‘Gregory’ (1974)

David Hockney's first brushes with genius

Not all of his early works are masterpieces, says Michael Glover, but a new show offers an intriguing glimpse of a young Yorkshire artist urgently developing a style of his own

Art Review: Shunga: sex and pleasure in Japanese art

British Museum, London

The Billy Boys, 1994, Jack Vettriano

Art review: Jack Vettriano - A Retrospective

A DIY show of dead eyes and decoys

George Grosz, Nieder mit Liebknecht (Down with Liebknecht), 1918

Art review: Georg Grosz's Berlin - Prostitutes, Politicians and Profiteers

This is the first substantial London show of works on paper by the great, Berlin-born political satirist Georg Grosz in twenty years, and, oddly, it is being staged in a private gallery. What is more, the show of 50 works is a major loan exhibition – none of the paintings of drawings is for sale. What's in it for the gallery? 'We got a call from a collector the other day, offering us works by Grosz,' Richard Nagy tells me. So there you have it.

Art review: Yayoi Kusama, White Infinity Nets

What is obsession? Japanese artist Yayoi Kusama, now 84, has been making the Infinity Net series for more than half a century – delicate white nets painted onto large canvases. They appear to be both a symptom of the mental illness that has dogged her since childhood, and a sign of her continuing power to overcome it through art.

Artwork 'Au Naturel' by British artist Sarah Lucas

Art review: Sarah Lucas, Situation - There are boobs and bum aplenty, but there is also a point

Zoe Pilger reviews feminist artist Sarah Lucas's first major solo exhibition

Art review: Serpentine Sackler Gallery, London

What is it? Zaha Hadid’s renovation and extension of an 1805 gunpowder store, turning it into a new Serpentine gallery in London’s Hyde Park. The project cost £14.5 million.

The wizardry of Oz: Charles Meere’s ‘Australian Beach Pattern’ (1940)

Australia’s day in the sun, at the Royal Academy of Arts

It’s been a long time coming, but the Royal Academy’s survey of Australian art hosts some glorious work, and tells the fascinating story of a country struggling with its identity – and reconciling itself with its past

An image by bureaubetak chosen by Kylie Minogue

Review: Instagram: Power of Beauty - Exhibition fails to put the 'art' in Smartphone

The images curated by the likes of Kylie Minogue and Jared Leto are not art except in the ad-hoc sense that anything can be art with an Instagram filter on it

Exhibition review: Victoriana - The Art of Revival, Guildhall Art Gallery, London

What is it? The first major  exhibition to examine Victorian revivalism in its many varied and popular forms; features work by 28 contemporary artists including Yinka Shonibare, Grayson Perry, Jake and Dinos Chapman, Paula Rego and Polly Morgan.

Jerwood Drawing Prize 2013 winner: Apocalypse (My Boyfriend Doesn’t Care) (2013) by Slovakian artist Svetlana Fialova

Jerwood Drawing Prize 2013: The winning picture by Svetlana Fialova is a canny but misguided choice

Apocalypse (My Boyfriend Doesn’t Care) (2013) by Slovakian artist Svetlana Fialova, 28, has been announced as this year’s winner of the biggest drawing prize in the UK. It is a canny but misguided choice.

Crazy in the head: Yumiko Utsu’s ‘Octopus Portrait’ (2009)

A riveting return to Victorian values

Contemporary artists have drawn much inspiration from the fascinations, obsessions and contradictions of the Victorian age, as Adrian Hamilton finds out at the most enthralling exhibition of the year so far

Hellish clever: Rauschenberg’s Canto XIV, XXI and II in Drawings from ‘The Inferno’

Charles Darwent on Rauschenberg, XXXIV Drawings for Dante's 'Inferno': Bath-house tales that scrub up nicely

Illustrating a literary masterpiece, Robert Rauschenberg converts mass produced images into fragile artworks

Bob Dylan's 'Nina Felix' - part of the exhibition 'Bob Dylan: Face Value' at the National Portrait Gallery

Review: Bob Dylan, Face Value - The musician-turned-artist's portraits have a lyrical side

“The empty handed painter from your streets / Is drawing crazy patterns on your sheets,” Bob Dylan sang on his 1965 hit "It’s All Over Now, Baby Blue". While Dylan, now 72, is loved by millions for creating songs with such depth, anger, and poetry, he has also always been a visual artist, albeit a private one.

Omer Fast mixes war footage and re-enactment at the Imperial War Museum

Visual art review: 5,000 Feet is the Best - How truth and fiction became blurred

Why does fuzzy footage signify reality to us? And can we trust our eyes in a world where film is full of such clever tricks?

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