From stadiums to standing-room-only, the shift in Paris' autumn/winter shows summarised fashion's craving for intimacy in the age of the masses, says Alexander Fury
Reviews of the autumn/winter 2016 shows of Chanel, Valentino and Saint Laurent
The 15-year-old follows the steps of older brother Jaden Smith - will she shake the fashion house like he did at Louis Vuitton?
Rebecca Gonsalves rounds up the key trends to look out for to help you put your best foot forward
Alexander Fury reviews the spring/summer 2016 haute couture collections from Giambattista Valli, Armani Privé, Bouchra Jarrar and Karl Lagerfeld for Chanel
From futuristic fantasy to the return of the slip dress, Alexander Fury and Rebecca Gonsalves look back at the spring/summer 2016 shows for inspiration
Highlights from the latest resort collections – themed around the seven cities that hosted them
Designers on the move. Pixelated perfection. Emerging markets and bags of style. The Independent's fashion editor Alexander Fury gives his predictions for the year ahead on the catwalk and behind the scenes
Once and Forever will premiere in Rome on 1 December.
The sequel to the 2001 comedy satire starring Ben Stiller and Owen Wilson as simple-minded, aesthetically obsessed male models takes slapstick swipes at the fashion industry
He has changed the way we think about fashion today - and the British Fashion Council will honour him with at this year's Awards
'Versatile', 'flattering', 'always in fashion'… So runs the received wisdom on black, and this season it will be everywhere again. Alexander Fury is not convinced
Roitfeld is patron saint of the pulled-together look, and her quirks have become fashion law
CoolBrands' list puts McQueen two places above its French rival
Stellar showings summarise the new spirit of modernity that’s revitalising the stuffy world of haute couture, says Alexander Fury
Haute couture today is about spectacle. And the most spectacular of spectacles, inevitably, comes courtesy of Karl Lagerfeld for Chanel. I'm not talking sunglasses there, although they are one of the motivating factors behind the few houses still staging the elaborate, labour-intensive and usually loss-making couture shows. There aren't many women in the market for five-figure frocks.