Student

22-year-old adult James Ashford recently visited Harry Potter World on his own. This is his sorry tale

Review: `Dallas' and the Duchess

The Duchess of Malfi Ustinov Studio, Bath

THEATRE: STARRY, STARRY NIGHTS

Dear Reader, you're in good company. At least one Oscar winner regularly devours the Independent's arts pages. Of course you will airily dismiss such tittle-tattle but secretly you're praying that this gifted individual is none other than the sainted Sally "You love me, you really, really love me" Field. She, the former Flying Nun for those of you with long memories, may well be a long-distance subscriber, but no, the person I'm thinking of lives closer to home. Last year, said individual was within a hair's breadth of joining the select band of Oscar winners making the pilgrimage to Islington's Almeida Theatre, not, I suspect, a fate entirely likely to befall Ms Field.

The angel of Islington

Juliette Binoche is at the peak of her career in movies, with an Academy award - for 'The English Patient' - to prove it. So what is she doing at the Almeida?

Profile: On a flight of fancy: Linus Roache

Matthew Sweet meets the 'Wings of the Dove' star for whom Hollywod beckons

Ralphs and strays

The English Patient

A game of English patience

THE SQUARE; 6-10 Bruton Street, W1X 7AG. Tel: 0171 495 7100. Open Mon-Fri 12-3pm and 7-11pm. Sat 7-11pm. Sun 7-10pm. Three-course dinner costs pounds 39.50. Major credit cards accepted

Letter: Stallone wins

Your article on chaos theory and its application to movie going returns was interesting but misinformed ("Chaos theory explodes Hollywood hype", 30 March). You contrast the "hit" The English Patient with the "flop" Daylight, but in terms of global box-office, Ralph Fiennes has a long way to go to match Stallone. Even if the most optimistic post-chaos predictions are proved correct and The English Patient doubles its current worldwide takings from $70m to $140m, it will still be behind Daylight which has taken $144m so far.

Too much of a Gooding thing

TELEVISION

Fashion: The Oscars wore British

This week's ceremony was a triumph for English fashion as well as for an English film. Tamsin Blanchard reports

Crazy for Herodotus

A Greek classic gets a walk-on part in The English Patient: suddenly it's a hot item. John Lyttle on the trend-setting power of the movies

'I look like the bad guy... sort of violent'; interview: willem dafoe

In The English Patient he's brilliant as the thieving, seething spy. Yet he's the one who won't be getting an Oscar. But hey, who cares?

Cutting to the quick

'The English Patient' has taken $55m, was four years in the making and is up for 12 Oscars. Writer-director Anthony Minghella talks to David Benedict about the heart of the matter

Film: `The English Patient' has 12 Oscar and 13 BAFTA nominations. But, asks John Lyttle, why all this fuss over a dressed-up costume drama with nowhere to go?

Given that America has no tradition of what might be called BBC costume drama - art dressed up, epic but intimate, prettily pictorial but impeccably literate, and terribly, terribly tasteful - it is perhaps not surprising that it should clutch Anthony Minghella's The English Patient [Colin Firth and Kristin Scott-Thomas pictured right] to its bosom.

What you see is what you get

FILM

To be other than we are

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