Arts and Entertainment Jane Campion will succeed Steven Spielberg as president of the Cannes jury

The first female director to win the Palme d'Or said she 'can't wait' until May

The jury is still out, but the critics pan this year's Cannes

As the film festival hands out its awards tonight, most agree it's been a less than sparkling affair

Canned Cannes: Clouds over fundraiser

Iceland's volcanic ash has cast a dark cloud over the legendary Cannes Amfar fundraising dinner, one of the swankiest tickets in town and hosted by Sharon Stone. Sadly, Stone will miss the event because of ash cloud fears, according to Screen magazine. Sean Penn, meanwhile, has pulled out of the world premiere of Fair Game – the only American film in the selection for the Palme d'Or, in which he stars. His absence is due to a Senate committee hearing in Washington on Haiti, which he does not want to miss.

Cannes Film Festival

Ridley Scott's new version of 'Robin Hood' is a heavy-handed way to open the most important festival in cinema's year

British realism amid the glamour of Cannes

Mike Leigh makes a triumphant return to the festival

Cannes Diary: 15/05/2010

Douglas offers old excuses

When a fellow member of the press stood up at the press conference of Oliver Stone's Wall Street: Money Never Sleeps and congratulated the Hollywood actor Michael Douglas for looking good at 65, the actor visibly winced, admitting some minutes later that the film offers weren't as abundant as they had been some years ago.

Cannes Diary: Stars lined up for BBC rom com

The BBC is planning a film adaptation of Paul Torquay's romantic comedy Salmon Fishing in the Yemen, to star Ewan McGregor, Emily Blunt and Kristin Scott Thomas. The script will be written by Simon Beaufoy, who wielded the pen behind the eight Oscars-winning Slumdog Millionaire.

Sir Ian McKellen to star in zombie costume drama

Sir Ian McKellen, who has mastered a dazzling panoply of Shakespearean roles on stage and is considered one of the most serious screen talents of his generation, is to star in a low-budget zombie costume drama set in the rural backwaters of Britain.

Observations: To Cannes via 'Cosi'

William Shimell – British opera's answer to George Clooney – turns up to talk about playing the evil genius Don Alfonso in the Covent Garden Cosi fan tutte (which he's currently singing to acclaim), but the score he's nervously clutching is that of Stravinsky's Rake. The singer playing the evil genius in that show is seriously off-colour: if he flakes out, Shimell – a noted exponent of that role, and conveniently on hand – will have to step in. "Do you mind," he asks, "if I keep my mobile on?"

Antichrist, Lars von Trier, 104 mins, (18)

Lars hits rock bottom with a clanking dud

Claire Beale On Advertising: Proof that we Cannes make a difference

Last week was Cannes week. In boom time, that means that pretty much the entire London creative community with access to an expenses account decamps to the South of France for a few days of eating, drinking and messing about on yachts. In recession, it means that boasting about the size of your vessel has been replaced with boasting about the poverty of your accommodation. Some adlanders even took their tents but plenty didn't go at all.

Claire Beale on Advertising: Technology means posters will stick around

I could tell you about Cannes – the Cannes Advertising Festival. But really most of London’s adland seems barely to have noticed that this is Cannes week.

Lars von Trier - 'It's good that people boo'

'Antichrist', Lars von Trier's pornographic first stab at a horror, caused cat-calls and controversy when it premiered at Cannes. In his first interview since, the Danish provocateur defends the movie and reveals the inspiration behind it to Kaleem Aftab

Deborah Orr: Motherhood, sex, and a woman's deepest fears

What might a controversial new film say about the female experience?

Geoffrey Macnab: A fitting reward for a towering figure

It is impossible to second-guess Cannes juries. They have consistently confounded critics' expectations, giving top prizes to films no-one tipped in advance while overlooking titles that reviewers thought were near-masterpieces. This year, for once, Jury President Isabelle Huppert and her colleagues were spoilt. The 2009 Competition was one of the strongest in recent memory. Even so, Huppert and co still managed to startle us... at least a little.

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