Underground to big screen - via music, jail and love

News in pictures
News in pictures
On Facebook
Arts & Ents blogs

Beth Jeans Houghton interview: “I hate London”

Falling from the limelight is often damaging to any artist and devastating at the start of a career....

Turbo Records going into overdrive for 2012

Last year I interviewed Tiga, owner of Canadian label Turbo Records, about his ZZT project - which h...

Review of Being Human: ‘Being Human 1955’

Following on from an episode tinged with tragedy, this week lifted the mood with something lighter.

Suggested Topics

When Cannes Film Festival organisers chose the Iranian film
No One Knows About Persian Cats for their line-up, they couldn't have guessed how timely their decision would be.

The film is about the underground music scene in Tehran and is co-written by Roxana Saberi, the US-Iranian journalist released earlier this week after serving four months of an eight-year sentence for allegedly spying for the United States.

Persian Cats is directed and co-written by Saberi’s boyfriend and highly acclaimed director Bahman Ghobadi, who won the Camera d'Or in Cannes for his A Time for Drunken Horses in 2000.

The film, which premieres today, was filmed covertly in September last year and was produced without the official seal of approval from the Iranian authorities.

Promoted as a musical the film centres on the love story between real-life couple and musicians Negar Shaghaghi and Ashkan Koshanejad who play together in the electronic indie band Take It Easy Hospital, which the movie is about. It shows how they struggle to find new band members after Ashkan is released from jail for playing rock music in public, something which is illegal in Iran.

Western styled music is considered “obscene” by the Iranian authorities and it was banned in1979 after the Islamic revolution. Musicians who defy the rules risk harsh punishments such as lashings, fines and imprisonment.

Despite the severity of the punishments there is a thriving underground rock and hip-hop scene in the capital, especially in the more affluent suburbs of northern Tehran. Bands practise in home-built studios and pad the rooms with Persian rugs and mattresses to keep the noise in and nosy neighbours out.

Much of Persian Cats is based on the real experience of 24-year-old Ashkan who in August 2007 organised the first public rock concert in Iran. Ashkan and his rock band Font organised the gig in a small village 25 miles outside Tehran. They invited 100 friends but the news of the concert soon spread and more than 1,200 people attended.

The Iranian police found out about the gig after checking various internet forums and only minutes after Font had finished their first public gig the police scaled the walls surrounding the garden and raided the event. More than 250 people were arrested for what was referred to as “immoral behaviour” such as dancing, drinking alcohol and girls socialising with boys without wearing their hijab.

Inspired by the story, which made headlines in Iran, Ghobadi managed to track down Ashkan and asked him and his 24-year-old girlfriend Negar to play the leads in his new film.

“Being in prison was very difficult. We were scared that we would be locked up for a long time because they didn’t tell how long we would have to stay there,” said Ashkan who now lives with his girlfriend and his other band mates in London after obtaining a six-month entertainment visa to Britain.

“I believed it was the end of what could happen to a musician in Iran but it was also the start of so much more because people from across Iran heard about the underground music scene. I think that this film will show the suffering and the loneliness of what it’s like being a musician in Iran.”

Because of the ban on western style music the film will not be shown in Iran and its director and actors are unsure if they will be able to return to the country after today’s premiere.

“The government will be really pissed off when they hear about it,” he said before travelling to Cannes for the premiere tonight.

“I'm not sure what would happen to us if we tried to go home now, they probably wouldn’t let us into the country,” said Ashkan.

Ghobadi, who also produced Persian Cats, relies on revenues from screenings abroad to make a living - something Iranian musicians cannot do as they are not allowed to perform to an audience. "My movie is a tribute to these people. They want to get on the stage and show their parents their lives have not all gone to waste," he told AFP.

“Many social liberties have been taken away in Iran without a replacement being offered. In this film I'm crying out loud against the status quo,” he said.

Although Take It Easy Hospital’s lyrics are non-political the young musicians know that playing banned music is seen as a political act in itself and they know that the government sees them as a threat which could spark off a “soft revolution”.

“Hopefully this film will reach young and creative Iranians and show them that they are not alone. I also hope it will help to change the mindset of older Iranians that music is not a dangerous thing; it's a creative expression,” said Ashkar.

“I hope that the film will change people’s perceptions of what Iranian society is like and that people will take a closer look at our cultural underground scene.”

www.myspace.com/takeiteasyhospital

www.myspace.com/fontband

Independent Comment
blog comments powered by Disqus

Day In a Page

Apple admits it has a human rights problem

Apple admits it has a human rights problem

After years of complaints and workers' suicides in China the technology giant faces up to the human cost of its gadgets
Peter Moore: 'I feel guilty I'm the only one alive'

Peter Moore interview

'I feel guilty I'm the only one alive'
Sellafield faces nuclear option as overspending threatens plant's future

Sellafield faces nuclear option

Overspending threatens plant's future
Israel blames Iran for embassy bomb attacks

Israel blames Iran for embassy bomb attacks

Tehran rejects Netanyahu's 'lies' after diplomats in India and Georgia targeted
Former manager enjoying Apoel crack at the big time

Tommy Cassidy interview

Former manager enjoying Apoel crack at the big time
James Lawton: Patience may not be a virtue this time, Roman – Andre Villas-Boas looks all at sea

James Lawton: AVB looks all at sea

Abramovich's visits to training reinforce the idea of a coach feeling pressure from above and below
The 10 Best sledges

The 10 Best sledges

Not all of them require snow...
Procrastination: Not now – I'm busy

Procrastination: Not now – I'm busy

Confronting the real reasons for puttting things off can help us beat it
Fun in the sunset years

Fun in the sunset years

A new movie follows retirees moving to India for low-cost care and a culture of respect for the elderly. For many Britons, it's already a reality
Picture preview: Lucian Freud drawings

Lucian Freud drawings

Picture preview
Silent revolution at the Baftas as the French take top awards

Silent revolution at the Baftas

The Artist wins in seven categories, with Meryl Streep the other big success story
Whitney Houston: The diva who had – and lost – it all

The diva who had – and lost – it all

Nick Hasted charts the highs and lows of Whitney Houston's life
How Picasso won over (some of) the British

How Picasso won over (some of) the British

Winston Churchill and Evelyn Waugh hated his work, but Picasso provided inspiration for a whole generation of UK artists
Topshop: A Decade Of Design

Topshop: A Decade Of Design

When London Fashion Week starts on Friday, Topshop will celebrate 10 years backing its brightest young stars
John Prescott: 'My wife thought I'd just retire, but I'm not a slippers man'

'My wife thought I'd just retire, but I'm not a slippers man'

At 73, John Prescott isn't mellowing. In fact he's taking a shot at becoming a police commissioner