BOOK REVIEW / A bearded prophet of the wilderness

Michael Coveney's biography of the director Mike Leigh sent John Campbell scuttling back to the video shop; The World According to Mike Leigh by Michael Coveney, HarperCollins, pounds 18

If uniqueness is the mark of an enduring artist, Mike Leigh passes the test. There is no one like him. No other playwright or film director - certainly in Britain - does what he does. He developed his own method early on and has stuck to it tenaciously for 30 years, from his first staged experiments on the Sixties fringe through television breakthrough in the Seventies with Nuts in May and Abigail's Party to international recognition as an independent, prize-winning and even bankable film maker (High Hopes, Life Is Sweet, Naked) in the late Eighties. His integrity commands respect even if you question the results.

His method is often described as "improvisation". But this is misleading. It suggests something serendipitous and uncontrolled, whereas in fact all Leigh's finished work is very tightly structured. Nothing is improvised on stage or camera. The improvisation comes much earlier, when he and his actors together create the characters whose interaction will form the story of the play or film. Leigh does this individually with each actor, building a complete character through traits of personality, language, clothes and lifestyle before introducing them to one another. Thus events and dialogue are sparked by the collision of autonomous characters instead of being given to the actors in advance by an omniscient author. Other directors use improvisation to explore and deepen actors' understanding of their roles: no one else starts with it. But the point is that Leigh, starting with nothing, ends up with a precisely detailed script. His credits used to say "devised and directed by Mike Leigh"; they now read "written and directed".

Of course, he is not quite sui generis. His method was influenced by people like Peter Brook and Ken Campbell. Paradoxically his finished product comes closest to Pinter, whose resonant sounding of the hollow poetry of banality is honed in the study, not the rehearsal room. Michael Coveney draws other comparisons, with Ben Jonson's comedy of "humours" and with Ayckbourn. But like him or loathe him - and you can loathe him either for creating patronising caricatures or reproducing the sheer tedium of ordinariness - Leigh is a true original. It is a pity his name does not lend itself to an adjective like "Pinteresque".

His surname, Coveney reveals, was actually changed from Lierbermann. His grandparents on both sides were part of that fruitful influx of Jewish emigrants from Russia that so alarmed the Tory Government of the day that it passed the 1902 Aliens Act to keep them out. Leigh rejected his Jewish inheritance as soon as he could; but Coveney has no doubt that it helped shape him. He grew up as part of the large, prosperous and self-confident Jewish community in Manchester, bourgeois but still outsiders. His interest in human oddity was stimulated by the extensive tribe of his bizarre relations. He disappointed his parents - both doctors - by failing to get into Manchester Grammar. Salford, however, more working-class and much less academic - suited him better. He played the lead in school productions of Gogol and Shaw, and remembers reading Look Back in Anger in the school library in 1956. He was 13, and had found his metier. Four years later he won a Rada scholarship.

The breadth of subsidised opportunity open to that privileged generation is brought home by Coveney's account of Leigh's first five years after leaving school. Between 1960 and 1965 he "not only studied at Rada but worked as an assistant stage manager in repertory, acted in films and on television, took a foundation year course at Camberwell Arts School while attending evening classes at the London School of Film Technique... and spent a year in the theatre design department of the Central School of Art and Design". He created his first play while employed at the Midland Arts Centre in Birmingham; and, in 1967, he landed a job as an assistant director with the RSC.

His face - or rather his methods - did not fit and he was quickly sacked. The next few years were his most difficult, struggling for the chance to devise shows in colleges and fringe venues like the Open Space and Traverse. It was a piece at the Open Space in 1970 - the excruciating, Chekhovian Bleak Moments - which marked his breakthrough. Albert Finney - another Salford boy - put up pounds 17,000 to make it into a film. Then Tony Garnett, exercising an artistic freedom unimaginable today, gave him a slot to make Hard Labour for the BBC, and he was away.

Coveney's is not a great book: his idea of criticism is more to berate Leigh's detractors - Dennis Potter, David Edgar, Julie Burchill, Pauline Kael - than to offer much interpretation of his own. But his account of Leigh's now very substantial oeuvre - some 37 films and theatre pieces, climaxing in the grimly Dostoyevskian Naked (1993) - is clear and helpful. It certainly sent me back to the video shop.

PROMOTED VIDEO
Have you tried new the Independent Digital Edition apps?
Arts and Entertainment

ebooksNow available in paperback
Arts and Entertainment

ebooks
Arts and Entertainment
Mark, Katie and Sanjay in The Apprentice boardroom
TV
Arts and Entertainment

Film The critics but sneer but these unfashionable festive films are our favourites

Arts and Entertainment
Frances O'Connor and James Nesbitt in 'The Missing'

TV We're so close to knowing what happened to Oliver Hughes, but a last-minute bluff crushes expectations

Arts and Entertainment
Joey Essex will be hitting the slopes for series two of The Jump

TV

Who is taking the plunge?
Arts and Entertainment
Katy Perry as an Ancient Egyptian princess in her latest music video for 'Dark Horse'

music
Arts and Entertainment
Dame Judi Dench, as M in Skyfall

film
Arts and Entertainment
Morrissey, 1988

TV
Arts and Entertainment
William Pooley from Suffolk is flying out to Free Town, Sierra Leone, to continue working in health centres to fight Ebola after surviving the disease himself

music
Arts and Entertainment
The Newsroom creator Aaron Sorkin

TV
Arts and Entertainment
Matt Berry (centre), the star of Channel 4 sitcom 'Toast of London'

TVA disappointingly dull denouement
Arts and Entertainment
Tales from the cryptanalyst: Benedict Cumberbatch in 'The Imitation Game'

film
Arts and Entertainment
Pixie Lott has been voted off Strictly Come Dancing 2014

Strictly
Latest stories from i100
Have you tried new the Independent Digital Edition apps?

ES Rentals

    Independent Dating
    and  

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    Jeb Bush vs Hillary Clinton: The power dynamics of the two first families

    Jeb Bush vs Hillary Clinton

    Karen Tumulty explores the power dynamics of the two first families
    Stockholm is rivalling Silicon Valley with a hotbed of technology start-ups

    Stockholm is rivalling Silicon Valley

    The Swedish capital is home to two of the most popular video games in the world, as well as thousands of technology start-ups worth hundreds of millions of pounds – and it's all happened since 2009
    Did Japanese workers really get their symbols mixed up and display Santa on a crucifix?

    Crucified Santa: Urban myth refuses to die

    The story goes that Japanese store workers created a life-size effigy of a smiling "Father Kurisumasu" attached to a facsimile of Our Lord's final instrument of torture
    Jennifer Saunders and Kate Moss join David Walliams on set for TV adaptation of The Boy in the Dress

    The Boy in the Dress: On set with the stars

    Walliams' story about a boy who goes to school in a dress will be shown this Christmas
    La Famille Bélier is being touted as this year's Amelie - so why are many in the deaf community outraged by it?

    Deaf community outraged by La Famille Bélier

    The new film tells the story of a deaf-mute farming family and is being touted as this year's Amelie
    10 best high-end laptops

    10 best high-end laptops

    From lightweight and zippy devices to gaming beasts, we test the latest in top-spec portable computers
    Michael Carberry: ‘After such a tough time, I’m not sure I will stay in the game’

    Michael Carberry: ‘After such a tough time, I’m not sure I will stay in the game’

    The batsman has grown disillusioned after England’s Ashes debacle and allegations linking him to the Pietersen affair
    Susie Wolff: A driving force in battle for equality behind the wheel

    Susie Wolff: A driving force in battle for equality behind the wheel

    The Williams driver has had plenty of doubters, but hopes she will be judged by her ability in the cockpit
    Adam Gemili interview: 'No abs Adam' plans to muscle in on Usain Bolt's turf

    'No abs Adam' plans to muscle in on Usain Bolt's turf

    After a year touched by tragedy, Adam Gemili wants to become the sixth Briton to run a sub-10sec 100m
    Calls for a military mental health 'quality mark'

    Homeless Veterans campaign

    Expert calls for military mental health 'quality mark'
    Racton Man: Analysis shows famous skeleton was a 6ft Bronze Age superman

    Meet Racton Man

    Analysis shows famous skeleton was a 6ft Bronze Age superman
    Garden Bridge: St Paul’s adds to £175m project’s troubled waters

    Garden Bridge

    St Paul’s adds to £175m project’s troubled waters
    Stuff your own Christmas mouse ornament: An evening class in taxidermy with a festive feel

    Stuff your own Christmas mouse ornament

    An evening class in taxidermy with a festive feel
    Joint Enterprise: The legal doctrine which critics say has caused hundreds of miscarriages of justice

    Joint Enterprise

    The legal doctrine which critics say has caused hundreds of miscarriages of justice
    Freud and Eros: Love, Lust and Longing at the Freud Museum: Objects of Desire

    Freud and Eros

    Love, Lust and Longing at the Freud Museum