Critics say gay women are still screen villains, but men get a much better deal
Tom Ford's cinematic love letter to the Sixties, starring Colin Firth as a bereaved, gay Englishman in LA, hits the spot as a highbrow weepie
Slight, but it's perfectly formed
Dystopian Breakdown, Part I. An epidemic of blindness grips a city population, and its first victims are herded into a ramshackle facility under guard.