Review of 2012: Film
Once Upon a Time in Anatolia
Nuri Bilge Ceylan's enigmatic crime procedural takes its time revealing not much about the crime, but a great deal about male loneliness and regret. This long night's journey into day ends on a note of ambiguity that resonates deep in your bones – indeed, so subtly does Ceylan work his effects, that only on my way home did I realise I'd been watching a masterpiece.
Nostalgia for the Light
History, elegy, essay, indictment, Patricio Guzmán's astonishing documentary encompasses all of them. Chile's Atacama Desert is the driest place on Earth and a magnet for astronomers because of its transparent air. It's also the site of Pinochet's killing fields, the burial ground of thousands of dissenters who vanished under his regime. Now relatives scour it for traces of loved ones.
Nina Hoss, reuniting with director Christian Petzold (Yella), is quite brilliant as the disgraced doctor under surveillance in the provincial GDR of 1980. Cold-eyed and distant, Hoss doesn't make a naturally sympathetic heroine, but her resourcefulness under pressure comes to matter in a tense, taut drama with some crafty wit up its sleeve.
It took five years for Chris Smith's slight but stirring feature to get a release here, but thank God it eventually did. The story of a country-born lad who skivvies at a Panjim hotel but dreams of the big city, it transcends coming-of-age conventions through a quartet of lovely performances – and through Smith's eye for the flaking grandeur of old India.
The American film I most enjoyed this year. This tale of a scheme to extricate six American fugitives from the cauldron of Tehran, 1979, by disguising them as film-makers, is so preposterous you know it must be true, whatever embellishments the film adds. Ben Affleck makes his third decent film in a row, and plays the starring role of the CIA rescuer with commendable restraint. Hooray for Hollywood – and, er, Langley.
Discovery of the year: Great Expectations
Great Expectations got a rough ride in general from the reviews, the strange omission in particular being the outstanding performance of young Toby Irvine as Pip. So much of the book's meaning has to be inscribed upon Pip's face - terror, of course, and pity, and as much confusion, regret and longing as one adolescent boy could ever experience. Toby Irvine caught all of this, yet still retained an entirely credible innocence.
Turkey of the year: The Knot
More of a crime scene than a movie, this was Noel Clarke's attempt to piggyback the current comedy-gold standards of The Hangover and Bridesmaids. Sadly it packed in all the crude stuff about stag'n'hen night misdemeanours but failed utterly to translate either's charm or invention.
Is the comedy album making a comeback?comedy
Arts & Ents blogs
- 1 Disney heiress Abigail disowns her share of family profits in West Bank company
- 2 The secret report that helps Israel hide facts
- 3 'Women should not laugh in public,' says Turkey's Deputy Prime Minister in morality speech
- 4 Israel's propaganda machine is finally starting to misfire
- 5 HSBC closes bank accounts belonging to Muslim clients in the UK
Led Zeppelin to release alternative Stairway To Heaven after 43 years
New film Old Fashioned is 50 Shades of Grey for Christians, claims its creator
Freddie Prinze Jr on 24: 'Kiefer Sutherland was the most unprofessional dude in the world – I hated every moment of it'
The Hobbit: The Battle of the Five Armies trailer unveiled at Comic-Con
R Kelly 'dropped' from Ohio music festival following backlash
The secret report that helps Israel hide facts
Woman and two children killed by mob in riots over 'blasphemous' Facebook post in Pakistan
A day in the life of Vladimir Putin: The dictator in his labyrinth
Putin is 'thuggish, dishonest and reckless', says British ambassador to US
Richard Dawkins tweets: 'Date rape is bad, stranger rape is worse'
Boozy, ignorant, intolerant, but very polite – Britain as others see us
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