Exclusive: Munch's 'Vampire' comes out of the dark after 70 years
Painting too 'degenerate' for the Nazis to be auctioned for $35m
One of the most sensational and shocking images in European art, Edvard Munch's painting of a man locked in a vampire's tortured embrace – her molten-red hair running along his soft bare skin – created an instant outcry when unveiled a century ago.
Some believed the Norwegian artist's anguished 1894 masterpiece, Love and Pain – since known as Vampire – to be a reference to his illicit visits to prostitutes; others interpreted it as a macabre fantasy about the death of his favourite sister. Some years later, Nazi Germany condemned it as morally "degenerate".
Vampire has become one of Munch's most sought-after and reproduced images, despite remaining in the hands of a private collector for the past 70 years.
The painting will go on the open market, The Independent can reveal, and is anticipated to smash the $31m (£17m) auction record for a Munch work. Vampire, which is often seen as the sister of The Scream, completed just months earlier, will be sold at a Sotheby's auction in New York for an estimated $35m.
The painting was part of Munch's seminal 20-work series The Frieze of Life, which included The Scream. It is the most significant version of four Vampires he completed in 1893 and 1894, and was first exhibited in 1902 in Berlin, where his works caused shock and awe.
Vampire was sold to the avid Munch collector, John Anker, in 1903, and is the only work from the original series in private hands. It was acquired by a private collection from Anker and his wife, Nini Roll, in 1934, and has since remained there – albeit loaned to the Metropolitan Museum of Art in New York until last year. Vampire has not been since in Britain since 1974. Simon Shaw, head of Impressionist and modern art at Sotheby's in New York, said: "There have been past Munch works to be sold in recent times, such as a wonderful group of works in 2006 and a painting earlier this year, but this one is a real, knock 'em dead masterpiece."
Vampire caused a sensation when it was unveiled, touching on turn-of-the-century fears about women's liberation. Some critics were outraged by its perverse, almost sado-masochistic depiction of passion.
Mr Shaw added: "It was shocking to Berlin society just as it is shocking today."
Munch, however, always insisted it was nothing more than "just a woman kissing a man on the neck".
The work also became the basis for several pastels, woodcuts, lithographs and prints, one of which will be sold at Sotheby's in London on 2 October, entitled Vampire II and estimated to fetch up to £400,000. The painting will be on view in London from 3 to 7 October, and then in Moscow, before it is sold in New York on 3 November.
Arts & Ents blogs
Thirteen-year-old Conor awakes in bed one night to discover that the yew tree outside his house has ...
It’s hard not to feel sorry for doe-eyed Andy. He spends months pining after Louise, has huge nostr...
Fragility of life looms large over an episode that closes with the scarring on Julie's stomach. Whil...
‘Hello, NME? I’d like to complain about your Tom Odell review. Why? I’m his dad’
Kan you believe it? Kim Kardashian and Kanye West reportedly name baby daughter 'Kaidance Donda'
American studio claims it designed London 2012's Olympic cauldron
Film review: World War Z - Brad Pitt's zombie action flick is surprisingly infectious
Anger Management? Charlie Sheen fires Selma Blair as his onscreen therapist with expletive-filled text
- 1 Bankers could face jail after report urges the Government to introduce new criminal offence for reckless management
- 2 Breaking the Silence: In the reality of occupation, there are no Palestinian civilians – only potential terrorists
- 3 Richard Nieuwenhuizen death: Six teenagers and 50-year-old father convicted of manslaughter in shocking case of referee killed over a game of football
- 4 Exclusive: Newcastle's star talent-spotter on brink as Joe Kinnear sparks walkout
- 5 Vast methane 'plumes' seen in Arctic ocean as sea ice retreats