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Craigie Aitchison’s ‘Boat at Sunset’ (1990)

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Lost in space: Mark Wallinger’s labyrinths for Tube stations at Oxford Circus

Mark Wallinger, Labyrinth, London Underground Tube Stations, London

“You learn to know where people want to go even if they don’t know themselves,” one tube employee at Bank station told me, as I wandered around the labyrinth of tunnels, escalators, and platforms in search of Mark Wallinger’s own Labyrinth – artwork number 142 out of 270.

Water World: David Maisel’s Lake Project

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Lost in space: Mark Wallinger’s labyrinths for Tube stations at Oxford Circus

Charles Darwent on Mark Wallinger: Underground artist leads travellers astray

Mark Wallinger's new commission, 'Labyrinth', aims to subvert London Underground's iconography and disorient the viewer

Gustavo Dudamel and the LA Philharmonic Orchestra

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A theatrical showman of a composer presided over a weak ending which couldn't transcend its own experimentalism

Purity Ring, St John's at Hackney, London

Purity Ring, St John's at Hackney, London

Few highlights struggle through a soupy, samey, set in Hackney

The Curious Incident of the Dog in the Night-Time, Apollo Theatre, London

The Curious Incident of the Dog in the Night-Time, Apollo Theatre, London

The rave reviews and whispers on 'the new Warhorse' are well-placed

Turner-Prize winning artist Simon Starling (right) stands in front of his new film installation Phantom Ride commissioned by Tate Britain which shows images of artworks that been shown at the Tate in the past.

Art review: Tate Britain's self-reflexive new commission 'Phantom Ride' by Simon Starling is elegantly executed but too restricted

Public galleries make much of their artist commissions these days. The more traditional their collections, the more directors want to give a contemporary zing to their establishments by presenting a new work by a contemporary artist. But they are, by nature constrictive. You ask an artist to make a statement about the collection, the edifice or whatever, but too often it remains just that: a statement rooted to a place by the terms of the deal.

Self-portrait: This 1977 print was created by gouging tiny squares out of a copper sheet

Charles Darwent on art: Chuck Close Prints - Process and Collaboration

Hundreds of tiny etchings create his vast portraits, but does knowing the process help us know Chuck Close? This fine show may fill in the gaps

John Piper- The Rise of the Dovey, 1943

John Piper – the Mountains of Wales; Richard Long – Land Art; Beryl Korot – Text and Commentary; Michael Landy – Four Walls; Callum Innes – New Watercolours; Whitworth Art Gallery, Manchester

Some great regional galleries have very special collections indeed and are overlooked at our peril. The Whitworth in Manchester, for example, has a textiles holding second only to the V&A's in London, and is also strong on wallpaper, landscape painting, and drawings both historic and contemporary. A few months from now, it will close for a major refurbishment which, when complete, will see the galleries dramatically open out to the park at its back. How to mark this transitional moment?

Chuck Close Prints: Process and Collaboration, White Cube Bermondsey, London

Chuck Close suffered a spinal aneuryism in 1988, and the story of the making of his large-scale, painted portraits, works often composed of lozenges of colour organised inside grid-like patterns which cohere visually the further you recede from them, often goes hand in hand with a general acknowledgement of his tremendous battle against physical adversity. He's the man who is forever fighting to make it new from the maddening confines of a wheelchair.

Materia i diaris, 2009

Antoni Tàpies, Timothy Taylor Gallery, London

Antoni Tàpies was recovering from a lung infection in a mountain sanatorium during his late teens when he began reading the fiction and philosophy that would shape his later oeuvre. The year was 1942.

Visual art review: RB Kitaj, Obsessions - The rise and fall and rise again of an embittered virtuoso

Although R B Kitaj lived in Britain for nearly 40 years, he ended up an obsessive, wounded outsider.

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