English National Opera, above in a 2014 production of ‘Così fan Tutte’, is embroiled in a bitter feud

ENO's outgoing chairman Martyn Rose demands artistic director John Berry be sacked

The chairman’s animosity towards Mr Berry was revealed in a private letter sent to the ENO’s president Sir Vernon Ellis

Andrea Chenier at the Royal Opera House

Andrea Chenier, Royal Opera House - review: An exquisitely realised production

Jonas Kaufmann brings down the house with the sheer beauty of his singing

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Gould Trio, Wigmore Hall, review: Gould premieres are right on the money

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Gyula Orendt as Orfeo at The Roundhouse

Orfeo, Roundhouse, review: The Royal Opera House makes many firsts in temple to rock

What an irony: while cash-strapped English National Opera cancels its much-trumpeted ‘Orfeo’ at the Bristol Old Vic, the Royal Opera House presents its first-ever staging of Monteverdi’s masterpiece in that erstwhile temple to psychedelic rock, the Chalk Farm Roundhouse.

Andras Schiff

Andras Schiff, Wigmore Hall, classical review: A revelatory fortepiano recital

From the meditative opening onwards in the Sonata in G D894 we were in a tenderly intimate sound-world

English tenor Ian Bostridge

Ian Bostridge and Thomas Ades, Barbican, classical review: A triumph

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Matthews, Padmore, LSO and Chorus/Rattle at the Barbican, London: A first-class line-up

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Rattle performs at the Barbican
Gustavo Dudamel conducts the Simón Bolívar Orchestra

Simon Bolivar Orchestra, Royal Festival Hall, review: Stirring sounds with a social conscience

There's no mistaking the energy, urgency or identity of the musicians

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Don Quixote, Royal Opera House London, review: Osipova stumbles on Spanish steps

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Hilliard Ensemble, Wigmore Hall, review: Thrilling mix of the medieval and modern

Farewell performance was an extraordinary, theatrical triumph

Jonas Kaufmann at Wigmore Hall

Jonas Kaufmann, Helmut Deutsch, Wigmore Hall, review: A brilliantly accomplished recital

His sound had its usual burnished fullness as he delivered the Schumann songs

Director of 'Orfeo' Sir Michael Boyd (left) and designer Tom Piper

Lyre, lyre: Bringing 'Orfeo' to the London stage

The world’s first great opera is to be the first staged at London’s Roundhouse

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