Jessica Jackson Hutchins

Charles Darwent on Paper at the Saatchi Gallery: He's all over the papers again

A free show of throwaway material may sound lightweight, but it's brighter and breezier than the heavy-handed hype

Poppy Whatmore's Champagne Days: 9.42 a.m., 2012

Art review: Antechamber, Collyer Bristow Solicitors & Gallery, London

It’s a surreal experience to walk into a solicitors office near Chancery Lane and find a gallery filled with contemporary art trying to provoke, as contemporary art tends to do.

Pieter by Susanne du Toit , winner of the BP Portrait Award 2013
Installation image of Sky Arts Ignition: Memory Palace at the V&A

Art review: Memory Palace, V&A Museum, London

The visitor to this sensational new exhibition is greeted with the words: “My fellow Londoners, can’t you see how we are diminished?” 

Primitive palette: The Green Donkey by Chagall, pictured in 1977

Charles Darwent on Chagall, Modern Master - The riddle of Marc's green donkey

He was in the right place at the right time – so why is Chagall regarded as an also-ran of Modernism?

Astro Turf: Images such as Orion Deep Wide Field (2009) show us a map without edges

Exhibition review: Visions of the Universe - His dark materials, the photo album

An exhibition of startling images of the cosmos looks at the development of telescopy, photography, and our place in it all

Art review: Patrick Caulfield, Tate Britain, London

For no good reason, Tate Britain has decided to show a retrospective of Patrick Caulfield alongside a general review of the work of Gary Hume. It’s a comparison that does neither  artist much favour.

Cornelia Parker, Oil Stain (Bethlehem) 2012 - 2013

Art review: Cornelia Parker, Frith Street Gallery, London

The British artist's latest exhibition is charged with a different kind of violence

Gary Hume’s How to paint a door (2013)

Charles Darwent on art: Brushes out! It's the Gary Hume and Patrick Caulfield show

One was a reluctant pop artist, the other a YBA – and each defined an era. But by uniting them, Tate Britain reveals them to be brothers-in-paint

One to watch: Sophie Robinson, Poet, 27

One to watch: Sophie Robinson, Poet, 27

There was a reason Robinson went into poetry. “I'm no good at anything else,” she says. The north-London-born poet writes about sex, love and politics.

Human-shaped figures and pendants of whale ivory strung on fine plaited coir cords. Probably presented to Lady Gordon, 1875 - 80, Fiji.

Review: Chiefs and Governors: Art and Power in Fiji, Museum of Archaeology and Anthropology, Cambridge

Necklaces made from whale ivory and fish hooks of ivory, pearl and turtle shell were part of a lavish system of gifts between Fiji’s chiefs and their first British governor in the nineteenth century.

Stunningly repugnant: Elpida Hadzi Vasileva's installation for the Republic of Macedonia at Venice Biennale is made from albino rat skins, butterfly cocoons and 4 live rats

Art review: 55th Venice Biennale, Various venues outside the Giardini, Venice

Artist Alfredo Jaar makes the point that while 28 countries own national pavilions inside the Giardini, the remaining 60 are kept outside. Chile, his own country, has to rent its pavilion.

Marc Quinn’s sculpture Alison Lapper Pregnant resurfaces as a giant inflatable

Art review: Venice Biennale - From a gondola, Art UK looks fine and dandy, but is the YBA bubble about to burst?

Venice has always been a city for showing off, so it's been business as usual at the start of this year's art Biennale as some of the richest people in the world – including François Pinault, owner of Christie's, and Victor Pinchuk, the Ukrainian billionaire – open the doors of their palazzos and throw lavish parties for their friends.

Objects such as the odd stuffed walrus, above, play off the others’ oddness

Art review: Curiosity- Oh, I do like to be beside the seaside

From a giant walrus to the Pope's telescope, the Turner Contemporary's latest show is the marvel of Margate

A general view during the press preview of 'Gas Giant' by Jacob Hashimoto, an installation composed of 7500 kites as part of the 55th International Art Exhibition on May 28, 2013 in Venice, Italy.

Review: 55th Venice Biennale Giardini, Venice

While the pavilions at this year’s Biennale attempt to outdo one another in terms of architectural grandeur and artistic wackiness, to wander through them is a joy. And if the colossal range of art isn’t enough, the people-watching is fantastic.

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