Water, water all around, but does it make you think?
Christina Patterson gets caught up in the rain at the Barbican's strikingly immersive new art installation
Christina Patterson is a writer, broadcaster and columnist. She writes about politics, society, culture, travel, books and the arts. She has interviewed writers and artists ranging from Martin Amis to Eddie Izzard and Werner Herzog, and did the first interview after he left office with Gordon Brown. A former director of the Poetry Society, and literary programmer at the Southbank Centre, she has written for the Observer, the Sunday Times, the Guardian, Time, the Spectator and the New Statesman. She’s a regular commentator on radio and TV news programmes, a regular reviewer on the Sky News press preview, and a regular guest on The Review Show. She has campaigned to improve standards in nursing in a series of articles in the Independent, by speaking at conferences, and in programmes she has made for Radio 4 and The One Show. Christina is the only woman on the shortlist for the Orwell Prize 2013. She has now left The Independent, but can be contacted via her website, www.christinapatterson.co.uk .
Wednesday 24 October 2012
There was the sun. There was the crack. And now there's the rain. The sun, which was actually made up of hundreds of little lamps in a semi-circular disc, was part of something called The Weather Project at Tate Modern. The crack, which looked like the kind of crack you might get if there'd been an earthquake, was called Shibboleth, and was also at Tate Modern. The rain, which is real water, in real drops, is part of a project called Rain Room, and you can see it at the The Curve gallery at London's Barbican now.
The sun, which lit up the Turbine Hall of the Tate in 2003, was meant, said its creator, Olafur Eliasson, to explore the ways "we have grown accustomed to the weather as mediated by the city". The crack, which split the floor, or what looked like the floor, of the Turbine Hall of the Tate in 2007, was meant, said its creator, Doris Salcedo, to make you think about "the experience of racial hatred". The rain, which falls from a ceiling in the Barbican, is meant, say its creators, who call themselves Random International, to make you think about the "growing scarcity of this vital resource on our planet".
The sun, as far as I can remember, made me think about how much I longed for the summer. The crack, as far as I can remember, made me think about earthquakes, and drought. And the rain? Well, I was damned if anyone was going to tell me what to think about the rain. I'm used to rain. I live in England. But still, I thought I'd find out.
There are queues. There are, in fact, long queues. And then when you walk in, and down a dark passageway that feels like the night, you're hit by the sound. It's the sound of the tropics, the sound of the monsoon, the sound of beating, bouncing, driving rain. And when you see it, and the light shining through it, a mass of silver drops in a big, dark, space, you almost gasp.
You almost gasp, too, when you walk into it, and the rain is all around you, but you're dry. You know that it must have something to do with sensors, and cameras, and valves, but it still feels like a miracle. It makes you feel like a god because you can, for the first time in your life, control the rain. It makes you feel like a god, too, because you almost feel that you're in a world that you created. It's a world where a clear liquid can sometimes look pink, or green, or gold, and where you can suddenly see a rainbow.
Gods fail. At one point, I got quite wet. But I didn't want to leave it. I didn't think about the "growing scarcity of this vital resource on our planet", but I did think about what lovely patterns there were in the light and the water. I thought of the fountains in Moorish gardens, and of how water often made you think of peace. And I thought that the people who had made this thing had made something that was clever, and beautiful.
But it also made me think that the thing about art, if you call it art, is that it can make you feel all kinds of things, and it can make you think all kinds of things, but the one thing it can't do is tell you what those thoughts and feelings should be.
'Rain Room', The Curve, Barbican, London EC2 (barbican.org.uk) every day from 11am-8pm, and until 10pm on Thursdays, admission free
Film Leonardo DiCaprio hunts Tom Hardy
Arts & Ents blogs
- 1 Edward Heath 'raped 12 year-old boy at Mayfair flat'
- 2 Sabrina Corgatelli: US hunting tourist posts picture of herself with dead giraffe after Cecil the lion outrage
- 3 Porn block in India: hundreds of sexual websites banned, internet outraged
- 4 Gwen Stefani and Gavin Rossdale divorce: One of music industry’s most enduring couples announce split after 12 years of marriage
- 5 A-level results 2015: UK exam board OCR admits it 'estimates' hundreds of pupils' grades after papers 'go missing'
Artist Jamie McCartney: How The Great Wall of Vagina is a stand against 'body fascism'
Michael B Jordan and Kate Mara handle excruciatingly awkward and offensive interview questions like pros
Game of Thrones season 6: 'A Song of Ice and Fire should be finished by 1998,' said George R. R. Martin, 'but don't hold your breath'
Sherlock season 4: Benedict Cumberbatch will be 'a lot less brattish' in Victorian special
Find out what the number one film was on the day you were born and watch its trailer
Is Britain really full up? Are migrants taking our jobs? Leading academic answers the most common anti-immigration claims
Calais Migrant Crisis: Deputy Mayor of Calais labels Cameron's use of 'swarm' as 'racist' and 'ignorant'
Chris Leslie: Jeremy Corbyn's anti-austerity agenda will harm the poor, says Labour shadow Chancellor
Landlords renting properties to illegal immigrants to face up to five years in prison
While we fixate on Calais, the Home Office is quietly deporting dozens of migrants on 'ghost flights'
Calais crisis: The seven claims made about the migrants - and the reality