Harold Pinter’s Betrayal, now back in the West End, reverses chronology to dazzling effect. Others have played with time and failed, says Paul Taylor, but those who get it right often achieve works of incredible depth
The songwriter Stephen Sondheim is to be honoured at this year's Laurence Olivier Awards.
The Week in Arts
The title of Laurence Mark Wythe's musical (first seen at the New End in Hampstead in 2006) will serve as a wish for new musical theatre in Britain. According to Stephen Sondheim's lyric in West Side Story. "Something's coming, something good, if I can wait."
The Week in Arts
Those lucky enough to have secured themselves a ticket for the Stephen Sondheim Prom – one of the first and fastest to sell out – did so knowing that the great American composer was planning to turn up to take a bow.
The greatest classical music festival in the world is back – an unparalleled, gargantuan feast of bravura performance. Nicola Christie highlights this year's most enticing prospects and asks insiders for their pick of the Proms
Star of 'Murder She Wrote' tells Andrew Johnson it's great to be in the limelight once again at 84
As the Southbank Centre prepares to celebrate the work of Leonard Bernstein, Boyd Tonkin reflects on the impression left by the composer – and recalls a memorable encounter with the great man himself
Somewhat fitting that after Maureen Lipman's character, Madame Armfeldt, dies peacefully at the end of the opening night of Trevor Nunn's West End production of Sondheim's A Little Night Music, guests should be transported to the 18th-century crypt of St Martin-in-the-Fields to kick off the after-party.
The grandé dame of postmodern torch songs is reunited here with US producer Hal Wilner and surrounded by choice players, from guitarists Marc Ribot and Barry Reynolds to Cat Power, Nick Cave and Keith Richards.
The actor and playwright George Furth had a prolific career as a performer, but will be best remembered for his collaborations with the composer-lyricist Stephen Sondheim, notably as librettist for the musicals Company (1970) and Merrily We Roll Along (1977). Company, which has been revived twice on Broadway and once in London, won him a Tony award, and though Merrily We Roll Along was a disastrous flop initially, it has been revised and revived successfully several times, and its score is considered one of Sondheim's finest. Furth also had a hit with a play, Twigs (1971), and collaborated with Sondheim on a comedy-thriller, Getting Away With Murder (1995).