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Banksy comes in off the streets

Guerrilla artist stuns his home city with secret takeover of Bristol gallery. Arifa Akbar reports

Fish fingers in a bowl

SOUTH WEST NEWS SERVICE

The rumour began days ago: Banksy, the anonymous street artist and prodigal son of Bristol, was going back home to stage a secret show.

Banksy's PR machine had put out word that the world's most anonymously famous – and wealthiest – graffiti artist would be erecting his "biggest UK exhibition" right under the noses of the authorities in the city of his birth, which is already dotted with his murals. His fans predicted a show next to the Clifton Suspension Bridge, or maybe in the city centre's disused Woolworths, after a recent stunt in which he had set up a pet shop-cum-exhibition space on a New York street corner.

Yesterday, he ended the speculation by unveiling what was a homage to his home town in the City Museum and Art Gallery, which was nothing if not ironic given his lifetime's insistence that his work was made solely for the streets.

Banksy replaced many of the museum's artefacts with 100 of his own works which included a burnt out ice-cream van, a portrait featuring MPs as chimpanzees in the House of Commons, and a still-life of flowers in a bin, scrawled with graffiti which reads: "This is where I draw the line."

The most sensational aspect of the escapade was that Banksy had managed to curate the show without the museum's top level of management knowing what he was doing.

For most of Banksy's fans this "stunt" was little short of momentous. After a lifetime of daubing the streets with his humorous, outrageous artwork, or sneaking works into the world's major museums to pin up alongside masterpieces (as was the case in the Louvre in Paris when he attached a smiling Banksy Mona Lisa to a wall near Da Vinci's original), he had now brought his work indoors, to the heart of the artistic establishment.

Admittedly, a lot of the exhibits were tongue in cheek creations or self-referential pieces of art that referred to his lifetime's reluctance to present his work in gilt frames. His outdoor work has created immense controversy in Bristol at times, with council officials whitewashing some of Banksy's original creations from the city's walls amid public protests. In a statement, Banksy said: "This is the first show I've ever done where taxpayers' money is being used to hang my pictures up rather than scrape them off".

The exhibition and its location had been a closely guarded secret since last October, with just a couple of officials aware that it would be taking place. Kate Brindley, the museum's director, was one of those who knew about the show and admitted she had taken a risk in allowing it to be staged. "We ran a bit of a risk but we know that it was just the right thing for the city. He's our homegrown hero," Ms Brindley said.

Plans for the show had been kept from Bristol City Council officials until yesterday, a day before it was unveiled to the public, free of charge. Banksy had visited the museum to oversee it but staff were unaware of his identity, which has never definitively been revealed in spite of an exposé last year claiming he was a public school educated artist named Robin Gunningham.

This is Banksy's first "museum" exhibition, although his artworks have sold at auctions to collectors including Brad Pitt and Angelina Jolie for hundreds of thousands of pounds.

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Comments

Gosh
[info]bambambambambam wrote:
Saturday, 13 June 2009 at 12:01 am (UTC)
I don't think that Arifa Akbar has actually visited the exhibition yet. It wasn't a secret "stunt", but rather a large scale, carefully planned event. Bristol city council may not have openly given their endorsement, but this is clearly the largest Art event to happen in the West since... ever! And they really rather like it.
Mr Shoreditch
[info]ratcatcher911 wrote:
Saturday, 13 June 2009 at 11:19 am (UTC)
Banksy is just another trendy w**ker. It's the same old story, all rebellious until the establishment starts kissing his arse. Go on, draw your mediocre little pictures and make all the money you can, that's what it's all about isn't it?
I'm tempted to go down to Bristol and hang a picture of my arse next to one of his "works".

Sod off, mate.
Futile and Boring
[info]adam_z wrote:
Saturday, 13 June 2009 at 11:58 am (UTC)
Excellent comment Mr Shoreditch. However, the real problem is the continual grovelling before the alter of iconoclasm. This is a disease in the body of the art world, a mad wrong turn that has now become futile and boring.
Jolly good show
[info]mr_scummy wrote:
Saturday, 13 June 2009 at 02:20 pm (UTC)
I have to admit I do like Banksy, and have done since before he was "discovered" by celebrities and the mass media. I only wish I'd bought one of his works when they were still affordable.

Favourite piece: the overpainting of one of Damien Hirst's inane dot pictures.
I get it!
[info]gothic_quarter wrote:
Saturday, 13 June 2009 at 03:00 pm (UTC)
...and of course, that is Banksy's appeal - his 'messages' (i.e. testing cosmetics on rabbits is BAD, peace and love is GOOD, etc.) are so obvious that just about anyone over the age of 10 is capable of 'getting' them, and thus we are all able to flatter ourselves that we understand modern art. They're harmless, I suppose, but I can't understand people beyond student age getting excited about them.
blessed old masters
[info]tadej wrote:
Monday, 15 June 2009 at 04:44 pm (UTC)
is all his art commentary/criticism, or is there love making as well? i'm asking because i can't see from way over here across the ocean. the stuff i find online is mostly soiled with politics and such. spit on it as clever as you please, brother, you're but watering it.
Banksy A crap exhibition
[info]ed_biggins wrote:
Tuesday, 18 August 2009 at 11:13 am (UTC)
This has to be an epic fail for Bristol - a dreadful venue and badly organised. A thoroughly wasted day out to see a small selection of Banksy Art

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