Robert Fisk: The heroic myth and the uncomfortable truth of war reporting

Like other correspondents, Robert Fisk has risked his life to 'witness history'. But after almost four decades, he feels ambivalent towards his profession

Share
+More
Related Topics

It took a lot of courage to get into Homs; Sky News, then the BBC, then a few brave men and women who went to tell the world of the city's anguish and, in at least two cases, suffered themselves. I could only reflect this week, however, how well we got to know the name of the indomitable and wounded British photographer Paul Conroy, and yet how little we know about the 13 Syrian volunteers who were apparently killed by snipers and shellfire while rescuing him. No fault of Conroy, of course. But I wonder if we know the names of these martyrs – or whether we intend to discover their names?

There's something faintly colonialist about all this. We have grown so used to the devil-may-care heroics of the movie version of "war" correspondents that they somehow become more important than the people about whom they report. Hemingway supposedly liberated Paris – or at least Harry's Bar – but does a single reader remember the name of any Frenchman who died liberating Paris? I do recall my dauntless television colleague, Terry Lloyd, who was killed by the Americans in Iraq in 2003 – but who can remember the name of one of the quarter or half a million Iraqis killed as a result of the invasion (apart, of course, from Saddam Hussein)? The Al Jazeera correspondent in Baghdad was killed in Baghdad by an American airstrike the same year. But hands up who remembers his name? Answer: Tareq Ayoub. He was a Palestinian. I was with him the day before he died.

The flak jacket has now become the symbol of almost every television reporter at war. I've nothing against flak jackets. I wore one in Bosnia. But I've been increasingly discomfited by all these reporters in their blue space-suits, standing among and interviewing the victims of war, who have no such protection. I know that insurers insist correspondents and crews wear this stuff. But on the streets, a different impression emerges: that the lives of Western reporters are somehow more precious, more deserving, more inherently valuable than those of the "foreign" civilians who suffer around them. Several years ago, during a Beirut gun battle, I was asked to put on a flak jacket for a television interview by a journalist wearing one of these 12lb steel wrap-arounds. I declined. So no interview.

A similar and equally uncomfortable phenomenon appeared 15 years ago. How did reporters "cope" with war? Should they receive "counselling" for their terrible experiences? Should they seek "closure"? The Press Gazette called me up for a comment. I declined the offer. The subsequent article went on and on about the traumas suffered by journalists – and then suggested that those who declined psychological "help" were alcoholics. It was either psycho-babble or the gin bottle. The terrible truth, of course, is that journos – and for God's sake, we must stop demeaning our profession by calling ourselves "hacks" – can fly home if the going gets too tough, business class with a glass of bubbly in their hands. The poor, flak-jacketless people they leave behind – with pariah passports, no foreign visas, desperately trying to stop the blood splashing on to their vulnerable families – are the ones who need "help". The romanticism associated with "war" reporters was all too evident in the prelude to the 1991 Gulf War. All kinds of foreign journalists turned up in Saudi Arabia in military costumes. One, an American, even had camouflaged boots with leaves painted on them – even though a glance at a real desert suggests an absence of trees. Oddly, I found that out in the loneliness of that real desert, many soldiers of the genuine variety, especially American Marines, were writing diaries of their experiences, even offering them to me for publication. The reporters, it seems, wanted to be soldiers. The soldiers wanted to be reporters.

This curious symbiosis is all too evident when "war" reporters talk of their "combat experience". Three years ago, at an American university, I had the pleasure of listening to three wounded US Iraqi/Afghan war veterans putting down a journalist who used this awful phrase. "Excuse me, Sir," one of them said politely. "You have not had 'combat experience'. You have had "combat exposure". That is not the same thing." The veteran understood the power of quiet contempt. He had no legs.

We've all fallen victim to the "I watched in horror"/"screaming rockets"/"I was pinned down by shellfire/machine-gun fire/sniper fire" reporting. I suspect I used this back in Northern Ireland in the early 1970s. I certainly did in southern Lebanon in the late Seventies. I am ashamed. While we do bear "personal witness" to wars – a phrase I am also deeply uncomfortable with – this kind of Boy's Own Paper stuff is a sign of self-regard. James Cameron caught this best in the Korean War. About to land with US forces at Inchon, he noticed "in the middle of it all, if such a thing be faintly conceivable, a wandering boat marked in great letters, 'PRESS', full of agitated and contending correspondents, all of us trying to give an impression of determination to land in Wave One, while seeking desperately to contrive some reputable method of being found in Wave 50".

And who can forget the words of the Israeli journalist Amira Haas – Haaretz's reporter in the occupied West Bank, whom I often quote. She told me in Jerusalem that the foreign correspondent's job was not to be "the first witness to history" (my own pitiful definition), but to "monitor the centres of power", especially when they are going to war, and especially when they intend to do so on a bedrock of lies.

Yes, all honour to those who reported from Homs. But here's a thought: when the Israelis unleashed their cruel bombardment of Gaza in 2008, they banned all reporters from the war, just as the Syrians tried to do in Homs. And the Israelis were much more successful in preventing us Westerners from seeing the subsequent bloodbath. Hamas forces and the "Free Syria Army" in Homs actually have a lot in common – both were increasingly Islamist, both faced infinitely superior firepower, both lost the battle – but it was left to Palestinian reporters to cover their own people's suffering. They did a fine job. Funny, though, that the newsrooms of London and Washington didn't have quite the same enthusiasm to get their folk into Gaza as they did to get them into Homs. Just a thought. A very unhappy one.

The New Suffragettes

Buy the new Independent eBook - £1.99 A celebration of those who risk their lives for women's rights, a century after Emily Wilding Davison's death.

kobo Amazon Kindle

React Now

iJobs Job Widget
iJobs General

FX Options Front Office Java / C# Developer

£500 - £600 per day: Orgtel: FX Options Front Office Java / C# Developer - Ba...

Project Manager - Front Office - Regulatory IT

£600 - £700 per day: Orgtel: Project Manager - Front Office - Regulatory IT C...

Lighting Design Engineer

£33000 - £35000 Per Annum: The Green Recruitment Company: The Green Recruitmen...

Are you an Primary NQT looking for your first role in Essex?

£21000 - £22000 per annum: Randstad Education Chelmsford: NQTs required now fo...

Day In a Page

Read Next
 

Intervention: too much of it abroad, not enough of it at home

Steve Richards
 

Russell Brand: This ain't no way to treat a news anchor

Sarah Churchwell
Babies behind bars: A Palestinian fertility doctor has become an unlikely hero by helping women conceive – even though their husbands are in jail

Babies behind bars

A Palestinian fertility doctor has become an unlikely hero by helping women conceive – even though their husbands are in jail
Sonic youth: The high-pitched sound alarm for under 25s

Sonic youth: The high-pitched sound alarm

Is Mosquito, the alarm only under-25s can hear, a blessing or a bane?
The art of living in small spaces: Architects are learning how to make less, more

The art of living in small spaces

Space in cities at a premium so architects are learning how to make less, more...
Zombie nation: Our enduring fascination with a world full of death and destruction

Zombie nation: Our fascination with death and destruction

A new season of shows on Radio 4 is inspired by dark tales of future dystopias. Meanwhile, zombies are marauding in the multiplexes...
Martin Stephen: 'Ofsted says comprehensives are failing the most able but teaching bright children isn't rocket science'

'Teaching bright children isn't rocket science'

It doesn't take a selective system to nurture the best minds, says a former head of St Paul's boys' school.
The retail empires strike back: Can new technology lure us back to the high street?

Can technology lure us back to the high street?

The high street has been bruised and battered by online firms but in-store technology is helping to enliven the retail experience...
The 10 Best new smartphones

The 10 Best new smartphones

Photos, films, music, apps and browsing - the latest mobiles can do it all
'To farm I have to rape the countryside. It’s got to be wrong': The true effect of the badger cull

The true effect of the badger cull

'To farm I have to rape the countryside. It’s got to be wrong'
Theatre review: Daniel Radcliffe gives an admirably honest performance in Michael Grandage's The Cripple of Inishmaan

First night: The Cripple of Inishmaan

Daniel Radcliffe gives an admirably honest performance in Michael Grandage's comedy
Girls Guides drop religious reference but pledge to self and the Queen

Guides drop religious reference but pledge to self and the Queen

After 103 years, organisation changes oath to welcome 'all girls, of all faiths, and none'
Steve Tongue: Joe Kinnear was one of the boys and a breath of fresh air... 21 years ago

Steve Tongue

Joe Kinnear was one of the boys and a breath of fresh air... 21 years ago
Chris Froome: Free from 'pain in neck' after Bradley Wiggins' exit

Chris Froome: Free from 'pain in neck' after Wiggins' exit

Sky's lead rider says he is in fantastic form for the Tour and happy pecking order debate is over
Hannah England: I've got the right times – now to focus on the chess

Hannah England: Keeping Track

I've got the right times – now to focus on the chess
Beards, brawn and body art

Beards, brawn and body art

Meet London’s new batch of male models
Scandi-geeks descend on Nordicana for fan-convention

Scandi-geeks descend on Nordicana for fan-convention

British love of shows such as The Bridge, Borgen and The Killing shows no sign of fading