by Hugo Boss might call to mind duty-free perfume or gaunt models strutting down the catwalk in eye-wateringly expensive outfits to those who aren’t particularly interested in fashion. Indeed, there is a film here that shows gaunt models wearing red suits and red lipstick, bones protruding, subjected to a wind-machine and flashing lights. But that’s about all the fashion there is.

Treasured island: Peter Doig at the Scottish National Gallery

As the Scottish National Gallery hosts the first major exhibition of Peter Doig’s work in the country  of his birth, Adrian Hamilton finds that it is the images of the artist’s adopted homeland of Trinidad  that make for a thrilling show

Peter Doig’s Lapeyrouse Wall

Charles Darwent on Edinburgh Art Festival - Three's company, one's a crowd

A trio of big hitters defy a co-operative festival theme with exhibitions that are individual and rewarding

Visual art book review: Art Now! Vol 4, Edited by Hans Werner Holzwarth

Think of this as a tour of the world's most influential galleries: if it's hot in the art world today, it's in this book.

‘Molly Bloom – Daydream III’ by Jon Wealleans

Bloom Time: Jumping for Joyce: Contemporary Painters Revel in the World of James Joyce, at the Francis Kyle Gallery

In a new London show, Jumping for Joyce, contemporary painters and sculptors bring the world of the Ulysses author vividly to life. John Walsh is astonished by the extraordinary variety of the works

When we were young: 'View From The Studio' (1995)– a childhood allergy to oil paint forced Nordström to draw

Charles Darwent on Jockum Nordström's All I Have Learned and Forgotten Again: The bottom line of beauty

Swedish artist's drawings, collages and sculptures are wilfully naive but deceptively sophisticated

Barnett Freedman, People, 1947

Art review: The Lyons Teashops Lithographs: Art in a Time of Austerity 1946-55, Towner Gallery, Eastbourne

Lyons teashops were the Starbucks of their day. In the aftermath of war, the management of the restaurant chain (the last one closed its doors in 1981) was faced with a pressing challenge: how to enliven dingy and often war-scarred interiors up and down the country without spending a fortune.

Lowry’s Punch and Judy (1943)

Charles Darwent on The Lyons Teashop Lithographs: Muzak for the eyes, anyone?

After the war, two schemes tried to cheer the tea drinkers and children of Britain with art – they were heroic, and doomed

A visitor looks at 'Rose and Gold' by Dame Laura Knight

Arts review: Laura Knight Portraits, National Portrait Gallery, London

'Modern' is not a word you automatically associate with Dame Laura Knight, but her self-portrait is just that, in some ways at least. Note I say "modern" and not "avant garde": the picture dates from 1913, the year Picasso painted Guitar and Duchamp made his wheel-stool, Roue de Bicyclette.

Mexican wave: Mantic by Josef Albers

Visual art review: Mexico: A Revolution in Art, 1910-1914 - so where is the writing on the wall?

An exhibition of work from post-revolutionary Mexico is structurally unsound: it lacks murals, the people’s medium

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