For richer, for poorer: The Football Match (1949) sold for £5.6m in 2011

Charles Darwent on Lowry and The Painting of Modern Life at Tate Britain: The matchstick men aren’t quite where Lowry left them

L S Lowry turned the working class into a flat-capped mob, always on the move, never getting anywhere

Rose Byrne

From Bridesmaids to The Internship: Rose Byrne, the internet virgin playing a Google boss

The actress is playing an executive for the internet search engine in her latest film. But Rose Byrne tells Gill Pringle that she doesn't like all that tech stuff – and she's never been on Facebook and Twitter

Plage aux environs de Trouville
Eugène Boudin (1824-1898)
1864
Toronto, Art Gallery of Ontario, Musée des Beaux-Arts de l’Ontario – Anonymous Gift, 1991

Art review: Eugène Boudin, Jacquemart-André Museum, Paris

His younger friend Monet wrote that he owed "everything" to Eugène Boudin, Degas collected his paintings and Corot called him the "king of skies". But Boudin has been overshadowed by his more-famous contemporaries for too long. Now he is being shown the appreciation he deserves with a stunning exhibition in Paris that does justice to a master of the sea, sky and light.

Jessica Jackson Hutchins

Charles Darwent on Paper at the Saatchi Gallery: He's all over the papers again

A free show of throwaway material may sound lightweight, but it's brighter and breezier than the heavy-handed hype

Poppy Whatmore's Champagne Days: 9.42 a.m., 2012

Art review: Antechamber, Collyer Bristow Solicitors & Gallery, London

It’s a surreal experience to walk into a solicitors office near Chancery Lane and find a gallery filled with contemporary art trying to provoke, as contemporary art tends to do.

Pieter by Susanne du Toit , winner of the BP Portrait Award 2013
Installation image of Sky Arts Ignition: Memory Palace at the V&A

Art review: Memory Palace, V&A Museum, London

The visitor to this sensational new exhibition is greeted with the words: “My fellow Londoners, can’t you see how we are diminished?” 

Primitive palette: The Green Donkey by Chagall, pictured in 1977

Charles Darwent on Chagall, Modern Master - The riddle of Marc's green donkey

He was in the right place at the right time – so why is Chagall regarded as an also-ran of Modernism?

Astro Turf: Images such as Orion Deep Wide Field (2009) show us a map without edges

Exhibition review: Visions of the Universe - His dark materials, the photo album

An exhibition of startling images of the cosmos looks at the development of telescopy, photography, and our place in it all

Art review: Patrick Caulfield, Tate Britain, London

For no good reason, Tate Britain has decided to show a retrospective of Patrick Caulfield alongside a general review of the work of Gary Hume. It’s a comparison that does neither  artist much favour.

Cornelia Parker, Oil Stain (Bethlehem) 2012 - 2013

Art review: Cornelia Parker, Frith Street Gallery, London

The British artist's latest exhibition is charged with a different kind of violence

Gary Hume’s How to paint a door (2013)

Charles Darwent on art: Brushes out! It's the Gary Hume and Patrick Caulfield show

One was a reluctant pop artist, the other a YBA – and each defined an era. But by uniting them, Tate Britain reveals them to be brothers-in-paint

One to watch: Sophie Robinson, Poet, 27

One to watch: Sophie Robinson, Poet, 27

There was a reason Robinson went into poetry. “I'm no good at anything else,” she says. The north-London-born poet writes about sex, love and politics.

Human-shaped figures and pendants of whale ivory strung on fine plaited coir cords. Probably presented to Lady Gordon, 1875 - 80, Fiji.

Review: Chiefs and Governors: Art and Power in Fiji, Museum of Archaeology and Anthropology, Cambridge

Necklaces made from whale ivory and fish hooks of ivory, pearl and turtle shell were part of a lavish system of gifts between Fiji’s chiefs and their first British governor in the nineteenth century.

Stunningly repugnant: Elpida Hadzi Vasileva's installation for the Republic of Macedonia at Venice Biennale is made from albino rat skins, butterfly cocoons and 4 live rats

Art review: 55th Venice Biennale, Various venues outside the Giardini, Venice

Artist Alfredo Jaar makes the point that while 28 countries own national pavilions inside the Giardini, the remaining 60 are kept outside. Chile, his own country, has to rent its pavilion.

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Hacked off: Maisie Williams in ‘Cyberbully’

Maisie Williams single-handedly rises to the challenge

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A history of violence: ‘Angry, White and Proud’ looked at the rise of far-right groups

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‘Remember the attackers are a cold-blooded, crazy minority’, says Blek le Rat

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