Please Please Me: Recreating the Beatles' first album

It cost £400, took less than 13 hours to record and changed pop music for ever. Paul Bignell reports on a brilliant initiative to mark its 50th anniversary

The moment the Beatles' debut album was released, their lives – and ours – were changed for ever. Yet over some 12 hours of the recording sessions for Please Please Me, the four young Liverpudlians played and chatted, carefree, drinking milk in the studio canteen, with no idea what they were about to set in train.

Tomorrow, 50 years to the minute, within the same four walls where Please Please Me was committed to tape, scores of artists will attempt to recreate the famous session.

Musicians including Joss Stone, Graham Coxon, Beverley Knight and Glenn Tilbrook will gather in Abbey Road's Studio 2 to reinterpret the tracks recorded on 11 February 1963. Also tomorrow, BBC Radio 2 will be dominated by 12 Hours to Please Me, starting at 10am and finishing – just as the original session did – at 10.45pm.

The album, which cost a mere £400 to make, was essentially just a recording of the band's live show with a few covers thrown in to bulk out the number of songs. Their producer, George Martin, often referred to as the "fifth Beatle", initially thought about recording it at the Cavern Club in Liverpool where the band played hundreds of gigs, but decided the acoustics were too poor. He opted for the north London studio instead.

The album remained at the top of the music charts for 30 weeks and was only knocked off the top spot by the band's second album, With the Beatles.

"It was a very cold morning, and I didn't know any of them," said Richard Langham, the tape operator at Abbey Road studios that day. "I actually had to ask Norman Smith, who was the engineer: 'Who are they?'"

By the last song, a cover of "Twist and Shout", with screaming and hollering all the way through, John Lennon complained that his throat was wrecked. Despite drinking copious amounts of milk, he said that every time he swallowed it felt like sandpaper.

The radio DJ and pop music critic Stuart Maconie, a Beatles fan and one of the programme's presenters, said: "I love the title track from Please Please Me. What's amazing about those early records is the urgency of the music. The first show I went to was to see the Beatles, actually. My mum took me to see them when I was about two years old, in 1964."

The Independent on Sunday spoke to some of the artists performing at tomorrow's session and asked what the Beatles mean to them.

Billy Kinsley, formerly of the Merseybeats

"We played gigs all over Merseyside with the Beatles and did one just a week before they did the Please Please Me session. I was only 15 when I first supported the Beatles. It was an absolutely magical time for me. I was brought up in a very musical family and they took me to see all the great American and British rock'n'roll stars. So, by the time I saw the Beatles, I really knew how good they were because I'd already seen all the greats. Brian Epstein gave me the album before it came out – I still remember the time I first heard 'I Saw Her Standing There'. I was absolutely knocked out. They were great as people too – especially John and Paul. They gave us a lot of advice and were kind of mentors to us, and we used to swap equipment."

Beverley Knight

"I'm singing 'Twist and Shout', which is great. The connection makes it perfect for someone like me, as the early Beatles records were often R&B covers and this was one of them. I know the Isley Brothers original pretty well. John Lennon really hollers that song though. I didn't actually listen to them so much as a kid, as I was busy worshipping at the feet of people like Prince and Sam Cooke. But as I got older and started to make music my career in my early twenties, I began to listen and seriously appreciate the Beatles' songs. As I got older, I really started to get my head round the fact that these songs were not just great but completely iconic. Because I was an aspiring songwriter myself, I started to pay a lot more attention. It's incredible to think about how young they were and the depth of the writing that was coming out of them."

Paul Carrack

"From the word go, I was a massive fan. I was initially into the Shadows, but when the Beatles hit, it just blew my world apart. I saw them play live at Sheffield City Hall on various package tours, where they were supporting other bands. I once saw them with Helen Shapiro and Roy Orbison. I was smitten, and they were definitely the reason I got into a group and do what I do. The music sounded so fresh and new … the whole excitement, everything about the clothes and the guitars and the era was so exciting. I used to play the records up in the attic on a Dansette and bash along to it on a small drum kit over and over again. I eventually got to play with Ringo on one of his All Star tours. I never quite got used to the fact that he was playing the drums. He used to speak a lot about the early days on that tour. We also went to Hamburg in the late Sixties, but by that time the heyday was over."

Ian Broudie, the Lightning Seeds

"I was born in 1958 in Liverpool, so my youth was Sixties Liverpool. I remember my brother taking me to see the films Help! and A Hard Day's Night when they came out, even though I was very little. So for me, the Beatles have always been there, whereas a lot of people 'discover' them. My son has just discovered them. Liverpool at that time was very proud of the Beatles – it was almost like they were the centre of the universe. What they were doing set the template for everything from Kraftwerk to Take That, because they were messing about with all that new technology. What amazes me about them on Please Please Me is that they go down to Abbey Road and they've got voices that are world-class straight away. It's such a rarity to have two fellers in a band who sing that way. They had been influenced by quite established people and they were singing these covers [on the album] better than them."

Glenn Tilbrook, Squeeze

"I was mad-keen to do this session. I'm a massive Beatles fan. They were part of my landscape when I was growing up. I would have been five or six when Please Please Me came out, and my brother played it constantly. But I discovered them for myself when I was 11 when The White Album came out. What a fantastic record for an 11-year-old to have! A commercial and mainstream record with all that on it – you've got to love them for pushing ahead all the time, they're the gift that keeps on giving. Playing the album now, you're struck by what a great band they already were at that time, just how hard they worked to get to that sort of polish and energy. We're doing the song 'Please Please Me' for the session, but I'm going to put my own spin on it – and I'll keep it in the same key, as it pushes me vocally."

John Bramwell, I Am Kloot

"When I was about five years old, The White Album was on all the time. My sister and both my parents were Beatles fans. It's a very long and sprawling record – very eclectic. At that time, I thought the Beatles was a place and this was just music from that place. I didn't realise it was four people. When I saw pictures of the band, I didn't realise it was those same four people. They were always changing their appearance – there was the long hair and the short hair, the glasses and moustaches and all the different suits. I started playing guitar when I was six. I wasn't trying to ape their sound – in my mind, I was just trying to be a part of the land where this music came from. So they had a subconscious influence on me and my music."

'12 Hours to Please Me' is on BBC Radio 2 throughout the day tomorrow. 'The Beatles' Please Please Me – Remaking a Classic' is on BBC4 at 9pm this Friday

PROMOTED VIDEO
Arts and Entertainment
Novelist Martin Amis at The Times Cheltenham Literature Festival

books
Arts and Entertainment
Alfred Molina, left, and John Lithgow in a scene from 'Love Is Strange'

After giving gay film R-rating despite no sex or violence

film
Have you tried new the Independent Digital Edition apps?
Arts and Entertainment
Robin Williams will be given a 'meaningful remembrance' at the Emmy Awards

film
Arts and Entertainment

tv
Arts and Entertainment
Arctic Monkeys headline this year's Reading and Leeds festivals, but there's a whole host of other bands to check out too
music
Arts and Entertainment
Blue singer Simon Webbe will be confirmed for Strictly Come Dancing

tv
Arts and Entertainment
'The Great British Bake Off' showcases food at its most sumptuous
tv
Arts and Entertainment
Cliff Richard performs at the Ziggo Dome in Amsterdam on 17 May 2014

music
Arts and Entertainment

TV
Arts and Entertainment
Educating the East End returns to Channel 4 this autumn

TV
Arts and Entertainment
Benedict Cumberbatch will voice Shere Khan in Andy Serkis' movie take on The Jungle Book

film
Arts and Entertainment
DJ Calvin Harris performs at the iHeartRadio Music Festival

music
Arts and Entertainment
The eyes have it: Kate Bush

music
Arts and Entertainment
From left to right: Mark Crown, DJ Locksmith and Amir Amor of Rudimental performing on stage during day one of the Wireless Festival at Perry Park, Birmingham

music
Arts and Entertainment

books
Arts and Entertainment
Tim Vine has won the funniest joke award at the Edinburgh Festival 2014

Edinburgh
Arts and Entertainment
Peter Capaldi and Chris Addison star in political comedy The Thick of IT

TV
Arts and Entertainment
Judy Murray said she

TV
Arts and Entertainment
Tim Vine has won the funniest joke award at the Edinburgh Festival 2014

edinburgh
Arts and Entertainment
Jeremy Paxman has admitted he is a 'one-nation Tory' and complained that Newsnight is made by idealistic '13-year-olds' who foolishly think they can 'change the world'.

Edinburgh
Arts and Entertainment
Seoul singer G-Dragon could lead the invasion as South Korea has its sights set on Western markets
music
Arts and Entertainment
tv
Independent
Travel Shop
the manor
Up to 70% off luxury travel
on city breaks Find out more
santorini
Up to 70% off luxury travel
on chic beach resorts Find out more
sardina foodie
Up to 70% off luxury travel
on country retreats Find out more
Have you tried new the Independent Digital Edition apps?

ES Rentals

    Independent Dating
    and  

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    All this talk of an ‘apocalyptic’ threat is simply childish

    Robert Fisk: All this talk of an ‘apocalyptic’ threat is simply childish

    Chuck Hagel and Martin Dempsey were pure Hollywood. They only needed Tom Cruise
    Mafia Dons: is the Camorra in control of the Granite City?

    Mafia Dons: is the Camorra in control of the Granite City?

    So claims an EU report which points to the Italian Mob’s alleged grip on everything from public works to property
    Emmys look set to overhaul the Oscars as Hollywood’s prize draw

    Emmys look set to overhaul the Oscars as Hollywood’s prize draw

    Once the poor relation, the awards show now has the top stars and boasts the best drama
    What happens to African migrants once they land in Italy during the summer?

    What happens to migrants once they land in Italy?

    Memphis Barker follows their trail through southern Europe
    French connection: After 1,300 years, there’s a bridge to Mont Saint-Michel

    French connection: After 1,300 years, there’s a bridge to Mont Saint-Michel

    The ugly causeway is being dismantled, an elegant connection erected in its place. So everyone’s happy, right?
    Frank Mugisha: Uganda's most outspoken gay rights activist on changing people's attitudes, coming out, and the threat of being attacked

    Frank Mugisha: 'Coming out was a gradual process '

    Uganda's most outspoken gay rights activist on changing people's attitudes, coming out, and the threat of being attacked
    Radio 1 to hire 'YouTube-famous' vloggers to broadcast online

    Radio 1’s new top ten

    The ‘vloggers’ signed up to find twentysomething audience
    David Abraham: Big ideas for the small screen

    David Abraham: Big ideas for the small screen

    A blistering attack on US influence on British television has lifted the savvy head of Channel 4 out of the shadows
    Florence Knight's perfect picnic: Make the most of summer's last Bank Holiday weekend

    Florence Knight's perfect picnic

    Polpetto's head chef shares her favourite recipes from Iced Earl Grey tea to baked peaches, mascarpone & brown sugar meringues...
    Horst P Horst: The fashion photography genius who inspired Madonna comes to the V&A

    Horst P Horst comes to the V&A

    The London's museum has delved into its archives to stage a far-reaching retrospective celebrating the photographer's six decades of creativity
    Mark Hix recipes: Try our chef's summery soups for a real seasonal refresher

    Mark Hix's summery soups

    Soup isn’t just about comforting broths and steaming hot bowls...
    Tim Sherwood column: 'It started as a three-horse race but turned into the Grand National'

    Tim Sherwood column

    I would have taken the Crystal Palace job if I’d been offered it soon after my interview... but the whole process dragged on so I had to pull out
    Eden Hazard: Young, gifted... not yet perfect

    Eden Hazard: Young, gifted... not yet perfect

    Eden Hazard admits he is still below the level of Ronaldo and Messi but, after a breakthrough season, is ready to thrill Chelsea’s fans
    Tim Howard: I’m an old dog. I don’t get too excited

    Tim Howard: I’m an old dog. I don’t get too excited

    The Everton and US goalkeeper was such a star at the World Cup that the President phoned to congratulate him... not that he knows what the fuss is all about
    Match of the Day at 50: Show reminds us that even the most revered BBC institution may have a finite lifespan – thanks to the opposition

    Tom Peck on Match of the Day at 50

    The show reminds us that even the most revered BBC institution may have a finite lifespan – thanks to the opposition