Burmese cameramen jailed for defying regime

News in pictures
News in pictures
On Facebook
From the blogs

Tyrannosaur and Drive: The difference between loneliness and being alone

The prospect of loneliness is probably one of the biggest fears that humans have to contend with. Mo...

The Woman in Black: From page, to stage, to film

Director James Watkins and screenwriter Jane Goldman discuss how they kept up the constant high leve...

The future of academic publishing

These are the most uncertain times in living memory for academic publishing. After decades of bumpin...

Books with soundtracks: no, really, this one works…

Books with soundtracks. The idea is so glaringly obvious, and so obviously feeble, that I hesitate t...

Suggested Topics

If a shocking documentary about the fate of Burma's cyclone orphans wins a prestigious video-journalism award in London tomorrow night, it will be some time before one of the men who shot it gets a chance to celebrate.

Six months after shooting on the film was completed, the cameraman known only as T was arrested coming out of an internet café in Rangoon and taken to the city's Insein prison. Last week, after four months in jail, he was told he would be charged with the new offence of filming without government permission, which carries a minimum jail sentence of 10 years.

The Rory Peck awards are given annually to freelance video cameramen and documentary makers who run the sort of risks which Peck, who was shot dead while filming the siege of the Russian parliament in 1993, took every day. In Burma the challenges are rather different. The risks of getting shot or bombed while filming in the peaceable, agrarian Irrawaddy delta south of Rangoon are low. But, in other respects, this must be one of the most dangerous assignments in the world.

The film follows a number of children orphaned by Cyclone Nargis, which struck southern Burma in May 2008, killing 140,000 people in the delta and making 2.4 million homeless, as they struggle to survive in the absence of their parents, and with negligible assistance from the state. T and his colleague, another Burmese identified as Z who is currently hiding out in Thailand, even filmed an appearance by General Thein Sein, the junta's Prime Minister, before a group of desperate villagers telling them to get back to work and to expect nothing from the state for some time.

T joins 13 other cameramen working for the Oslo-based Democratic Voice of Burma (DVB) who have been jailed by the Burmese authorities since the Saffron Revolution in 2007, the mass uprising led by monks which shook Asia's most repressive regime to the core. Ever since the coup d'état of 1962 which brought General Ne Win to power, Burma's ruling generals have done everything in their power to control the images of the country which reach the outside world. Foreign journalists are almost never let in, and those who enter as tourists are frequently deported. Ubiquitous spies make it immensely risky for Burmese to blow the whistle on the regime.

But the internet and the shrinking size of video cameras have given dissidents new ways of getting their words and pictures out – as the junta discovered in September 2007, when freelance video cameramen working for DVB shot the swelling protest marches of the monks and sent them abroad. The pictures were picked up by news networks around the world, giving the regime its worst publicity for decades.

To prevent the same thing happening again, the authorities passed a new law banning filming without government permission, and began locking up for long terms those who defied it. Three of those who filmed the monks' protests are serving long sentences, but the law has done nothing to deter their colleagues.

Khin Maung Win, deputy head of DVB, said, "We had 30 journalists active during the Saffron Revolution, half of whom are now inactive – either in jail, in hiding or in Thailand. But now we have about 100 more, spread all over the country, even in Burma's new capital, Naypyidaw."

He went on, "We don't normally publicise the arrest of our cameramen, but we decided to do so this time because of the awards. This award is very important for us – if we win it will be the first success by Burmese journalists. The Rory Peck award is all about taking risks, which certainly applies to us. And we are proud that we can do something to inform the international audience." DVB's main activity is beaming a two-hour package of news and current affairs to Burma every day by satellite which the regime has found it impossible to block.

With more and more of its workers incarcerated, DVB now faces the growing challenge of supporting them and their families through their long ordeal. Whether or not "Orphans of Burma's Cyclone", a Quicksilver Media production for Channel 4's Dispatches, wins tomorrow, the Rory Peck Trust has promised to contribute to the effort of keeping them alive and sane.

Independent Comment
blog comments powered by Disqus

Day In a Page

Jim Gamble: We are losing the race to protect our young

Jim Gamble: We are losing the race to protect our young

Technology and the children who use it won't wait for slow-moving child-protection services and police to catch up
Sarah Sands: A friend is not the one you turn to, but the person who turns to you

Sarah Sands on friendship

A friend is not the one you turn to, but the person who turns to you
Andy Burnham: 'It's a genie out of the bottle moment'

Andy Burnham interview

'It's a genie out of the bottle moment'
Leveson: What we've learnt so far

Leveson: What we've learnt so far

Ingenious hacks, shifty editors and attacks of Sudden Memory Loss Syndrome – Matthew Bell assesses the state of play at the Royal Courts of Justice
Modern lovers: The 'sexual body warriors' and pioneers transforming 21st-century relationships

Modern lovers: The 'sexual body warriors'

Sarah Morrison meets the people redefining love in the 21st century.
'I was angry, so angry': How heartbreak, betrayal and Su Pollard helped Estelle find pop success

Estelle: 'I was angry, so angry'

The singer talks about heartache, betrayal and bouncing back.
Choc tactics: Bill Granger's Valentine's recipes for chocoholics

Bill Granger's Valentine's recipes for chocoholics

Should it be white, milk or plain? Can you make a melt-in-the-mouth pudding without using any?
Male, pale & stale: Could more women on the board help Mothercare – and other ailing firms?

Male, pale & stale

Could more women on the board help Mothercare – and other ailing firms?
Upstairs, downstairs, 2012-style

Upstairs, downstairs, 2012-style

There are now more domestic workers in Britain than in Edwardian times
Boos in Berlin for Jolie's war drama

Boos in Berlin for Jolie's war drama

Hollywood star defends her hard-hitting and controversial story set during the 1990s Bosnian conflict
How Whiteclay (population: 11) sells 5m cans of beer a year

How Whiteclay (population: 11) sells 5m cans of beer a year

It's 20 minutes' drive from a 20,000-strong Native American reservation, which is now suing brewers and the town's off-licences
Ian Holloway: Choose Harry, then give the next English batch a chance

Ian Holloway

Choose Harry, then give the next English batch a chance
Peter Storrie: Forgotten man has his day in the sun

Peter Storrie interview

Forgotten man has his day in the sun
The Last Word: If Harry can't get England out of jail, we may as well throw away the key

The Last Word

If Harry can't get England out of jail, we may as well throw away the key
Suits you sir: Bill Nighy talks politics and sartorial style

Suits you sir: Bill Nighy talks politics and sartorial style

He avoids Shakespeare at all costs, almost killed Judi Dench in his latest film, and only steps out in the sharpest jacket and tie...