Ilya and Emilia Kabakov, The Happiest Man (****) and Two Mountains (**)

Ambika P3, London/ Sprovieri Gallery, London

BC Reloaded, 2012. Bernadette Corporation with Benjamin Alexander Huseby. Courtesy the artists and Greene Naftali Gallery, New York; Cabinet, London; Galerie Meyer Kainer, Vienna; Galerie NEU, Berlin.

Bernadette Corporation, 2000 Wasted Years, ICA, London

“I had never been cool. I liked the same music as my mother,” writes an anonymous member of Bernadette Corporation, the New York artists’ collective, founded in the early 90s, whose oeuvre spans fashion, literature, film, and installation.

Life and death in Pompeii and Herculaneum – British Museum: Priceless treasures from the cities destroyed by the Mount Vesuvius eruption will aim to satisfy the international fascination with the disaster when screened on 18 June

Charles Darwent on art: Life and Death in Pompeii and Herculaneum - The day that death hung on the breeze

As Vesuvius erupted, a strong easterly condemned two towns to extinction – and immortality – as an outstanding exhibition recreating Roman life shows

Moore’s Vertebrae is juxtaposed with Rodin’s The Burghers of Calais

Visual art review: Rodin comes acalling at Henry Moore's place ... it's the great bronze off!

Defy the traffic beside the Houses of Parliament and you can see, to one side, Henry Moore's Knife Edge Two Piece and to the other, Rodin's The Burghers of Calais. Or you could do, until what the French sculptor called "my novel" was trundled up the A10 to Perry Green in Hertfordshire, to Moore's home, studio and gardens. Here, for the first time, the great modernist's work is being shown alongside that of another artist. Other collaborations will follow, but Rodin is the obvious first guest – Moore treasured an early volume about him, bought his work, liked the things he liked.

Joan Harris (Christina Hendricks), from Mad Men

The Mad Women of Mad Men actually represent us all

Behind every successful Mad Man is a female character that any actress would audition every day for a year to play. Mad Men may be set in a world where gender equality is a distant dream, but it's written and produced in the future: by the third season, more than half of its writers were women, which is a vanishingly rare statistic.

Ahmed Mater, Golden Hour, Desert of Pharan series. Still courtesy of the artist

Art review: Sharjah Biennial, Re:emerge: Towards a New Cultural Cartography

In an age of confusing, sprawling art exhibitions, the current Sharjah Biennial stands out as an intelligent, tightly curated show featuring some hard-edged works that ever so slightly unsettle the delicate political and cultural ecosystems in the Gulf.

Sports fans: Americans at play in Love of Winter

Charles Darwent on art: George Bellows was knock-out – but he was always playing catch-up

The star of the Ashcan School was influenced by the Impressionists. Yet for all the surface charm, his work shows a fear of what lies beneath

Craigie Aitchison’s ‘Boat at Sunset’ (1990)

He comes in colours: Craigie Aitchison at the Waddington Custot Galleries

Scottish painter Craigie Aitchison was dismissed by some critics as twee. But the brightness and warmth in his work give it a compelling edge, as Adrian Hamilton discovers at the first show since the artist's death

Lost in space: Mark Wallinger’s labyrinths for Tube stations at Oxford Circus

Mark Wallinger, Labyrinth, London Underground Tube Stations, London

“You learn to know where people want to go even if they don’t know themselves,” one tube employee at Bank station told me, as I wandered around the labyrinth of tunnels, escalators, and platforms in search of Mark Wallinger’s own Labyrinth – artwork number 142 out of 270.

Water World: David Maisel’s Lake Project

Photography review: Landmark, the Fields of Photography - Planet Earth in all its glory and the macabre beauty of desecration

In a show of exuberant generosity and breadth, images of natural beauty and brutal destruction jostle with Flickr fun

Lost in space: Mark Wallinger’s labyrinths for Tube stations at Oxford Circus

Charles Darwent on Mark Wallinger: Underground artist leads travellers astray

Mark Wallinger's new commission, 'Labyrinth', aims to subvert London Underground's iconography and disorient the viewer

Gustavo Dudamel and the LA Philharmonic Orchestra

Classical review: LA Phil New Music Group/Dudamel/Adams, Barbican, London

A theatrical showman of a composer presided over a weak ending which couldn't transcend its own experimentalism

Purity Ring, St John's at Hackney, London

Purity Ring, St John's at Hackney, London

Few highlights struggle through a soupy, samey, set in Hackney

The Curious Incident of the Dog in the Night-Time, Apollo Theatre, London

The Curious Incident of the Dog in the Night-Time, Apollo Theatre, London

The rave reviews and whispers on 'the new Warhorse' are well-placed

Turner-Prize winning artist Simon Starling (right) stands in front of his new film installation Phantom Ride commissioned by Tate Britain which shows images of artworks that been shown at the Tate in the past.

Art review: Tate Britain's self-reflexive new commission 'Phantom Ride' by Simon Starling is elegantly executed but too restricted

Public galleries make much of their artist commissions these days. The more traditional their collections, the more directors want to give a contemporary zing to their establishments by presenting a new work by a contemporary artist. But they are, by nature constrictive. You ask an artist to make a statement about the collection, the edifice or whatever, but too often it remains just that: a statement rooted to a place by the terms of the deal.

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