John Cleese: 'The BBC makes crap comedy and would never commission Monty Python now'
Comedian says he dislikes the way the BBC commissions comedy
Adam Sherwin is Media Correspondent at The Independent and an award-winning writer who specialises in covering the entertainment, broadcasting, music and popular culture industries. Previously Media writer and diarist at The Times, he was a co-founder of the Beehive City media and entertainment website. As regular contributor to BBC London 94.9 Radio station, he was named Music Business writer of the year at the awards of influential music industry site Record of the Day in 2006.
Tuesday 17 June 2014
Speaking ahead of the comedy troupe’s reunion shows at the O2 Arena next month, Cleese, 74, was asked if the BBC would have green-lit the ground-breaking series today.
“Definitely not,” he told Time Out. “What has happened since my time is that a very simple process, which worked wonderfully well at the BBC, has been lost. In those days the departmental heads were very trusting of their producers.
“What happens now is you have a new species, a ‘commissioning editor’, who, as far as I can make out, haven’t actually written comedy, or directed it, and yet they seem to think that they understand comedy.
“This would be fine if they did understand it, but comedy is very difficult. Just look around – there’s an awful amount of crap. These decisions are being taken by people who don’t understand comedy but don’t realise that they don’t understand it.”
The BBC screened 45 episodes of Monty Python's Flying Circus between 1969-74.
Flying again: A reunited Monty Python pose together
Cleese added: “One of the things that makes me saddest about the way the country has gone since I was young is the BBC. I look back at what was really a magnificent institution that, for economic reasons, has been thinned down and become something very different.”
Cleese’s criticisms echo those of John Lloyd, the producer of Blackadder and QI. He recently said that comedy is a “disaster in television because so few people know how to do it.”
Rehearsals are under way for the ten “farewell” Python shows, which begin on July 1. Terry Gilliam’s comments that he found the lucrative shows “depressing” appears to have stung his fellow Pythons.
Cleese said: “I think Terry finds a lot of life depressing. He’s been engaged in a life-long struggle with reality, and I think he’s losing.”
Eric Idle told the magazine: “Oh, he’s such a little arsehole! He’s got to be the one that’s always more holy than everybody else. I’m sure he’ll carry on talking it down, but he’s always a bit bitter like that, you know? I mean, how’s his film doing? He’ll be saying he’s the only real artistic one, but that’s because he equates artistic success with box office failure.”
Extra tickets will be placed on sale on Wednesday for the shows, which initially sold out in seconds. The final three-hour long Monty Python Live (Mostly) will be broadcast on the Gold channel on July 20. “Yes, that really is going to be the last performance,” Cleese said. “All the Pythons now do such jolly different things… We will all get a bit emotional, probably, but I don’t think any of us want to go on working together.”
Cleese said his great objection to working with Idle, Michael Palin, Terry Jones and Terry Gilliam was that he “was fed up of being outvoted. “ He called scenes from The Meaning Of Life, the final 1983 film made by the original group of 6 members, including the late Graham Chapman, “very second-rate material.”
Money was an incentive for the reunion, Cleese said. “But we’re also doing it because we think it’s going to be a fun experience. At 74 I welcome these experiences.”
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