Nigel Jarrett's stories take seemingly ordinary or innocent situations and gently tease out their emotional complexity. Both "Funderland" and "A Point of Dishonour" confound expectations superbly.
In the former, a couple who are not a couple negotiate a weekend away and their suppressed feelings for one another, while in the latter, a woman challenges the notion that her great-grandfather, shot for desertion during the First World War, should be seen as a hero. Jarrett likes the hidden tensions in family situations: caused by the strange stepfather in "Watching the Birdie", for example. He's not afraid of unusual perspectives and his bravery is well rewarded in this unusual and sensitive collection.Reuse content