Gregor Schneider at Summerhall, Fringe venue 26

Edinburgh Festival 2013: Summerhall, Fringe venue 26

Described by some as the most overly hyped show of the Edinburgh Festival, Gregor Schneider heads the bill of visual artists at Fringe venue 26, Summerhall. Süßer Duft  (sweet scent) does not, however, disappoint. Schneider brings his particular mixture of visual/sensory and performative elements together to produce a work that will linger long in the mind, I am sworn to secrecy but this is a work that you will not forget.

Güvenc Özel, Cerebral Hut

Art review: Hugo Boss Red Never Follows, Saatchi Gallery, London

The brand HUGO by Hugo Boss might call to mind duty-free perfume or gaunt models strutting down the catwalk in eye-wateringly expensive outfits to those who aren’t particularly interested in fashion. Indeed, there is a film here that shows gaunt models wearing red suits and red lipstick, bones protruding, subjected to a wind-machine and flashing lights. But that’s about all the fashion there is.

Treasured island: Peter Doig at the Scottish National Gallery

As the Scottish National Gallery hosts the first major exhibition of Peter Doig’s work in the country  of his birth, Adrian Hamilton finds that it is the images of the artist’s adopted homeland of Trinidad  that make for a thrilling show

Peter Doig’s Lapeyrouse Wall

Charles Darwent on Edinburgh Art Festival - Three's company, one's a crowd

A trio of big hitters defy a co-operative festival theme with exhibitions that are individual and rewarding

Visual art book review: Art Now! Vol 4, Edited by Hans Werner Holzwarth

Think of this as a tour of the world's most influential galleries: if it's hot in the art world today, it's in this book.

‘Molly Bloom – Daydream III’ by Jon Wealleans

Bloom Time: Jumping for Joyce: Contemporary Painters Revel in the World of James Joyce, at the Francis Kyle Gallery

In a new London show, Jumping for Joyce, contemporary painters and sculptors bring the world of the Ulysses author vividly to life. John Walsh is astonished by the extraordinary variety of the works

When we were young: 'View From The Studio' (1995)– a childhood allergy to oil paint forced Nordström to draw

Charles Darwent on Jockum Nordström's All I Have Learned and Forgotten Again: The bottom line of beauty

Swedish artist's drawings, collages and sculptures are wilfully naive but deceptively sophisticated

Barnett Freedman, People, 1947

Art review: The Lyons Teashops Lithographs: Art in a Time of Austerity 1946-55, Towner Gallery, Eastbourne

Lyons teashops were the Starbucks of their day. In the aftermath of war, the management of the restaurant chain (the last one closed its doors in 1981) was faced with a pressing challenge: how to enliven dingy and often war-scarred interiors up and down the country without spending a fortune.

Lowry’s Punch and Judy (1943)

Charles Darwent on The Lyons Teashop Lithographs: Muzak for the eyes, anyone?

After the war, two schemes tried to cheer the tea drinkers and children of Britain with art – they were heroic, and doomed

A visitor looks at 'Rose and Gold' by Dame Laura Knight

Arts review: Laura Knight Portraits, National Portrait Gallery, London

'Modern' is not a word you automatically associate with Dame Laura Knight, but her self-portrait is just that, in some ways at least. Note I say "modern" and not "avant garde": the picture dates from 1913, the year Picasso painted Guitar and Duchamp made his wheel-stool, Roue de Bicyclette.

Mexican wave: Mantic by Josef Albers

Visual art review: Mexico: A Revolution in Art, 1910-1914 - so where is the writing on the wall?

An exhibition of work from post-revolutionary Mexico is structurally unsound: it lacks murals, the people’s medium

Look, don’t touch! Ferran Adria expects adulation, not emulation

Exhibition review: elBulli: Ferran Adria and the Art of Food - feast your eyes, mortals but don’t try this at home

Don’t play with your food! Isn’t that what every child is told when they attempt to mould mashed potato into pea-sized balls, or find the colour result of squashing a strawberry into pistachio icecream? For most budding food lovers that is the beginning and end of experiment. For Ferran Adria, playing with food became a stellar career.

For richer, for poorer: The Football Match (1949) sold for £5.6m in 2011

Charles Darwent on Lowry and The Painting of Modern Life at Tate Britain: The matchstick men aren’t quite where Lowry left them

L S Lowry turned the working class into a flat-capped mob, always on the move, never getting anywhere

Rose Byrne

From Bridesmaids to The Internship: Rose Byrne, the internet virgin playing a Google boss

The actress is playing an executive for the internet search engine in her latest film. But Rose Byrne tells Gill Pringle that she doesn't like all that tech stuff – and she's never been on Facebook and Twitter

Plage aux environs de Trouville
Eugène Boudin (1824-1898)
1864
Toronto, Art Gallery of Ontario, Musée des Beaux-Arts de l’Ontario – Anonymous Gift, 1991

Art review: Eugène Boudin, Jacquemart-André Museum, Paris

His younger friend Monet wrote that he owed "everything" to Eugène Boudin, Degas collected his paintings and Corot called him the "king of skies". But Boudin has been overshadowed by his more-famous contemporaries for too long. Now he is being shown the appreciation he deserves with a stunning exhibition in Paris that does justice to a master of the sea, sky and light.

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