There's a pattern emerging: How Marie Perkins helped define the phenomenon of big, bold prints for the masses

view gallery VIEW GALLERY

From textiles to table mats, greetings cards to curtains, over the past few years pattern has exploded into our homes and lives, leaving few objects untouched by graphic retro prints or whimsical illustrations of flora and fauna.

Even the most uninspiring of functional items, such as the humble tea towel, have been transformed into things of beauty, more suitable for hanging on the wall than drying dishes. In the same way that many of us have swapped chic white walls for idiosyncratic wallpapers and bolder colours, a new-found love of sweet or humorous design around the house has injected a little more fun into interiors.

Which is fantastic news for Marie Perkins, the woman behind Print & Pattern, a new book celebrating contemporary surface design. Perkins is herself a surface designer, producing patterns that find their way on to everything from wrapping paper to ceramics.

The book is based on Perkins' blog of the same name, which she created in 2006 (under her blogger pseudonym Bowie Style) while working in textile design. Initially an offshoot of the mood boards she used to gather inspiration, the blog brings together the best examples of print and pattern across all media and has become a favourite among professional designers and enthusiasts alike, averaging 7,000 hits a day.

"It's amazing how it has taken off," she says. "For me, as a designer, it's just brilliant because my attitude has always been, 'Why would I want something plain when I could have something with a great pattern on it?'"

She herself is inspired by bold, retro Scandinavian prints from companies such as Marimekko, as well as more delicate Japanese designs. But her all-time favourite surface designer is Ireland's Orla Kiely, who she credits with kick-starting the current pattern trend: "I love the prints themselves, as they are beautiful but very simple, but what's really amazing is how she has made her products all about the print. When you buy an Orla Kiely bag or mug, it's not so much that you want the actual piece as that you love her patterns. Making something that is quite ordinary desirable because of the print alone – that's the goal really."

Perkins' own designs for greetings cards feature the kind of cute and quirky graphics for which we seem to have a collective soft spot right now – inanimate objects in primary colours are given smiley faces and flat, cartoonish birds come floral-patterned. It's a naive aesthetic that appeals to the child in us. Perkins herself has been amazed by the popularity of motifs such as Russian dolls and owls. Already favourites for several seasons, she predicts they will continue to adorn all manner of items this summer and beyond.

But be warned before you indulge your inner tween: while all these perky designs might be brightening up our environments, Perkins admits that they have the potential to leave everybody's wallets a little lighter, too. "You wouldn't think, 'Wow I've got to have this' about a plain tea towel, would you? But when you start incorporating design into everything, suddenly you do think, 'Ooh, I could do with a nice new tea towel.'"

'Print & Pattern' by Bowie Style (£19.95, Laurence King Publishing) is out on 1 March

Independent Comment
blog comments powered by Disqus

Day In a Page

Silent revolution at the Baftas as the French take top awards

Silent revolution at the Baftas

The Artist wins in seven categories, with Meryl Streep the other big success story
Whitney Houston: The diva who had – and lost – it all

The diva who had – and lost – it all

Nick Hasted charts the highs and lows of Whitney Houston's life
How Picasso won over (some of) the British

How Picasso won over (some of) the British

Winston Churchill and Evelyn Waugh hated his work, but Picasso provided inspiration for a whole generation of UK artists
Topshop: A Decade Of Design

Topshop: A Decade Of Design

When London Fashion Week starts on Friday, Topshop will celebrate 10 years backing its brightest young stars
John Prescott: 'My wife thought I'd just retire, but I'm not a slippers man'

'My wife thought I'd just retire, but I'm not a slippers man'

At 73, John Prescott isn't mellowing. In fact he's taking a shot at becoming a police commissioner
Jim Gamble: We are losing the race to protect our young

Jim Gamble: We are losing the race to protect our young

Technology and the children who use it won't wait for slow-moving child-protection services and police to catch up
Sarah Sands: A friend is not the one you turn to, but the person who turns to you

Sarah Sands on friendship

A friend is not the one you turn to, but the person who turns to you
Andy Burnham: 'It's a genie out of the bottle moment'

Andy Burnham interview

'It's a genie out of the bottle moment'
Leveson: What we've learnt so far

Leveson: What we've learnt so far

Ingenious hacks, shifty editors and attacks of Sudden Memory Loss Syndrome – Matthew Bell assesses the state of play at the Royal Courts of Justice
Modern lovers: The 'sexual body warriors' and pioneers transforming 21st-century relationships

Modern lovers: The 'sexual body warriors'

Sarah Morrison meets the people redefining love in the 21st century.
'I was angry, so angry': How heartbreak, betrayal and Su Pollard helped Estelle find pop success

Estelle: 'I was angry, so angry'

The singer talks about heartache, betrayal and bouncing back.
Choc tactics: Bill Granger's Valentine's recipes for chocoholics

Bill Granger's Valentine's recipes for chocoholics

Should it be white, milk or plain? Can you make a melt-in-the-mouth pudding without using any?
Male, pale & stale: Could more women on the board help Mothercare – and other ailing firms?

Male, pale & stale

Could more women on the board help Mothercare – and other ailing firms?
Upstairs, downstairs, 2012-style

Upstairs, downstairs, 2012-style

There are now more domestic workers in Britain than in Edwardian times
Boos in Berlin for Jolie's war drama

Boos in Berlin for Jolie's war drama

Hollywood star defends her hard-hitting and controversial story set during the 1990s Bosnian conflict