Classical review: Wozzack, The Helmand years
ENO's new production of Berg's 1925 opera draws parallels with servicemen's lives in Afghanistan
Saturday 18 May 2013
Three years ago, on a train to Newcastle, I met a young soldier on leave from Helmand.
We fell to talking about his childhood and his schooling, his disillusionment with an unwinnable war, his difficulty in sourcing a rucksack adequate to scrambling belly-down over rough ground, his admiration for the sophistication of IEDs fashioned from drinks cans, the desperate loneliness he felt when he went home to his Nan’s. I asked him what had made him join the army. It was that or crime, he said.
Carrie Cracknell’s ENO production of Wozzeck is set in a modern-day garrison town where crime and military service have been blurred by poverty. In the tawdry bar on the lowest level of Tom Scutt’s three-storey set, the tattooed Captain (Tom Randle) slurps lager, smarting at the snag of the hair-clippers that Wozzeck (Leigh Melrose) ineffectually wields. Demobbed or on leave, Wozzeck combines his work as a barber with stuffing bags of cocaine into toy dinosaurs, submitting to dietary experiments for extra cash to give his lover, Marie (Sara Jakubiak). The experiments are just a hobby for the Doctor (James Morris), kingpin of the local drugs trade. All of the money here is dirty, the pomp of military funeral processions dissolving into drunken karaoke and furtive hand-jobs. In a room on the first floor, Andres (Adrian Dwyer) tests the turning-circle of his wheelchair, an amputee haunted, like Wozzeck, by spectres of Afghan children and stumbling soldiers, their faces masked against chemical attack.
With the exception of the children, who appear so frequently in neat formation that you half expect them to break into a number from Annie, Cracknell’s staging is impressive in balancing the grotesque and the banal. Melrose’s Wozzeck is a small, quiet, inexpressive figure, his paranoia concealed until his jealous crack-up, and all the stronger for it. The physical contrast between him and Bryan Register’s barrel-chested Drum Major is startling. Dazzled by the bling the Drum Major leaves on her kitchen table, bored, weary, feckless Marie yields easily, her prayers to the Virgin Mary hollow. Jakubiak has an ample, expressive, flexible voice and soars confidently over Alban Berg’s brazen orchestration. Mahlerian in its angry beauty, its brilliant shards of woodwind, its mournfully sensual violin solos and slow-dancing basslines, the score is terrible and radiant, and given an outstanding performance from Edward Gardner and the orchestra.
Wozzeck is an example of ENO at its provocative best, with proper thought given to every role, from Clare Presland’s brittle, doll-like Margret to Harry Polden’s numbed child, stepping over the corpses of his parents, cocaine-stuffed dinosaur in his hands. Though the war Cracknell invokes is vastly different from the one that inspired Berg, the transposition works.
Another conflict hangs over Benjamin Britten’s Canticles (Theatre Royal, Brighton ****), staged by Neil Bartlett and Paule Constable with Frantic Assembly. Written in 1947, the first in this set of five cantatas looks back to the early flowering of Britten’s relationship with the singer Peter Pears, whose vocal qualities would inform so much of his music. As tenor Ian Bostridge curls his fluting, anxious voice around the tender words of the text, standing in the curve of Julius Drake’s grand piano, actor Edward Evans carefully sets a table for breakfast for two, enchanted and intimidated by his new, more confident, more handsome lover (Edward Evans). The pas de deux of the second Canticle, “Abraham and Isaac” is more complex, its narrative sharp and ironic as counter-tenor Iestyn Davies’s cool, effortless tone highlights Bostridge’s angularities and idiosyncracies.
While Britten and Pears were falling in love in America, Edith Sitwell was writing the poem that would become Still Falls the Rain – The Raids, 1940, Night and Dawn, sung here by Bostridge to John Keane’s film of falling bombs and munitions factories staffed by women. In Journey of the Magi, the ensemble between Bostridge, Davies and baritone Benedict Nelson is, to use TS Eliot’s term, “satisfactory”, while The Death of Saint Narcissus, sees tenor, harp (Sally Pryce) and dancer (Dan Watson) conjure an Aschenbachian fantasy of doomed beauty.
An imaginative footnote to the Britten centenary, but one in which first love is more arresting than anything that follows.
‘Wozzeck’ (020-7845 9300) to 25 May. ‘Canticles’ : ROH, London WC2 (020-7304 4000) from 10 July
Mitsuko Uchida joins Quatuor Ebène in Mahler songs, Franck’s Piano Quintet in F minor and Jacob Ter Veldhuis’s I was like, WOW!, at London’s Queen Elizabeth Hall (Sunday/tomorrow). Opening the Bath Music Festival, Alexander Janiczek directs the strings of the Scottish Chamber Orchestra in music by Stravinsky, Tchaikovsky and Arvo Pärt, at Bath Abbey (Wed). The London Contemporary Orchestra performs work by Claude Vivier in London’s disused Aldwych Underground station (Fri).
elephant appealThe first 23 lots in our charity auction have now gone. But there are 22 more still up for grabs
Jennifer Lawrence attacks mass media again over body image
scienceScientists find the answer to a question that even puzzled Darwin
A very timely Great Train Robbery and a frantic 24 Hours in A&E among the highlights
scienceThe new development in bio-printing technology could be used in the future to restore lost vision - though years of research still await
Geoffrey Macnab: The Wolf of Wall Street's account of white-collar excess is A Rake’s Progress on steroids
arts + entsThe 'Friends' actor on his new role as campaigner on addiction issues
Arts & Ents blogs
Brian Griffin returns: Cartoon dog back from the dead in Family Guy Christmas episode
Matthew Perry: He'll be there for you
Nymphomaniac, film review: 'Despite the surreal sex scenes this is a serious drama'
FAT’s all folks: Architecture’s biggest jokers sign off in style
The Wolf of Wall Street, film review: 'A lurid, profanity bespattered movie'
Exclusive: Young people ‘want UK to stay in Europe’: Four in 10 adults aged 18 to 24 are ‘firmly in favour’ of membership, poll shows
Fox News presenter tells viewers it is a 'fact' that both Jesus and Santa Claus are white
You can STILL be jailed for being a republican, government confirms, and it remains illegal to even 'imagine' overthrowing the Queen
Kiss and yell: Italian protester charged with sexual assault after kissing riot police officer
Fighting back: the woman giving a voice (and 49,999 others) to the victims of sexism - by giving an airing to their horror stories
PM denies two child limit for benefits is part of Tory welfare policy
- 1 Facebook 'self-censorship': study records when you don't post to find more ways to share
- 2 Sun will 'flip upside down' within weeks, says Nasa
- 3 ‘Why we don't have snow in Saudi Arabia’: Video captures winter fun as Middle East hit with rare blizzard
- 4 Vitamin pills are a waste of money, offer no health benefits and could be harmful - study
- 5 Children evacuated from swimming pool after prosthetic leg mistaken for paedophile
- < Previous
- Next >