Noah, film review: Soggy and bombastic

2.00

Voyage aboard the Ark makes for very heavy going viewing indeed

Biblical epics don't come any more soggy or bombastic than Darren Aronofsky's Noah. The film tells the very familiar story of the Ark in a solemn and portentous fashion that seems inspired by Tolkein, Transformers and Cecil B. DeMille in equal measure.

In spite of the furore surrounding Noah in advance of its release, Aronofsky isn't offering an especially radical or debunking perspective on the Old Testament fable. The animals still go in two by two. The earth still gets flooded.

When he is not pondering humanity's slip from grace or preaching an environmentalist message, Aronofsky is busy with what becomes an increasingly embroiled family melodrama.

Noah (Russell Crowe) is a grim patriarch determined to do his creator's bidding, even if it means turning his wife and sons against him.

Crowe brings growling presence to his role as Noah. He is not a sweet natured zoo keeper with a white beard. He may have a Prince Charles-like belief in sustainable farming, only taking what he needs and can use, but he isn’t above kicking ass. There is a hint of Mad Max or Romper Stomper about him in the early sequences in which he is struggling to keep his family alive in barren wastelands.

We see him slaughter a group of brigands who attack him as he tends a dying animal. Fleeing from another group of thugs, he leads his family into a forbidden zone inhabited by the “Watchers,” stone creatures who look as if they're on leave from a Michael Bay movie. They’ve been expelled from Eden by the Creator and forced to come to earth where they’ve been persecuted by humans.

The CGI does Aronofsky few favours. Whether a pulsing piece of fruit on the tree of knowledge or the “Watchers” rising up from the ground in a whirlwind of dust and gravel, there is little sense of wonder to the digital special effects. We've seen too many Marvel movies for these effects to startle us. Far stronger are the dream sequences in which Noah begins to sense the catastrophe ahead. He stands as if on a sea of blood and has visions of the drowned and of a fiery eyed green snake, curling many a wanton wreath toward the camera.

Haunted by these visions, Noah heads up into the mountains to visit his grandfather Methuselah (Anthony Hopkins), a wizened old magus with a touch of Obi Kenobi (in the Alec Guinness incarnation) about him. Noah is given a seed from which - in a mini-orgy of time-lapse photography - first a flower grows and then a vast forest. “This is our Ark,” he deduces and sets to work building his vast boat under the protection of the “Watchers.” Noah is convinced that the Creator is planning to “blot out” all of humanity because of what “man has done” and start the world again from scratch.

 

Throughout, there is a sense of a film pulling in two different directions. Aronofsky is keen to make a Terrence Malick-style character study about a flawed patriarch and to explore the symbolism and environmental undercurrent to the myth of the Ark.

At the same time, to justify his enormous budget, he is obliged to serve up the kind of action sequences that wouldn't look out of place in Lord of the Rings or Narnia movies. When Ray Winstone's hordes attack the “Watchers” in a desperate bid to gain access to the Ark, the film hits a nadir.

Winstone’s character, Tubal-Cain, is a descendant of Cain. He is Noah’s nemesis, his dark shadow. He even looks a little like Noah and utters his dialogue in the same guttural growl. He and his followers rule the world through violence, cunning and corruption. These are traits that Noah sees in himself. “The wickedness is not just in them. It is in all of us,” he warns his wife (Jennifer Connelly.)

One of the disappointments about Noah is that there is so much distracting imagery and special effects that we risk losing sight of what could have been a very fine performance from Russell Crowe.

In Aronofsky’s superb 2008 feature The Wrestler, Mickey Rourke played the bruised, battered and drug-addled Randy “the Ram” Robinson. It is obviously perverse in the extreme to compare a biblical figure like Crowe’s Noah with an over-the-hill New Jersey wrestler but there are similarities between the two characters. They’re both wounded men who have difficult relationships with their children.

Emma Watson in Noah Emma Watson in 'Noah'

In Noah, at the same time that the world is flooding, Aronofsky is busy venturing into the realm of family psycho-drama. Noah (who has a touch of Abraham about him) is prepared to sacrifice his own grandchildren and to prevent his sons marrying if he feels that this is the creator’s will.

He is the self-appointed interpreter of that will. Crowe hints at his character’s guilt and his self-doubt as he risks destroying the lives of his beloved step-daughter Ila (an incongruously well-spoken Emma Watson) and his son Shem (Douglas Booth.)

However, amid the sturm und drang and effects driven action sequences with which the film is filled, the human dimension is diminished. Even in his lowest moments, when he has become a pariah to those he loves and is looking more and more like Oliver Reed in Castaway, Crowe’s Noah still seems caught in some netherworld between real character and biblical archetype. With so much else going on, the performance simply can’t match the intensity and pathos that Rourke gave to a film as pared down as The Wrestler.

Nor does Aronofsky’s biblical epic possess that sense of mischief, irony and malice that the director brought to his backstage ballet film Black Swan (2010.) Noah is a solemn affair that takes itself very seriously indeed. In dealing with big themes -  man’s inhumanity to man, the great flood etc - Aronofsky seems to have misplaced any sense of levity.

As a result, this voyage aboard the Ark makes very heavy going indeed.

Read more: Aronofsky admits Noah is an 'odd choice'
Noah: 'The least biblical biblical film ever made'

Arts and Entertainment
Word master: Self holds up a copy of his novel ‘Umbrella’
books
Arts and Entertainment
Hare’s a riddle: Kit Williams with the treasure linked to Masquerade
books
Arts and Entertainment
The man with the golden run: Daniel Craig as James Bond in 'Skyfall'

TV
Arts and Entertainment
'Waving Seal' by Luke Wilkinson was Highly Commended in the Portraits category

photography
Arts and Entertainment
The eyes have it: Kate Bush
music
PROMOTED VIDEO
Have you tried new the Independent Digital Edition apps?
Arts and Entertainment
Art
Arts and Entertainment
Diana Beard, nicknamed by the press as 'Dirty Diana'

Bake Off
Arts and Entertainment
The X Factor 2014 judges: Simon Cowell, Cheryl Cole, Mel B and Louis Walsh

TV
Arts and Entertainment
Gregg Wallace was caught by a camera van driving 32mph over the speed limit

TV
Arts and Entertainment
books
Arts and Entertainment
The Doctor and the Dalek meet
tvReview: Doctor Who Into the Dalek more than compensated for last week's nonsensical offering
Arts and Entertainment
Star turns: Montacute House
tv
Arts and Entertainment
Iain reacts to his GBBO disaster

TV
Arts and Entertainment
Outlaw Pete is based on an eight-minute ballad from Springsteen’s 2009 Working on a Dream album

books
Arts and Entertainment
Cara Delevingne made her acting debut in Anna Karenina in 2012

film
Arts and Entertainment
Simon Cowell is less than impressed with the Strictly/X Factor scheduling clash

TV
Arts and Entertainment
Gothic revival: artist Dave McKean’s poster for Terror and Wonder: The Gothic Imagination
Exhibition
Arts and Entertainment
Diana Beard has left the Great British Bake Off 2014

TV
Arts and Entertainment
Lisa Kudrow, Courtney Cox and Jennifer Anniston reunite for a mini Friends sketch on Jimmy Kimmel Live

TV
Arts and Entertainment
TVDessert week was full of the usual dramas as 'bingate' ensued
Arts and Entertainment
Clara and the twelfth Doctor embark on their first adventure together
TVThe regulator received six complaints on Saturday night
Arts and Entertainment
Vinyl demand: a factory making the old-style discs
musicManufacturers are struggling to keep up with the resurgence in vinyl
Arts and Entertainment
David Baddiel concedes his show takes its inspiration from the hit US series 'Modern Family'
comedyNew comedy festival out to show that there’s more to Jewish humour than rabbi jokes
Arts and Entertainment
Puff Daddy: One Direction may actually be able to use the outrage to boost their credibility

music
Arts and Entertainment
Suha Arraf’s film ‘Villa Touma’ (left) is set in Ramallah and all the actresses are Palestinian

film
Have you tried new the Independent Digital Edition apps?

ES Rentals

    Independent Dating
    and  

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    'I’ll tell you what I would not serve - lamb and potatoes': US ambassador hits out at stodgy British food served at diplomatic dinners

    'I’ll tell you what I would not serve - lamb and potatoes'

    US ambassador hits out at stodgy British food
    Radio Times female powerlist: A 'revolution' in TV gender roles

    A 'revolution' in TV gender roles

    Inside the Radio Times female powerlist
    Endgame: James Frey's literary treasure hunt

    James Frey's literary treasure hunt

    Riddling trilogy could net you $3m
    Fitbit: Because the tingle feels so good

    Fitbit: Because the tingle feels so good

    What David Sedaris learnt about the world from his fitness tracker
    Saudis risk new Muslim division with proposal to move Mohamed’s tomb

    Saudis risk new Muslim division with proposal to move Mohamed’s tomb

    Second-holiest site in Islam attracts millions of pilgrims each year
    Alexander Fury: The designer names to look for at fashion week this season

    The big names to look for this fashion week

    This week, designers begin to show their spring 2015 collections in New York
    Will Self: 'I like Orwell's writing as much as the next talented mediocrity'

    'I like Orwell's writing as much as the next talented mediocrity'

    Will Self takes aim at Orwell's rules for writing plain English
    Meet Afghanistan's middle-class paint-ballers

    Meet Afghanistan's middle-class paint-ballers

    Toy guns proving a popular diversion in a country flooded with the real thing
    Al Pacino wows Venice

    Al Pacino wows Venice

    Ham among the brilliance as actor premieres two films at festival
    Neil Lawson Baker interview: ‘I’ve gained so much from art. It’s only right to give something back’.

    Neil Lawson Baker interview

    ‘I’ve gained so much from art. It’s only right to give something back’.
    The other Mugabe who is lining up for the Zimbabwean presidency

    The other Mugabe who is lining up for the Zimbabwean presidency

    Wife of President Robert Mugabe appears to have her sights set on succeeding her husband
    The model of a gadget launch: Cultivate an atmosphere of mystery and excitement to sell stuff people didn't realise they needed

    The model for a gadget launch

    Cultivate an atmosphere of mystery and excitement to sell stuff people didn't realise they needed
    Alice Roberts: She's done pretty well, for a boffin without a beard

    She's done pretty well, for a boffin without a beard

    Alice Roberts talks about her new book on evolution - and why her early TV work drew flak from (mostly male) colleagues
    Get well soon, Joan Rivers - an inspiration, whether she likes it or not

    Get well soon, Joan Rivers

    She is awful. But she's also wonderful, not in spite of but because of the fact she's forever saying appalling things, argues Ellen E Jones
    Doctor Who Into the Dalek review: A classic sci-fi adventure with all the spectacle of a blockbuster

    A fresh take on an old foe

    Doctor Who Into the Dalek more than compensated for last week's nonsensical offering