The rebirth of Snoop Dogg

It is said he has become a Rastafarian, and changed his name from Dogg to Lion. A new documentary will reveal the transformation of a rap superstar.

Snoop Dogg is a man in transition. Now in his forties and married with three children, he believes it's time to challenge himself musically and yearns for the respectability his 20-plus years in the business should by rights have afforded him. Or, as he puts it, "I know that Obama wants me to come to the White House, but what the f**k can I perform?"

And so, to Jamaica, where it is reported that Snoop Dogg became "Snoop Lion", converted to Rastafari and recorded Reincarnated, an album of reggae-tinged tracks, which eschews "guns 'n' bitches" in favour of "peace 'n' love". Is this a spiritual reawakening? An elaborate marketing stunt? Or just your everyday, risible midlife crisis – albeit "Doggy-style"?

Thank VICE Films, and specifically Andy Capper, VICE's Global Editor-turned-documentary-maker, for the opportunity to find out for yourself. Last year, Capper and his team followed Snoop around Jamaica for a month as he found creative inspiration with Bunny Wailer, smoked weed, collaborated with some schoolkids, smoked some more weed, recorded an album and then smoked weed again. The film was made, says Capper, at Snoop's own instigation. "It turned out that Snoop is a big fan of our stuff. He'd seen documentaries I'd made before like The VICE Guide to Liberia and Swansea Love Story. He'd seen Heavy Metal in Baghdad. So his team approached us, like, would we like to film this?" For his own part, Capper was keen, but cautious. "I said if you're gonna compare yourself to Bob Marley, which sounds a little bit rich, we're gonna have to go deep and show people what you actually mean by that."

Compare Snoop's proactive approach to branding with that of Sixto Rodriguez, the subject of last year's best music documentary, the Oscar-winning Searching for Sugar Man. In that study of humility, director Malik Bendjelloul spends the first half of the film believing the singer-songwriter is dead, such is Rodriguez's reluctance to participate in the fame game or, for that matter, perform with his face to the audience. It's hard to imagine similar reticence from the man Rolling Stone magazine crowned "America's Most Lovable Pimp".

For Snoop and his fans, the various reality TV ventures, the series of ridiculous hairdos and – most of all – the pronouncements on his own greatness are as much a part of his charm as his music. In that regard he is no different from most other rappers of his generation. If the canonic "elements" of hip-hop number four, then self-promotion must be the unofficial fifth.

It's no surprise then that hip-hop, born in the era of the Hollywood blockbuster, has so fully embraced the promotional potential of cinema. Tupac Shakur acted in seven feature films before his early death in 1996, and has been the subject of several documentaries since. There are the legions of rapper-turned actors, of which Ice Cube and Ice T are among the most successful; and while some are no doubt answering a thespian calling – Mos Def certainly didn't accept a role low-budget paedophilia drama The Woodsman in a bid to sell records – many of these films have unashamedly commercial goals.

This is particularly true of gangsta rap artists, for whom "hustle" is often both the message and the medium. Eminem's 8 Mile (2002) cemented his Detroit-based credibility and in doing so helped sell more than four million copies of "Lose Yourself", the most successful single of Eminem's career to date. Similarly, the motto "Get Rich or Die Tryin'" summed up 50 Cent's ethos so effectively, he used it twice: in 2003, as the title of his album and in 2005, as the title of his semi-autobiographical film debut.

Dan Charnas, former exec at Def American Recordings and author of The Big Payback: the History of the Business of Hip-Hop, says there's no reason why hip-hop cinema shouldn't be both marketing and art. "I think it's a false distinction, especially in hip-hop. The notion that art is some clean, pristine thing, but the means that allow people to enjoy it are somehow dirty, is very academic, very bourgeois.

"What artist who writes an oeuvre about his own struggles wouldn't want those struggles depicted on the silver screen? What's so contradictory about making money from your art and your story?"

The gangster flick – with its rise-and-fall narrative – has long been the go-to genre for these hip-hop hagiographies, and for obvious reasons, but Reincarnated takes a different tack. The scene where Snoop and his entourage stumble around a Jamaican hillside, in search of – you guessed it – some marijuana to smoke, has more in common with Cheech and Chong's stoner comedies than mid-period Scorsese.

The departure is a deliberate one, and it's all in keeping with Snoop's new career direction, says Capper, "Someone said, 'You're rebranding the superstar.' I'm like, 'OK, I guess we are.' My main message was to make people believe that what he's doing is not just a gimmick. If it's an image change, every great artist has an image change now and again, and it's one of those."

Proponents of journalistic objectivity might find this collusion between subject and film-maker troubling – aren't documentary-makers supposed to maintain a detached perspective? In fact, VICE's gonzo-take on the documentary has already been cut down to size by The New York Times media columnist and newspaper veteran, David Carr. In a much-shared clip from the 2011 documentary, Page One: Inside the New York Times, Carr gets riled after listening to VICE co-founder Shane Smith trumpet the virtues of VICE's unconventional reporting style in Liberia. "Before you ever went there, we've had reporters there reporting on genocide after genocide," Carr points out to a red-faced Smith. "Just because you put on a safari helmet and looked at some poop doesn't give you the right to insult what we do."

Yet however righteous the indignation of journalism's old guard, the VICE model is emerging triumphant. By wading into topics usually reserved for "serious" journalism, it has transformed from an independent Canadian style mag into a multimedia empire. Now even Carr's daughter, Erin Lee Carr, works at VICE as an associate producer. If Reincarnated is to be the inaugural film in a new hip-hop-bio-doc-meets-marketing-exercise subgenre (a doggumentary?) Snoop and VICE are the ideal collaborators.

Capper has no qualms about Snoop's participation as a collaborator rather than a subject. It was, he says, essential to the success of the film ("You couldn't get the access without the collaboration"), but also in keeping with a hip-hop founding principle that predates even the conspicuous commerce of gangsta rap. "I think Chuck D coined the phrase, 'Hip-hop is the black CNN', and Snoop really bought into that. He'd seen our documentaries and wanted to be like a VICE journalist, which is weird because usually you've just got Shane [Smith] there, but now you've got Snoop."

Reincarnated is released tomorrow

That's a rap: Hip-hop biopics

Notorious (2009)

Not to be confused with the 1946 Hitchcock film, Notorious chronicles the life and violent death of rapper Biggie Smalls (aka The Notorious B.I.G) in gangster-flick style. Acting unknown Jamal Woolard is great in the lead, but Nick Broomfield's 2002 doc, Biggie & Tupac, tells the story better.

8 Mile (2002)

Eninem's alter-ego, Rabbit triumphs against the odds in urban America. And with Curtis Hanson of LA Confidential in the director's chair, the real Eminem triumphed too; this one pleased film critics as much as fans.

Get Rich or Die Tryin' (2005)

Coming three years after Eminem's far superior 8 Mile, this similar film suffered by comparison. There's no getting around the fact that 50 Cent has little acting talent, and why Jim Sheridan of In the Name of the Father was signed up to direct is one of cinema's enduring mysteries.

Hustle & Flow (2005)

Djay, the hero of Hustle & Flow, is fictional, which might explain why this hip-hop story contains a lot of the character insights the other films miss. Terrence Howard plays Djay, but real-life rapper (and half-decent actor) Ludacris has a supporting role.

Have you tried new the Independent Digital Edition apps?
Arts and Entertainment

ebooksNow available in paperback
Arts and Entertainment

ebooks
Arts and Entertainment
Feeling all at sea: Barbara's 18-year-old son came under the influence of a Canadian libertarian preacher – and she had to fight to win him back
TV review
Arts and Entertainment
Living the high life: Anne Robinson enjoys some skip-surfed soup
TV review
Arts and Entertainment

Great British Bake Off
Arts and Entertainment
Doctor Who and Missy in the Doctor Who series 8 finale

TV
Arts and Entertainment

film
Arts and Entertainment
Chvrches lead singer Lauren Mayberry in the band's new video 'Leave a Trace'

music
Arts and Entertainment

music
Arts and Entertainment
Home on the raunch: George Bisset (Aneurin Barnard), Lady Seymour Worsley (Natalie Dormer) and Richard Worsley (Shaun Evans)

TV review
Arts and Entertainment

TV
Arts and Entertainment
Strictly Come Dancing was watched by 6.9m viewers

Strictly
Arts and Entertainment
NWA biopic Straight Outta Compton

film
Arts and Entertainment
Natalie Dormer as Margaery Tyrell and Lena Headey as Cersei Lannister in Game of Thrones

Game of Thrones
Arts and Entertainment
New book 'The Rabbit Who Wants To Fall Asleep' by Carl-Johan Forssen Ehrlin

books
Arts and Entertainment
Calvi is not afraid of exploring the deep stuff: loneliness, anxiety, identity, reinvention
music
Arts and Entertainment
Edinburgh solo performers Neil James and Jessica Sherr
comedy
Arts and Entertainment
If a deal to buy tBeats, founded by hip-hop star Dr Dre (pictured) and music producer Jimmy Iovine went through, it would be Apple’s biggest ever acquisition

album review
Arts and Entertainment
Paloma Faith is joining The Voice as a new coach

TV
Arts and Entertainment
Dowton Abbey has been pulling in 'telly tourists', who are visiting Highclere House in Berkshire

TV
Arts and Entertainment

TV
Arts and Entertainment
Patriot games: Vic Reeves featured in ‘Very British Problems’
TV review
Latest stories from i100
Have you tried new the Independent Digital Edition apps?
SPONSORED FEATURES

ES Rentals

    Independent Dating
    and  

    By clicking 'Search' you
    are agreeing to our
    Terms of Use.

    Refugee crisis: David Cameron lowered the flag for the dead king of Saudi Arabia - will he do the same honour for little Aylan Kurdi?

    Cameron lowered the flag for the dead king of Saudi Arabia...

    But will he do the same honour for little Aylan Kurdi, asks Robert Fisk
    Our leaders lack courage in this refugee crisis. We are shamed by our European neighbours

    Our leaders lack courage in this refugee crisis. We are shamed by our European neighbours

    Humanity must be at the heart of politics, says Jeremy Corbyn
    Joe Biden's 'tease tour': Could the US Vice-President be testing the water for a presidential run?

    Joe Biden's 'tease tour'

    Could the US Vice-President be testing the water for a presidential run?
    Britain's 24-hour culture: With the 'leisured society' a distant dream we're working longer and less regular hours than ever

    Britain's 24-hour culture

    With the 'leisured society' a distant dream we're working longer and less regular hours than ever
    Diplomacy board game: Treachery is the way to win - which makes it just like the real thing

    The addictive nature of Diplomacy

    Bullying, betrayal, aggression – it may be just a board game, but the family that plays Diplomacy may never look at each other in the same way again
    Lady Chatterley's Lover: Racy underwear for fans of DH Lawrence's equally racy tome

    Fashion: Ooh, Lady Chatterley!

    Take inspiration from DH Lawrence's racy tome with equally racy underwear
    8 best children's clocks

    Tick-tock: 8 best children's clocks

    Whether you’re teaching them to tell the time or putting the finishing touches to a nursery, there’s a ticker for that
    Charlie Austin: Queens Park Rangers striker says ‘If the move is not right, I’m not going’

    Charlie Austin: ‘If the move is not right, I’m not going’

    After hitting 18 goals in the Premier League last season, the QPR striker was the great non-deal of transfer deadline day. But he says he'd preferred another shot at promotion
    Isis profits from destruction of antiquities by selling relics to dealers - and then blowing up the buildings they come from to conceal the evidence of looting

    How Isis profits from destruction of antiquities

    Robert Fisk on the terrorist group's manipulation of the market to increase the price of artefacts
    Labour leadership: Andy Burnham urges Jeremy Corbyn voters to think again in last-minute plea

    'If we lose touch we’ll end up with two decades of the Tories'

    In an exclusive interview, Andy Burnham urges Jeremy Corbyn voters to think again in last-minute plea
    Tunisia fears its Arab Spring could be reversed as the new regime becomes as intolerant of dissent as its predecessor

    The Arab Spring reversed

    Tunisian protesters fear that a new law will whitewash corrupt businessmen and officials, but they are finding that the new regime is becoming as intolerant of dissent as its predecessor
    King Arthur: Legendary figure was real and lived most of his life in Strathclyde, academic claims

    Academic claims King Arthur was real - and reveals where he lived

    Dr Andrew Breeze says the legendary figure did exist – but was a general, not a king
    Who is Oliver Bonas and how has he captured middle-class hearts?

    Who is Oliver Bonas?

    It's the first high-street store to pay its staff the living wage, and it saw out the recession in style
    Earth has 'lost more than half its trees' since humans first started cutting them down

    Axe-wielding Man fells half the world’s trees – leaving us just 422 each

    However, the number of trees may be eight times higher than previously thought
    60 years of Scalextric: Model cars are now stuffed with as much tech as real ones

    60 years of Scalextric

    Model cars are now stuffed with as much tech as real ones