Andrew Shore in the ENO's Mastersingers

Die Meistersinger, English National Opera, review: A world-class ensemble production

Conductor Edward Gardner holds Wagner’s great webs of polyphony – and the complex musical interactions on stage – in masterly balance

Ben Johnson and Elizabeth Zharoff in La Traviata

La Traviata, English National Opera, review: Elizabeth Zharoff is a delight from start to finish

That this production can still give pleasure is thanks to the singing

Der fliegende Holländer

Der fliegende Holländer, Royal Opera House, review: An immersive and immersing experience

It pulls you into its depths even if you don’t get splashed en route.

Ennio Morricone at the O2 arena with the Czech National Symphony
Abraham Brody with Marina Abromovic

Abraham Brody, review: An unexpected and arresting improvisatory session

Parasol Unit, Foundation for Contemporary Art, London

Robin Tritschler

Robin Tritschler / Graham Johnson, Wigmore Hall, review: Tritschler breaks new ground

The recital was robbed of some of its effect by the fact that Graham Johnson, kept the lid of his powerful Steinway fully open

Robin Tritschler/Graham Johnson review, Wigmore Hall, London: Some lovely Shakespearean discoveries among second-rate Schumann

The recital was robbed of some of its effect by the fact that Graham Johnson, kept the lid of his powerful Steinway fully open

Jessica Walker as Ziggy in Unborn in America

Unborn in America, Vault Festival, London: A dismal experience in the Waterloo Vaults

The score is devoid of structure, the libretto of wit and the direction ditto

The Orchestra of the Age on Enlightenment

The Tempest or The Enchanted Island,
Sam Wanamaker Playhouse, review: Forgotten corner of musical history brilliantly re-animated

The story kept its shape and character, and the glimpse we got of seventeenth-century theatre music was fascinating

Andrea Chenier at the Royal Opera House

Andrea Chenier, Royal Opera House - review: An exquisitely realised production

Jonas Kaufmann brings down the house with the sheer beauty of his singing

Ukrainian pianist Valentina Lisitsa

Lisitsa, Zhang, LSO - Barbican, review: Showy work beats up an admirable storm

Zhang and Lisitsa seem made for each other

Gould Trio, Wigmore Hall, review: Gould premieres are right on the money

Dizzy ride revives classical music business's crowdfunding tradition

Gyula Orendt as Orfeo at The Roundhouse

Orfeo, Roundhouse, review: The Royal Opera House makes many firsts in temple to rock

What an irony: while cash-strapped English National Opera cancels its much-trumpeted ‘Orfeo’ at the Bristol Old Vic, the Royal Opera House presents its first-ever staging of Monteverdi’s masterpiece in that erstwhile temple to psychedelic rock, the Chalk Farm Roundhouse.

Andras Schiff

Andras Schiff, Wigmore Hall, classical review: A revelatory fortepiano recital

From the meditative opening onwards in the Sonata in G D894 we were in a tenderly intimate sound-world

English tenor Ian Bostridge

Ian Bostridge and Thomas Ades, Barbican, classical review: A triumph

An unforgettable concert,with Thomas Ades providing an accompaniment of exquisite delicacy and suggestiveness

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