John Cameron Mitchell: Let's talk dirty

Hollywood likes it sleek and perfect. Arthouse cinema prefers it ugly and 'difficult'. But in the new film 'Shortbus' the sex is explicit, funny and very real. Jonathan Romney chats up its director, John Cameron Mitchell

It's a hard fact that bums on seats don't necessarily equate with other body parts on screen. Over the last few years, nudity, graphic sex and the kind of imagery traditionally equated with hardcore porn have found their way into the respectable mainstream of art-house cinema. In France, director Catherine Breillat has hired priapic Euro-stud Rocco Siffredi to spout nihilistic aphorisms, while porn actress Coralie Trinh Thi co-directed the very explicit feminist revenge thriller Baise-moi. In the US, Larry Clark has made a career portraying teenage sex and its discontents, most recently in the most successful section of the patchy art-sex anthology Destricted, while the ever-modest Vincent Gallo had Chloë Sevigny perform fellatio on him (or, sceptics insist, a convincing prosthetic stand-in) in his quixotically ludicrous road movie The Brown Bunny.

All this is manna to the media, but it means surprisingly little at the box office. While Michael Winterbottom's explicit 9 Songs caused a flurry in Cannes (where journalists are under orders to rustle up three flurries a week), it barely caused a ripple when the film eventually hit British screens. And surprisingly, even Cannes was only mildly stirred by this year's out-of-competition screening of one of the most graphic films ever to penetrate the gates of the Palais, John Cameron Mitchell's Shortbus. But while Shortbus outraged no one, it was admired and certainly well liked - and that seems true to its spirit. It's a film to charm, rather than outrage. Its mission, Mitchell says, was "to respect sex again in films - so many films only associate it with negativity, or only with eroticism and arousal. We tried to remove some of the arousal to see what's left over."

Mitchell's cheerful American independent venture might be described as a polysexual Manhattan soap opera. It's an ensemble comedy about a group of likeable youngish people of all persuasions, who meet up in a sex-and-culture salon called Shortbus - so named because while many American kids ride the long school bus every morning, the "shortbus" is for the gifted, sexually dissident few. There, Mitchell's characters shed their erotic and psychological inhibitions, and generally (since the film carries definite traces of Hair and other hippie-era utopian musicals) let it all hang out.

And oh, how it hangs out and, indeed, spurts. There are few holds barred in Shortbus, which includes a very crowded orgy, a gay threesome that proposes a novel way to perform "The Star-Spangled Banner", an excitable young man adding further splashes to a Jackson Pollock painting, and an eye-popping and extremely uncomfortable-looking feat of auto-fellatio. Yet no one could possibly be outraged by Mitchell's tender, benignly boisterous comedy of sexual manners, which New York's Village Voice called "a triple-X midnight movie with a heart of squarest gold".

When the film was released last month in the US, its distributor, ThinkFilm, was careful to downplay the potential provocation: "We're not trying to say this is a hot movie," was the claim. As a result, perhaps, Shortbus has so far taken only a modest gross of just under $1.5m, and has notably failed to elicit fuming objections, in the nation where Robert Mapplethorpe's photographs once caused conservatives to prosecute arts centres. John Cameron Mitchell admits that he's a little disappointed on this score. "There hasn't been any public controversy. I think the Republicans are just busy with their own scandals. It would probably help the film if there was a bit, but I don't like to argue with people who refuse to see the film."

Even the most fervent moral campaigners couldn't easily find much to object to in Shortbus, if they looked beyond its slightly happy-clappy gospel of orgasms for all: the film preaches a message of tolerance, honesty and good humour. However, in the context of American film's generally neurotic attitude to nonconformist sex, and especially as an example of late Bush-era cinema, Shortbus strikes you as an altogether radical anomaly. Surprisingly, though, Mitchell claims that he didn't set out to make the film in a campaigning spirit.

"It was just an aesthetic exercise. The question was, how could I use sex in a way that I hadn't seen in a film? I knew that it would be New York, I knew that I wanted a diversity of sexuality. Later, what the actors brought, and just living in New York after 9/11 certainly affected it, and Bush affected it - everything that happened to us in the last four years affected it."

Shortbus certainly comes across as the most mainstream-friendly of explicit films: it shouldn't be too forbidding to anyone used to Sex and the City. "I knew the sex would be a challenge for some people, and one way into that challenge is to remind people of the humour associated with sex. A spoonful of sugar to make the medicine go down, and all that. I use sex as a metaphor for other parts of these people's lives. Hitchcock was the master of metaphors for sex because he couldn't show it - trains into tunnels and boiling water... Since we can show it, sex becomes metaphor for something else. Obviously, a woman not being able to have an orgasm means more than just sex."

Everyone does, however, achieve the desired climax in Shortbus. All the orgasms in the film are real - "All but one," Mitchell specifies, although he won't say which one. "When we say 'unsimulated'," he admits, 'it's a bit of a generalisation - even in life there's a bit of simulation going on. Not every shot of someone's arm or ear is attached to someone with a hard-on." Mitchell found his actors by advertising for people who wanted to make a sex film. He whittled contenders down to a final cast over an extensive period of auditioning and salon-based bonding, having initially eliminated the exhibitionists (basically, he says, anyone who was "just whacking off and talking about how many people they'd fucked").

Shooting the film, Mitchell found that a large part of his job as director was to relax his cast so that they felt comfortable being filmed so intimately. But his performers were in any case fairly free of angst and inhibition: "My sexual life and the life of the actors is, I guess, less grim than Catherine Breillat's or Vincent Gallo's." The solemnity of Breillat's approach - her last essay on sex was called Anatomy of Hell, and boy, she wasn't kidding - is an attitude that Mitchell has little patience with. Sex, he argues, "is the funniest thing there is. It demands incongruous juxtapositions - you're suddenly in this position, what are you meant to be doing? 'I'm a dignified human being!' The best sex is the kind where you're both giggling, where you're aware of the complexity of sex, how it's funny, someone just farted - you don't see much of that in film."

Mitchell doesn't appear in Shortbus himself, but chances are, you wouldn't recognise him if he had. He has been most widely seen modelling a selection of Dolly Parton-esque wigs as the transexual glam-rock diva in Hedwig and the Angry Inch, the 2001 film he directed from his stage musical, co-written with Stephen Trask. An off-Broadway hit that became a wider cult success - one of its numbers was even covered by the very un-Hedwiggian Meat Loaf - the show made Mitchell's name after years as a hard-working stage and TV actor. You can't detect much of Hedwig, or hear her foghorn bellow, in the trim, composed figure sitting in a London hotel bar today, his gently sing-song voice barely rising above a polite sotto. He has now cast off her persona, but Hedwig was once an inseparable part of him, Mitchell says. "I think it helped me like myself more, playing Hedwig. I remember being afraid of doing drag when I was younger because I didn't really like my feminine side - most gay guys at some point are told that that's the worst part of you, so that becomes a negative thing. Certainly I don't feel the need to do drag any more - or act any more."

Born in Texas in 1963, Mitchell was the son of a Glaswegian teacher-artist mother and a US Army general, and spent his childhood travelling with them between army bases, in America, Germany and Scotland. A particularly traumatic time was his spell in a Benedictine priory boys' school in Scotland, where he was bullied a lot: "I did take comfort in the vespers and compline. I might have become a monk if I hadn't come out." But his spiritual urgings didn't chime with his awareness that he was gay: "You go to hell for that - we're all going to hell, according to the Pope, because we've probably all masturbated and forgotten to confess it. Every time you masturbate, God kills a kitten," Mitchell says dryly, then after a perfectly timed pause, "There's apparently a sex club called Killing Kittens."

It was at the priory school that the seeds of Hedwig were sown: "It was the early Seventies, so I was really into T Rex and Sweet. Top of the Pops was hysterical then: everyone was all glammed out, but there was still, for many of them, this kind of expression on their face, because they'd just come out of Hull and they were ill at ease with what they were wearing. Except for David Bowie, who was another species." Mitchell is shocked when I tell him Top of the Pops has been axed. "Where will the Scissor Sisters play, then?"

But it's clearly Mitchell's experience of the following decade that most haunts the sexual politics of Shortbus, with its apparent nostalgia for a pre-Aids utopia, or proselytising for a new post-Aids utopia. "I actually came out the year that Aids hit the front pages," Mitchell recalls of the early Eighties, "so there was this mixed feeling about it - excitement that life's finally begun, but it was completely tied up with mortality and danger and politics. I decided I'm not gonna stop with sex. That's what I'd been fighting for: romance and sex and the combination of the two."

After Shortbus, Mitchell is likely to turn his hand to something more mainstream-friendly, a children's fantasy film. But he hasn't got sex out of his system, and speculates that he might even get round to making a porn film proper. "Now that I know how to work with people having sex and relax them, it might be interesting to work with something that is actually erotic. But I actually think plot interferes with arousal. So if I made a porn film, I wouldn't be very narrative at all." But it might, you imagine, be every bit as sweetly ebullient as Shortbus. After all, Mitchell says, "Sex is a great thing that gets you out of the house."

* 'Shortbus' is released on Friday

PROMOTED VIDEO
Have you tried new the Independent Digital Edition apps?
Arts and Entertainment
Keira Knightley and Benedict Cumberbatch star in the Alan Turing biopic The Imitation Game

film
Arts and Entertainment

TV
Arts and Entertainment
Radio 4's Today programme host Evan Davis has been announced as the new face of Newsnight

TV
Arts and Entertainment
Pharrell Williams performing on the Main Stage at the Wireless Festival in Finsbury Park, north London

music
Arts and Entertainment
Carrie Mathison returns to the field in the fourth season of Showtime's Homeland

TV
Arts and Entertainment
Crowds soak up the atmosphere at Latitude Festival

music
Arts and Entertainment
Meyne Wyatt and Caren Pistorus arrive for the AACTA Aawrds in Sydney, Australia

TV
Arts and Entertainment
Rick Astley's original music video for 'Never Gonna Give You Up' has been removed from YouTube

music
Arts and Entertainment
Quentin Blake's 'Artists on the beach'

Artists unveils new exhibition inspired by Hastings beach

art
Arts and Entertainment
MusicFans were left disappointed after technical issues
Arts and Entertainment
'Girl with a Pearl Earring' by Johannes Vermeer, c. 1665
artWhat is it about the period that so enthrals novelists?
Arts and Entertainment
Into the woods: The Merry Wives of Windsor at Petersfield
theatreOpen-air productions are the cue for better box-office receipts, new audiences, more interesting artistic challenges – and a picnic
Arts and Entertainment
James singer Tim Booth
latitude 2014
Arts and Entertainment
Lee says: 'I never, ever set out to offend, but it can be an accidental by-product'
comedy
Arts and Entertainment
tvThe judges were wowed by the actress' individual cooking style
Arts and Entertainment
Nicholas says that he still feels lucky to be able to do what he loves, but that there is much about being in a band he hates
musicThere is much about being in a band that he hates, but his debut album is suffused with regret
Arts and Entertainment
The singer, who herself is openly bisexual, praised the 19-year-old sportsman before launching into a tirade about the upcoming Winter Olympics

books
Arts and Entertainment
music
Arts and Entertainment
Jon Cryer and Ashton Kutcher in the eleventh season of Two and a Half Men

tv
Arts and Entertainment
Ben Whishaw is replacing Colin Firth as the voice of Paddington Bear

film
Independent
Travel Shop
the manor
Up to 70% off luxury travel
on city breaks Find out more
santorini
Up to 70% off luxury travel
on chic beach resorts Find out more
sardina foodie
Up to 70% off luxury travel
on country retreats Find out more
Latest stories from i100
Have you tried new the Independent Digital Edition apps?

ES Rentals

    Independent Dating
    and  

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    Screwing your way to the top? Good for Lana Del Rey for helping kill that myth

    Screwing your way to the top?

    Good for Lana Del Rey for helping kill that myth, says Grace Dent
    Will the young Britons fighting in Syria be allowed to return home and resume their lives?

    Will Britons fighting in Syria be able to resume their lives?

    Tony Blair's Terrorism Act 2006 has made it an offence to take part in military action abroad with a "political, ideological, religious or racial motive"
    Beyoncé poses as Rosie the Riveter, the wartime poster girl who became a feminist pin-up

    Beyoncé poses as Rosie the Riveter

    The wartime poster girl became the ultimate American symbol of female empowerment
    The quest to find the perfect pair of earphones: Are custom, 3D printed earbuds the solution?

    The quest to find the perfect pair of earphones

    Earphones don't fit properly, offer mediocre audio quality and can even be painful. So the quest to design the perfect pair is music to Seth Stevenson's ears
    Climate change threatens to make the antarctic fur seal extinct

    Take a good look while you can

    How climate change could wipe out this seal
    Should emergency hospital weddings be made easier for the terminally ill?

    Farewell, my lovely

    Should emergency hospital weddings be made easier?
    Man Booker Prize 2014 longlist: Crowdfunded novel nominated for first time

    Crowdfunded novel nominated for Booker Prize

    Paul Kingsnorth's 'The Wake' is in contention for the prestigious award
    Vladimir Putin employs a full-time food taster to ensure his meals aren't poisoned

    Vladimir Putin employs a full-time food taster

    John Walsh salutes those brave souls who have, throughout history, put their knives on the line
    Tour de France effect brings Hollywood blockbusters to Yorkshire

    Tour de France effect brings Hollywood blockbusters to Yorkshire

    A $25m thriller starring Sam Worthington to be made in God's Own Country
    Will The Minerva Project - the first 'elite' American university to be launched in a century - change the face of higher learning?

    Will The Minerva Project change the face of higher learning?

    The university has no lecture halls, no debating societies, no sports teams and no fraternities. Instead, the 33 students who have made the cut at Minerva, will travel the world and change the face of higher learning
    The 10 best pedicure products

    Feet treat: 10 best pedicure products

    Bags packed and all prepped for holidays, but feet in a state? Get them flip-flop-ready with our pick of the items for a DIY treatment
    Noel Fielding's 'Luxury Comedy': A land of the outright bizarre

    Noel Fielding's 'Luxury Comedy'

    A land of the outright bizarre
    What are the worst 'Word Crimes'?

    What are the worst 'Word Crimes'?

    ‘Weird Al’ Yankovic's latest video is an ode to good grammar. But what do The Independent’s experts think he’s missed out?
    Can Secret Cinema sell 80,000 'Back to the Future' tickets?

    The worst kept secret in cinema

    A cult movie event aims to immerse audiences of 80,000 in ‘Back to the Future’. But has it lost its magic?
    Facebook: The new hatched, matched and dispatched

    The new hatched, matched and dispatched

    Family events used to be marked in the personal columns. But now Facebook has usurped the ‘Births, Deaths and Marriages’ announcements