Lucretia Grindle is an ambitious writer. Her novel The Villa Triste expanded a boy-girl romance into a vision of Italian resistance during the Second World War.
Now she turns her attention to the 1970s, era of the Red Brigades' terrorist attacks in Italy, and their infamous acts of kidnapping and murder. A strong suspense element is provided at the start of The Lost Daughter by a modern kidnapping. The spoilt daughter of a rich American vanishes from the street. Detective Enzo Saenz, a humane man who enjoys the ordinary pleasures of the Italian male, and his boss, the withdrawn and intellectual Pallioti, suspect there is something strange about the girl's stepmother.
She indeed proves the key to the case, for "Anna Carso" began life as Angela Vari, a butcher's daughter from Ferrara. In that small town, just beginning in the Seventies to accommodate the modern world, she encounters a sinister, sexy young politico who abandons her after a casual relationship.
Antonio goes on to become the leader of a Red Brigade and finds that now Angela can be useful to him. He ruthlessly co-opts her to cook and wash for an important prisoner: none other than Aldo Moro, leader of the Christian Democrats. Moro is to be put "on trial". Inevitably, the kangaroo court sentences him to death. Angela grows to have a rapport with the prisoner, even, in a reversal of the Stockholm syndrome, an affection for him. But she cannot prevent his murder.
This is the point at which romance and history meet. Historical fact decrees that Moro died, yet Grindle has to keep the reader's sympathy for her fictional Anna, who could have saved him. Anna does in fact give evidence, too late to save Moro, but soon enough to convince us that she is a woman of conscience and compassion.
Having convincingly negotiated this marriage of fact and fiction, the story returns to the present-day kidnapping. Here the suspense is cleverly increased with an extra turn of the screw involving a determined woman lawyer, a long-time friend of Angela's. Grindle throws in bags of atmosphere with her loving descriptions of life in an Italy undergoing painful social upheaval, effectively symbolised by the Varis' butcher's shop, where expert filleting must give way before the irresistible advent of pre-packed supermarket chicken. Yet not all Italians lose their true values: at the end, the lawyer still believes in the fundamental principles of justice, even for a terrorist.Reuse content